Incorporating various influences ranging from Crust, Post-Metal, to Black Metal, Swedish Atmospheric Black Metal two-piece Black Birch are crafting an ever-gnarly, meticulously composed debut full-length after having previously released a sold-out EP. Continue reading
The two renowned Extreme Metal labels Stygian Black Hand and Invictus Productions are collaborating this time to release the anticipated mini-album coming from the ever-gnarly unholy trinity Horns & Hooves, entitled Spectral Voyeurism. Continue reading
If a single band were to personify avant-garde, Mamaleek have made as valiant a case as any for that honor. Continue reading
The artist known simply as W. may not reveal much in the way of an identity, but their musty Black Metal outfit Uprising hits the mark on so many different occasions on III (AOP Records). The strong synergy results in songs that sound like they’re performed by an entire band.Continue reading
Given that there’s a heatwave so severe that it was still close to ninety degrees well after sundown, it’s the most appropriate time of the year to review yet another Black Metal record from somewhere in Europe (Slovakia to be exact).Continue reading
Second album from Scarcity, the Brooklyn based avantgarde Black Metal collective, who have managed to create a sound like no other on a record that well and truly bends the mind. This is black metal, but not as we know it. True, the blackened-screams of vocalist Doug Moore (Pyrrhon / Seputus) are delivered with a typical dark venom, but they are perhaps the most conventional aspect of the sound Scarcity purvey.
Over the past nine years since releasing The Dreaming, things changed for this band. Changed in the best way possible as Akhlys’ new album House Of The Black Geminus (Debemur Morti Productions) features a darker, more intricate layering of sounds, at least on the opening track of their new album. Continue reading
Have to come clean on this one: just haven’t been feeling the Black Metal love like I used to. Don’t know, something about the genre just seemed steadfast on refusing change, aesthetically or musically. The mandate seemed to be that everyone still must slap on the corpse paint and record something with the production and mix of a VHS bootleg. That’s without mentioning certain artists and labels being complete knobs on Twitter if you dare mildly critique them in a review. Continue reading
Hailing from Tyrol, Austria, Perchta have exited since 2017 and are now releasing their second album, D’Muata (Prophecy Productions). Named after a goddess of Alpine Austrian paganism and led by Frau Percht, the band seek to marry a feminist perspective with folk-inspired black metal, whilst also focusing on the regional traditions of Tyrol. Continue reading
When I received the news that I would cover a split between the US-based Häxanu and the Sweden-based Greve for review, I was immensely enthusiastic about it as I’ve always had high expectations of the craftsmanship of both Black Metal acts– all-round mystical, atmospheric, and heavy on belligerent blast beats. Continue reading