ALBUM REVIEW: Einstürzende Neubauten – Rampen


Throughout their 44-year career, Einstürzende Neubauten has upheld a commitment to making musical art, with little interest in vapid radio hits. They continue this tradition with Rampen (Mute Records). As one of the first industrial bands, it could be easily argued that the genre owes more to these guys than Throbbing Gristle. Continue reading


ALBUM REVIEW: Swans – The Beggar


 

According to the pre-Socratic Greek philosopher Heraclitus, change is the only constant in life. Everything that comes into being is a product of conflicting opposites and that process of becoming never ends. We never stop becoming. We are never at rest. The music of Swans (and by extension that of songwriter/bandleader Michael Gira) is the embodiment of an ever-changing being, existing through the continual tension of opposing forces; never at rest. 

Continue reading


CLASSIC ALBUMS REVISITED: Depeche Mode – ‘Violator’ 30 Years Later


Just the other day, I used the Instagram filter “What Goth Band Are You?” and victoriously was labeled Depeche Mode. Though I strive to be dark, brooding, emotive, sexy, and mysterious, I feel it’s best left to the professionals to truly embody and exhibit such traits, and there is no finer example than electronic rock/synth-wave masters, Depeche Mode. Thirty years ago today (March 19, 1990), Dave Gahan, Martin Gore, Andy Fletcher, and Alan Wilder gifted the world their seventh studio album, Violator (Mute Records) and today, we look back in celebration and appreciation of a record that pushed boundaries, created timeless classics, and explored sex, desire, hedonism, and other ‘taboo’ topics (with a pinch of religion). Continue reading