The Crosses is the literal translation of Die Kreuzen, and was around for a decade, a tribute to that legendary band. Ever since that group’s premature 1992 split, Vocalist Daniel Kubinski has been busying himself with a multitude of projects too numerous to list, but includes Deadfinger, Fuckface, Decapitado, Chainfall, and a collaboration with The Lord a.k.a. Greg Anderson (Goatsnake, Sunn))), Southern Lord Records) on the excellent 2023 track “Palliare.” Continue reading
Tag Archives: metal adjacent
ALBUM REVIEW: ADULT. – Kissing Luck Goodbye – Dais Records
ADULT. has become a staple of dark electronic music, moving dance floors for 25 years. Kissing Luck Goodbye (Dais Records) continues their sonic legacy, even if it takes it in an unexpected direction. The project’s sound fall closet to industrial than darkwave in terms of aggression, though Nicola Kuperus‘ vocals are certainly influenced by it. Their industrial slant should not be surprising, considering one of their frequent collaborators was Douglas McCarthy of Nitzer Ebb (RIP). The stomping anger of the track would be post-punk if this were being made by guitars. Leaning heavier into the electronics for ” R U 4 SALE”, where they take complete control of the dance floor with buzzing synths grooving chaotically, even the lyrics admit that “the chaos is what they want”. Continue reading
ALBUM REVIEW: Weft – The Splintered Oar
Embodying a whole lifetime of exploration, growth, and the ever-dynamic passages of life’s trajectory, debut album The Splintered Oar by Weft, which was released via Bindrune Recordings, is a meticulous construction well-crafted by Panopticon’s Charlie Anderson, influenced by a vast range of names and references. While the core foundation of its soundscapes revolves around Atmospheric and Death/Black Metal undertones, Weft also incorporated influences from Prog, Country, Americana, Folk, and other means of passages that aren’t strongly inclined towards distortions and belligerent beats– and it distinctively shows in the wide range of the vocal palette that Weft presented on this album; that dynamic shift from intricate, harsh growls, to choir-inspired clean singing that appear ethereal and enchanting.
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