The Pineapple Thief – Where We Stood (Live/DVD)


In their long and storied career, The Pineapple Thief have simultaneously proven to offer a consistently excellent catalogue and yet have maintained a mostly, near cult status of being under the radar. Having garnered critical acclaim since their inception in 1999 but never truly hitting commercial peaks of some of their peers, 2016 seemed to be a major step forward for them. The addition of guitarist Darran Charles and iconic drummer Gavin Harrison also seemed to light a greater fire in the band and in part led to career highlight album Your Wilderness (Kscope) and a resulting tour which included their biggest headline show to date at London’s Islington Assembly Hall. Recorded on that very night, Where We Stood shows one of Britain’s premier alternative/progressive bands in their strongest and most vibrant form to date.Continue reading


Dimmu Borgir – Forces Of The Northern Night DVD set


Top hats off to Dimmu Borgir. While it has been five years almost to the day between the recording of the second of these sets (2012’s Wacken performance where they were joined by almost 100 musicians) the release of the Forces Of The Northern Night  (Nuclear Blast) double DVD set is a perfect way to close a simply huge cycle celebrating the monumental Abrahadabra album Continue reading


Realm of the Damned -Tenebris Deos


If you’re a fan of metal music, there’s a big chance you’re also a fan of all things horror. Just released from 3 Wolves is the motion comic version of the Realm of the Damned comic book series, and it’s a Black Metal delight. Written by Alec Worley, who’s done a huge amount of work with UK publisher 2000 A.D., Teenage Mutant Ninja Turtles on Nickelodeon, and Star Wars. With artist, colorist, and letterer, Pye Parr they created a tale worthy of a metalheads’ time. Continue reading


Def Leppard – And There Will Be A Next Time Live In Detroit


 

Riding the crest of the wave of positivity that 2015’s self-titled album (earMUSIC) garnered, Def Leppard’s subsequent tour was equally well received. To celebrate and mark the occasion And There Will Be A Next Time (Eagle Rock Entertainment) was conceived – a double CD live album accompanied by a DVD of the same performance.Continue reading


Accept – Restless and Live!


Since their 2009 reunion Accept have released three stellar albums, with 2014’s Blind Rage (Nuclear Blast) reaching number 1 in the charts of their native Germany. Long term guitarist Wolf Hoffmann and bassist Peter Baltes rejoined the fold but sadly original frontman Udo Dirkschneider did not, his replacement the American Brian Johnson lookalike Mark Tornillo. Restless and Live (Nuclear Blast) comes in a variety of formats including a double album recorded throughout Europe and a live DVD.Continue reading


Ayreon – The Theater Equation


Ayreon- The Theater Equation ghostcultmag

If there is one thing that cannot be denied about Arjen Anthony Lucassen, it’s that he has a very bold vision when it comes to his music and it’s presentation. In Ayreon in particular, he shows intricacy and complexity like very few others when it comes to layering, narrative and bombast. Perhaps less mind-boggling than much of his career, The Human Equation (InsideOut) certainly made up with its operatic feel and storyline. So much so it finally lent itself to a live offering (albeit still without the near reclusive Lucassen), of which The Theater Equation (InsideOut) showcases.

Rather than just a usual offering of a band performing live, The Theater Equation offers the album in a way it was meant to be, as a full performance. Thus much of the original cast reprise their roles, including James Labrie as main protagonist Me; albeit with some exceptions such as Anneke Van Giersbergen replacing Mikael Akerfeldt. Thankfully such replacements are hardly downgrades and perfectly encapsulate the feel of their adoptive characters and roles with aplomb. Alongside the strength of its vocal cast, musically this strikes an impressive balance between studio album quality and consistency with the feel and energy of the live arena. Together these elements give such an immersive and emotional performance through a detailed story that delves into many elements of the human psyche and emotional range, as well as the original album does through its narrative.

 

With the original album’s sheer length it wasn’t for the faint hearted per se, and as follows the live version will similarly mostly suit those who are already fans of Ayreon, or at least in tune with the world of prog. With the changes in vocal personnel however and the strength of the performance and lore, The Theater Equation makes this more than just a collectible for the diehards, but a piece that many will find worth in, in what is still one of Lucassen’s more accessible works in such a rich and deep catalogue.

8.0/10

CHRIS TIPPELL

 

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DVD Round Up – The Rolling Stones, The Jam, Black Stone Cherry, Ritchie Blackmore


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If the surfeit of Christmas tinsel, chocolate and nostalgia is enough to drive you to immerse yourself in a VAT of Jaegermeister, or if you have already had enough of Christmas “specials” of television programmes that weren’t actually that special to begin with then, during this holiday season you could while away some hours with some of the really rather excellent music DVDs that are available from your local emporium of choice.

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Here at Ghost Cult Towers we have literally toiled hard from our sofas to check out the ones that are worth parting you from your hard earned cash. Top of our proverbial pile is, perhaps somewhat surprisingly, The Rolling Stones. Those lovely folk at Eagle Rock Entertainment have been slowly but surely releasing some terrific footage of Jagger and co at various points in their historic pomp. Live from The Tokyo Dome 1990 and Live at Roundhay Park 1982 are two cases in point. Filmed in 4:3 ratio (and considerably pre internet) the first is a spruced up version of a TV special that celebrated the band’s arrival in Japan and the culmination of their Steel Wheels Tour. ….Roundhay Park, filmed eight years earlier when the band were battling to retain relevance in a world dominated by post disco and New Romantics, is equally compelling. What could have been exercises in simple nostalgia actually turn out, thanks to the wonders of remastering, upscaling and a new audio track (thanks to sound wizard Bob Clearmountain) to be performances of considerable panache and verve, mainly thanks to Jagger and Richards being on particularly good form and yet more evidence, should it be needed, as to why this band are regularly regarded as the best live experience on the planet. These are the sort of DVDs that PR companies will say are “a must for any fan”. In this case, they might actually be right for once.

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About The Young Idea is a quite brilliant documentary about UK mods The Jam and, in particular, frontman Paul Weller. This is very much a warts and all documentary, ultimately sympathetic to the threesome, placing them appropriately in the canon of great British bands of the late 20th century. What resonates in this film is how diverse the band were in terms of influence and inspiration before what now seems like an inevitable breakup in 1982. Packed with brand new interviews with the band’s principal protagonists, About The Young Idea reveals itself as part insightful documentary, part labour of love, all fabulous music. If you remain sceptical after watching the film, then have a look at the accompanying live concert footage from 1980 where the band’s energy, anger at injustice and clarion calls to the youth to change the world around them can be seen in full effect. Indispensable.

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Shifting decades and gear somewhat, Black Stone Cherry are the hard rock underdogs made good and this energetic live concert film, Thank You shows just why. Their early career saw them somewhat unloved in their home country (USA) but they were soundly adopted by the UK and Europe and have subsequently built a fairly decent career, including notable performances at Download festival and their own sell-out arena tour, which this film documents. Black Stone Cherry are one of those bands that tend to divide audiences but, for the uninitiated, this is a standard concert film where, if nothing else the band are ridiculously hardworking, highly energised and pretty much adored by their fanbase. As souvenirs of their well received 2014 tour go, this is the one to own – it’s miles better than their over-priced t-shirts anyway…

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And so we come to The Ritchie Blackmore Story, which is a well-produced, insightful and fascinating talking heads style documentary about one of hard rock and heavy metal’s most revered and talked about characters. This is a DVD worth owning, not just for the vintage footage but thanks to brand new and exclusive interviews with the main man himself. You get a rounded picture of what drives and inspires one of rock’s most feted players. Pretty much everyone and anyone turns up to pay their respects- there’s Queen’s Brian May, Jethro Tull’s Ian Anderson and Gene Simmons all saying very nice things and Joe Satriani and Toto’s Steve Lukather revelling in being true fan boys but it’s Ritchie himself, entirely appropriately, who is the star of this. It’s the kind of DVD that you’ll watch time and again and the kind of DVD that will make you want to rediscover or (in my case) discover the man’s music.

Job done, then. Merry Christmas.

 

MAT DAVIES

 

 

 

 

 


Paradise Lost – Symphony For The Lost


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Set against a stunning and wholly appropriate backdrop of the genuine Ancient Roman Amphitheatre of Philippopolis in Plovdiv, Bulgaria, Symphony For The Lost (Century Media), a double CD and DVD package, is a culmination of a seed germinated and cultivated over a decade before being actualized in a unique and special moment for a band that has made a genuine and lasting impact on European metal and beyond, as Halifax’ finest, Paradise Lost, achieve a long-held ambition of performing with a full orchestra (the Plovdiv Philharmonic) and the Rodna Pesen choir.

Split into two halves, the first set is the band performing a selection of tracks specifically chosen due to their natural allegiance to classical music – accompanied by the full orchestra and choir – beautifully scored by Levon Manukyan, known for classically reworking Marilyn Manson and Judas Priest along with collaborating with Tarja Turunen.

While Paradise Lost’s music does lend itself to the swells, crescendos and additional trimmings expertly and subtly applied by Manukyan, containing a lot of space, it is particularly pleasing how compatible the partners in this marriage are. While Metallica’s S&M (Vertigo) was a spotted affair, the eight tracks of collaboration here are perfect bedfellows, with ‘Victim of the Past’ from The Plague Within (Century Media) in particular enriched  by the additional melodies and strings that dance over the intro and weave into the tapestry of the song.

‘Tragic Idol’ is a classy opener, and throughout Nick Holmes is in good voice while Gregor Mackintosh’s distinctive melancholic leads intertwine with the strains and descants flowering around him, before we are treated to a jaw-dropping, mesmeric rendition of ‘Joys of Emptiness’; the iconic (sic) track truly resplendent in darkest majesty. The doom-grandeur of ‘Gothic’ is the natural conclusion to a special first half of the show.

The one nagging disappointment is that, as with exposure to any good thing, the desire is, naturally, to want more, and the second half of the set, performed sans embellishments,  leaves you wishing that they had the same orchestral touches and enhancements, particularly as the backing tracks splice in synths, strings and female vocals. It’s a minor quibble, as the band polish off the latter nine tracks with style and panache.

Deliberately eschewing the option of being too dramatic or cinematic with the shooting, the direction is an understated warts-and-all that suits the band, as does Holmes dry self-deprecating between song wit. The overall release is truly completed by the brilliant Bulgarian crowd, as you can feel their love for PL, and their gratitude at witnessing something special, in their honest appreciation and participation.

Paradise Lost is one of Britain’s greatest, most distinctive and influential bands. Symphony For The Lost is a fitting addition to their career and a well-deserved achievement.

 

8.5/10

 

STEVE TOVEY


Rammstein – In Amerika


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Rammstein fans have reason to be optimistic. Frontman Till Lindemann confirmed this year that they have started work on a new album (anticipated to arrive in 2017) which will no doubt prompt a world tour. I’m already exited by the prospect.

In the meantime, you can whet your appetite with In Amerika (Spinefarm Records), a concert film of their triumphant 2010 show in Madison Square Garden and features two extras – a 21-minute short showing the making of Liebe Ist Für Alle Da and the star of the show: Rammstein In Amerika – a 2-hour rockumentary chronicling the career of this famously private band.

Following the a well-established rockumentary formula, the most surprising thing about it is its duration. It genuinely doesn’t feel like 2 hours and never once gets boring. This suggests some serious skill on the part of the director, and quick check on IMDB shows that Austrian Hannes Rossacher is an old hand at documentary and working with bands. Indeed, he has worked with Rammstein before (in 2003, on Lichspielhaus – a collection of videos, gig footage, featurettes & TV ads) and deftly delivers a story that’s true to the band’s culture and endearing in its portrayal.

The story starts with the band members in East Berlin, covers their meeting and formation of the band that was to become the Rammstein that has remained unchanged (in terms of members) since 1994 and takes us through the apprenticeship of their early German shows and the release of Herzleid.

The origin story, however, (this is “In Amerika” after all) is treated as preamble. The film’s meat begins with the recording of Sensucht and the band’s first US tour in 1997 with fellow Germans KMFDM, follows their journeyman phase, explains their 10-year absence from the Land of The Free and culminates with their masterful return where they sold out The Garden in less than 30 minutes of pre-sale.

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The outstanding quality of the engaging film-making provides extra colour and depth to the band for existing fans and serves to expose some of the cerebral and emotional qualities of Rammstein that’s hidden from those less familiar behind the shock-rock stories and stage hype. It’s not all about the pyromania.

Wisely avoiding overuse of purpose-shot band footage, Rossacher relies heavily on the band’s own archive footage and interviews from an array of well-known (and not so well-known) faces. This serves to keep the piece grounded and prevents it from becoming the self-parodying fluff that many music DVDs become. Excellent.

In Amerika is available on DVD or Blu-Ray and has the following tracks:

Disc 1 – Madison Square Garden

01 Rammlied

02 Bückstabü

03 Waidmanns Heil

04 Keine Lust

05 Weisses Fleisch

06 Feuer Frei!

07 Wiener Blut

08 Frühling in Paris

09 Ich tu Dir weh

10 Du riechst so gut

11 Benzin

12 Links 2 3 4

13 Du hast

14 Pussy

15 Sonne

16 Haifisch

17 Ich will

18 Engel

 

Disc 2 – Documentary

01 Rammstein In Amerika

02 Making of Liebe Ist Für Alle Da

 

8.0/10

PHILIP PAGE