When Stick To Your Guns are firing on all cylinders, it really is top-notch melodic-tinged Hardcore. And their latest full-length is a shining example.Continue reading
Tag Archives: Hardcore
GHOST CULT MAGAZINE TOP 75 ALBUMS OF THE YEAR 2024
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Last-minute slinky Norwegian jesters aside, our dedicated and awesome team of writers, photographers, editors, contributors, alumni, designers and what have you, have come together to work through our regular collaborative and demographic confirmation of those albums that tickled our collective pickle in 2024.Continue reading
EP REVIEW: No Cure – I Hope I Die Here
Alabama is a state with a very well-known identity and stereotype, often ascribed as being synonymous with the uneducated, right-wing conservative types. It is aspirational that the hardcore troup, No Cure, want to change that for the better. All bands have gotta start somewhere, and with a list of features, your arm’s length, No Cure certainly are reaching high with their brand new EP I Hope I Die Here (SharpTone Records).
ALBUM REVIEW: Hidden Mothers – Erosion – Avulsion
EP REVIEW: Concrete Caveman – War Behind Glass
ALBUM REVIEW: Coilguns – Odd Love
If one’s perception of Switzerland involves cliches such as neutrality, cuckoo clocks and chocolate then think again. This is a country with a truly exceptional musical pedigree, for which a cursory glance reveals the likes of The Young Gods, Celtic Frost and of course late, great musician/producer Roli Mosimann. Continue reading
ALBUM REVIEW: Conjonctive – Misère de Poussière
Swiss death metallers Conjonctive have released Misère de Poussière (Tenacity Music), an album that features their dual vocalists Randy Schaller from Voice Of Ruin and Sonia Kaya. Unlike many European Death Metal bands, there is a bouncing groove to their sound at times that might bring to mind the rougher moments of a band like Slipknot. Not that the band is trying to hop on the Nu-Metal revival train; things like the tremolo-picked guitars prove to the contrary. Though with ample Black Metal influence, aggression is more of a focus than a worship of darkness. They are skilled at delivering deliberate accents to provide more hooks than just battering your senses.Continue reading
KOYO Shares a New Song and Music Video for “Mile A Minute” – New EP Out Now
Last year Koyo released their debut full-length, Would You Miss It? (Pure Noise Records), drawing acclaim from listeners and critics alike for their unabashedly heart-on-sleeve blend of punk, hardcore, and emo. Over the past few weeks the band have been sharing reworked versions of songs from their past, but today the Long Island upstarts are back with the first completely new Koyo song since Would You Miss It?: the massively anthemic “Mile A Minute.” Listen and watch the video for “Mile A Minute” via YouTube!Continue reading
FESTIVAL REVIEW: Louder Than Life – Live at Highlands Festival Fair Grounds
Danny Wimmer Presents is an acclaimed music festival production company that hosts some of the top entertainment experiences in the country. The pride and joy of their collection is Kentucky’s Louder Than Life Festival. The first one was presented in Louisville ten years ago and has flourished since then. With over 170,000 attendees at last year’s event and even more this year, it has grown to be one of the biggest rock festivals in the United States. To celebrate their 10th anniversary, they pulled out all the stops for this monumental milestone. With nearly one hundred acts performing over the course of the four-day event was a mammoth undertaking and well worth it.Continue reading
ALBUM REVIEW: Touché Amoré – Spiral In A Straight Line
Spiral In A Straight Line (Rise Records) is Touché Amoré’s sixth album. They are not only more confident in who they are as a band, but continuing the journey fussy they are not capable of explosive emotional outbursts as heard in the song. This is handled in a more Punk way, with less overt emoting. The more polished production compliments the progression of their creative path, with the guitars being where growth is most evident. On a song like “Hal Ashby” they embrace the late nineties all over again thanks to the jangle of the guitars. This feels the most like what we once called Emo with a punk drive that thankfully owes more to Hot Water Music than Blink-182.Continue reading