Tool is Teasing Something “10,000 Days” Related


 

Other than releasing pricey vinyl collections, Tool has been ominously mum since the end of their Fear Inoculum World Tour earlier this year. In a recent interview with Rick Beato, frontman Maynard James Keenan laid out the next year of activity for one of his bands – Puscifer, who has been super busy with live streams, and new live-in-the-studio albums coming soon. Yet, little mention of Tool or a perfect circle. As first reported by Metal Injection, the band is now teasing something cool, possibly related to their classic album 10,000 Days, which had a 15 year anniversary in 2021. We will follow up when we know more! 

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The Top Ten Stories at Ghost Cult This Week 11-04-22


In a new feature here, we recap the biggest stories of the week that was here at Ghost Cult! We went over ten, but we are rebels at heart! This week you seemed to realy enjoy our Devin Townsend content, a new version of a GNR classic, a live review about the upstart band Soap Girls, Metallica stuff, Slipknot’s future plans, the return of The Black Dahlia Murder, our interviews with In Flames – author Andrew Thorp King – and the co-founder of Damnation Festival, Lamb of God saying take a good hard look at the m@!%!% boat, our coverage of Riot Fest, sending love and support to Lingua Ignota, and more!Continue reading


5 MINUTE REVIEW: Slipknot – “The End, So Far”


Check out our 5 Minute Review of the new album from  Slipknot  – “The End, So Far” – releasing on Roadrunner Records on September 30th, 2022.Continue reading


ALBUM REVIEW: Slipknot – The End, So Far


From the sublime to the ridiculous, Slipknot have been criticised for many things over the years, but playing it safe is one accusation that rarely arises. While it’s true the Iowan nine-piece possess a patented, signature sound, it’s also clear they’ve never been afraid to take chances, pushing the envelope at every turn. Even on their 1996 full-length demo Mate. Feed. Kill. Repeat. Slipknot were taking risks. Risks that led to the reward of a major label deal and a hugely successful career built on a foundation of unpredictability. 

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Watch an Unboxing Video for Tool’s “Fear Inoculum” 3-Disc, 180-Gram Vinyl Edition, Out Now


Tool’s acclaimed fifth album, Fear Inoculum (RCA Records),  has a brand new 3-disc, 180g vinyl release for 2022. The collection, which is available for order now at the link below, features new artwork from guitarist Adam Jones, and is housed in a triple gatefold jacket with an exclusive poster. 

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ALBUM REVIEW: My Sleeping Karma – Atma


 

My Sleeping Karma proffers a heady instrumental in Atma (Napalm Records). The six tracks on Atma are ripe for playing over and over and over again and, at times, are mesmerizing to the point of feeling insensate. As this is a fully instrumental album, it’s up to the listener to provide sense and meaning to the aural sensations. Continue reading


Tool’s “Fear Inoculum” 3-Disc, 180-Gram Vinyl Edition Due Out This Summer


Tool’s acclaimed fifth album, Fear Inoculum (RCA Records), arrives as a 3-disc, 180g vinyl release on August 5th, 2022. The collection, which is available for pre-order now at the link below, features new artwork from guitarist Adam Jones, and is housed in a triple gatefold jacket with an exclusive poster. 

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ALBUM REVIEW: Oreyeon – Equations For The Useless


Italian stoner rockers Oreyeon release their third album Equations For The Useless (Heavy Psych Sounds), a potent mix of stoner, grunge, heavy rock, and lengthier progressive compositions. This album notably draws on the influences of years gone by not only in style but was also recorded live, an approach to a recording I’m very much a fan of. 

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ALBUM REVIEW: Dälek – Precipice 


Dälek (pronounced ‘Die-a-leck’) returns with a new album Precipice on Mike Patton’s Ipecac Records. In what is becoming a common refrain of recent times, the album originally planned for 2019 has been completely overhauled because of the pandemic, and the chaotic times we currently find ourselves in. The duo of MC Dälek and DJ Mike Manteca felt that the originally planned album wasn’t strong, angry or heavy enough for the times we have endured. The added strength, anger and heaviness are indeed defining features on Precipice.

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