Dumb and Dumbest Episode #271: More on Taylor Swift


It should go without saying but bears repeating: you need to read every contract you sign and have a good lawyer you trust. Dumb and Dumbest #271 is streaming now and it’s all about More on Taylor Swift. Dumb and Dumbest is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions) and Publicist Curtis Dewar (Dewar PR), in addition to the podcast, Matt and Curtis host The Music Marketing Challenge, a low-cost, super high-value private training to bands and artists. Get hands-on practical experience to market your band like a pro today! Message them at the links below. Continue reading


Dumb and Dumbest # 239: Memes and Virality


If you have your finger on the pulse of what is going on in pop culture, or even just within your scene, you can use relevant content like memes to engage your fans, and perhaps, go viral! Dumb and Dumbest #239 is streaming live now and it’s all about Memes and Virality with guest co-host Keefy from www.GhostCultMag.com. Hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions) and Publicist Curtis Dewar (Dewar PR), in addition to the podcast, Matt and Curtis host The Music Marketing Challenge, a low-cost, super high-value private training to bands and artists. Get hands-on practical experience to market your band like a pro today! Message them at the links below. Continue reading


Tool Has the Number One Record On Billboard Top 200, Worldwide Charts Too


Although heavy music rarely concerns itself with popularity and chart rankings, the hits this summer of Rammstein, Slipknot and now Tool have been especially impressive. Following Slipknot’s #1 position on Billboard for We Are Not Your Kind (Roadrunner), Tool’s Fear Inoculum (Tool Disectional/Volcano/RCA Records) is the number one record on the Billboard (America) chart, beating out platinum pop artists such as Lana Del Rey and Taylor Swift. The band sold over the U.S. sales charts, selling 270,000 units, of that total over 248,000 were in traditional album sales (the physical album version). The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units are comprised of traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The band also has #1 records with the album debuting at #1 in Australia, Norway, New Zealand, and Belgium, as well as Top 5 debuts in the UK, Germany, The Netherlands, Ireland, Italy, and Finland.Continue reading


Gorilla – Treecreeper


 

Perhaps it’s churlish at this point to note that UK Stoner Rock band Gorilla is being just a bit misleading with the title of its new album, Treecreeper. (Heavy Psych Sounds.) Put simply, gorillas don’t climb trees. Well, alright, juveniles and lighter adults have been observed to do so in the wild. But the metal-as-fuck silverbacks don’t, because they’re too heavy, MAAAAAN. Continue reading


New Years Day – Unbreakable


If Wes Craven was a genre of music, it would be New Years Day. For the most part, Ash Costello and gang have depended on a recipe of heartbreak mixed in with edgy guitars and a punk rock attitude. On their fourth release Unbreakable (Another Century) they break free from their comfort zone with a more confident, electro-fused, uplifting follow-up.Continue reading


To The Rats And Wolves – Cheap Love


If you are after a deep and introspective album that’ll make you ponder about the world’s mysteries, Cheap Love (Arising Empires) by To The Rats and Wolves isn’t the album for you. That’s because Cheap Love is the album you want to be playing halfway through the night at your local alternative club. With just enough heaviness and to get away with fitting under an alt-label and the right amount of infectious hooks and beats per minute.

This eleven-track release will keep you partying til the early hours of the morning!Continue reading


Memphis May Fire – Broken


When they erupted onto the scene in 2006 as Oh Captain, My Captain, Dallas natives Memphis May Fire made quite the splash with their early releases. Critically, the last couple of efforts have not been received well, though – the band became preachy but still maintained a gritty Metalcore sound, however, the output contained nothing to really awe the audiences.Continue reading


Hear Anthony Vincent Cover Pop Songs In The Style Of Metallica


Famous for his series of amazing YouTube video series 10 Second Songs, metal musician Anthony Vincent is back with another set of parody tracks. Hear him take on pop hits such as Britney Spears ‘Hit Me One More Time’, ABBA‘s ‘Dancing Queen,’ and Taylor Swift‘s ‘Look What You Made Me Do’ and recreate them in the style of Metallica. For this video Anthony recruited his friend and guitarist Eric (EROCK) Calderone. Continue reading


On The Road… with The Ghost Inside


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Embarking on a month long U. S. tour known as the “Locals Only Tour” The Ghost Inside are traveling alone. Stopping in each city, they are playing with the opening support of bands native to the city they’re in for the day. TGI vocalist Jonathon Vigil has said that all bands started out as local bands, and being able to get to know them on each stop is a unique experience. In between TGI’s highly energetic songs, the frontman stops and talks , in detail, about each band, and what unique trait they bring to the stage. This is surely one of the most intimate tours that has taken place in he US this year. The band is out on the road supporting last year’s Dear Youth album (Epitaph), and the band is headed next to Europe this winter supporting Refused. At the tour stop in Birmingham at Zydeco, the locals brought a unique mash-up of sounds. From Tempter’s guttural deathcore sounds, to Noir covering Taylor Swift (‘Bad Blood’), and Veda’s technical riffs and wide vocal range. There is only about a week left on the tour, so check it out if you can.

 

The Ghost Inside, by Brent B Photos

The Ghost Inside, by Brent B Photos

 

The Ghost Inside, by Brent B Photos

The Ghost Inside, by Brent B Photos

 

Tempter, by Brent B Photos

Tempter, by Brent B Photos

 

Noir, by Brent B Photos

Noir, by Brent B Photos

VEDA, by Brent B Photos

VEDA, by Brent B Photos

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WORDS AND PHOTOS BY BRENT BUTTERWORTH


Venom Prison – The Primal Chaos


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Sat backstage at Temples Festival in May 2015 were five quiet, unassuming, polite young people, looking for all the world like competition winners nervously waiting in chairs to be shuffled through to meet Taylor Swift having been told to be on best behaviour by their Ma. Fast forward an hour and those five, quiet, unassuming, polite young people had transmogrified into a flailing, seething ten legged beast, spewing forth carnage and devastation. Not Tiamat, no, something far more deadly than that; they had become Venom Prison.

And so, with a buzz that began as a whisper now as incessant as a swarm of wasps inches from your eardrum, the cult of Venom Prison is set to enhance and further itself once more with the release of their debut EP, The Primal Chaos (Soaked In Torment); four tracks, twelve minutes that kick you in the groin and then taser you in the gut until defecation occurs.

The tasering occurs from the lashings of modern death metal wrought with hardcore sensibilities and feel, welded into a substantial spear of chugging attack, while the groinal devastation comes from a thick production that, unlike most present-day death metal sounds, allows room to breathe and spits a raw, live sound, a welcome change to the clinical, dry, overproduced and emotionless offal cuts that so many of today fart out; The Primal Chaos has just the right amount of sloppy to feel like the thump of a ten-ton hammer.

Larissa’s vocals are more scream than guttural, but that suits the urgency expounded by the South Wales quintet, and adds to the overall feel of a contemporary death metal meets metallic hardcore band dousing their offspring in the lighter fluid of the old school 90’s underground before tossing a flaming rag at it and watching the primal chaos burn.

 

7.5/10

STEVE TOVEY