“I’m sixty-three years old, booking a world tour, the tickets are flying out the door… Why the fuck should I give a fuck?!” was David Coverdale’s rather eloquent response to criticisms of the concept of Whitesnake’s The Purple Album (Frontiers), an album that does exactly what it says on the tin (and then some), revisiting The Cov’s years as frontman of Deep Purple and Whitesnake-ing up a selection of his favourite tunes.

And, the guy has a point (so to speak – as the millions… and millions… of The Cov’s female fans would testify), for not only did he co-write all of these magnificent  and timeless rock songs in the first place, but The Purple Album is a rather fine run through of them that will please both ‘snake and Purple fans alike, as tracks from the 70’s are electrified by the guitar talents of former Winger six-stringer Reb Beach and Trans-Siberian Orchestra’s Joel Hoekstra.

It needs to be said, these are not “better” versions of the originals, but new, different versions, presented in vibrant aural technicolour – a thoroughly enjoyable run through of a selection of songs that do benefit from the modern, ballsy rock (but oh-so-slick) production, provided by Coverdale, Beach and Michael McIntyre. It also needs to be acknowledged that this is no bog-standard re-record. What we have here is one of Rock music’s most iconic and distinctive vocalists laying down versions of some truly seminal tracks – ‘Burn’, for example, an instantly identifiable riff and powerful chorus that inspired many . All through, The Cov is on absolute fire, effortlessly wrapping his larynx, like thick, oozing melted chocolate undulating down and over a fulsome breast, around ‘Love Child’, playful and powerful on a driving version of ‘Lady Double Dealer’ that sounds like it could have been on 1987 (EMI/Geffen) or soulful and with gravitas on ‘Soldier of Fortune’. While predominantly a Rock album,  ‘Holy Man’ and ‘Sail Away’ are sensitively delivered by the distinctive, legendary tones of Lord David Coverdale.

What we have is a celebration of Coverdale’s career that sees him taking classic songs from the very beginning of it and peppering them with the condiments of his band, Whitesnake. The only real mis-step is ‘Mistreated’, because despite all the skill and best will in the universe no one can play that song and make those notes sing and emote like Ritchie Blackmore, but it is the only time things don’t quite hit the mark. For when all is said and done, all The Purple Album is, is a(n excellent) selection of Deep Purple songs played by Whitesnake. And a very good thing that is too.

8.5/10

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STEVE TOVEY