It’ s amazing how switching a couple of letters around can turn a toy into something huge and imposing. Then there’s the spaced-out Electronica with ancient Mesopotamian lyrics…it’ s something that could only be the work of Current 93 figurehead David Tibet and, sure enough, the master experimentalist is back with new outfit Nodding God, whose debut album Play Wooden Child (House of Mythology) is a blissfully madcap echo through the cosmos.Continue reading
Tag Archives: Paul Quinn
Big|Brave – A Gaze Among Them
If anyone seriously doubts the efficacy and emotion of what is essentially classed as Drone, then they have never experienced Canadian outfit Big|Brave. They have toured with bands more eagerly anticipated than themselves: but those bands oft flounder at the point of displaying true emotion. It’s here where Robin Wattie and Mathieu Ball, along with drummer Loel Campbell, find a real connection while exploiting the wondrous virtues of focus and silence.Continue reading
Dreadnought – Emergence
When allied to a sonic experience the term ‘Dreadnought‘ usually alludes to a bruising encounter with little imagination or subtlety. Not so the Denver quartet bearing that name, whose brand of Prog Metal is an eclectic mix of the weird, heavy and profoundly charming, and which spans many genres of music.Continue reading
The Shrine – Cruel World EP
Despite a brief flirtation with the Century Media label, the decade-long career of Los Angeles grease punks The Shrine has sailed largely deserted seas. As the line-up has grown, however, so has the power of the band’s sound, with new EP Cruel World (Annihilator Records) adding motorised elements to their sleazy Heavy Rock base.Continue reading
Kollaps – Mechanical Christ
Melbourne Industrial trio Kollaps has something of a reputation for incendiary live shows bordering on the violent, so involved are the band members with the apocalyptic noise they produce. Second album Mechanical Christ (Cold Spring Records) is the depiction of a hopeless, senseless world society, and a progression from debut album Sibling Lovers (Silken Tofu).Continue reading
The Pilgrim – Walking Into The Forest
Gabriele Fiori obviously has too much time on his hands. The Black Rainbows frontman also runs Heavy Psych Sounds Records, and it’s this outlet through which he has chosen to propel new project The Pilgrim, a duo with bandmate Filippo Ragazzoni, toward the masses.Continue reading
Lost In Kiev – Persona
With a penchant for wistful, stirring music, Parisian post-Rockers Lost In Kiev encapsulate euphoria and Industrial melancholy. Given this, third album Persona (Pelagic Records) has added import as a practical soundtrack to the recent devastation of their home city’s finest cultural landmark, as well as being the score for their accompanying film. Despite the opening title track’s initial sequences carrying more than a hint of Jean-Michel Jarre, that stark metallic synth adds a sinister element: while the inclusion of rampaging, howling leads in tandem with Yoann Vermuelen‘s metronomic drums gives a resonating power.Continue reading
SunnO))) – Life Metal
Secrecy surrounds the release of Sunn O)))‘s latest opus Life Metal (Southern Lord Records), aimed for a limited release on Record Store Day. Who can blame them? With albums by megastars falling victim to hacks and illegal leaks, it’s frustrating but somewhat understandable to be reviewing a product after it’s initial release. Whatever the strategy an epic journey is guaranteed and, with four tracks spanning seventy minutes, the album doesn’t disappoint in that regard.Continue reading
Spotlights – Love & Decay
Having been graced by the patronage of Aaron Harris and Chino Moreno for the last three years, Brooklyn couple Spotlights have shared the stage with the latter’s Deftones while still sailing under many radars. That may be about to change with the permanent appointment of live drummer Chris Enriquez and the release of sophomore album Love & Decay (Ipecac Recordings).Continue reading
Druids – Monument
When Iowan trio Druids‘ EP Spirit Compass (Self-release) hit my ears sixteen months ago, I was staggered by the apparent ease with which the bandmelded the darkness of Sabbath and the violence of Mastodon with the joyous, Summery Grunge of Blind Melon. It made for a heady mix and new offering Monument (The Company) promises the same excitement amid a paradoxically heavy flexibility.Continue reading