From The Shadows – Rozamov


Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Boston’s sludge and doom metal merchants Rozamov are hitting the road next week with Moon Tooth on a tour that will take both bands through some new territories, surely making new fans. We caught up with the power trio recently to discuss the upcoming tour, the progress of their new album, their approach to songwriting, and that time when they saw Slayer warm up with a Journey cover:

 

Rozamov is hitting the road with Moon Tooth in June. What you most looking forward to for the tour?

Tom Corino: I’m most looking forward to getting to see a little bit of Canada and to play outside the country for the first time. I’ve wanted to get the band north of the border for a while, it feels great to be getting on the road again even for a short little run. It’s the first tour with Yianni so it’ll be a good way to see what it’s like to tour together with the new lineup too.

Matt Iacovelli Each tour has its own flavor and rhythm so it will be interesting to see how this group of people interact.

Yianni Tranxidis: For this short run, were most excited to visit Canada for the first time. This will be ours & Moon Tooth’s first Canada shows, so it’ll be an interesting experience to see how the shows will go.

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

After the tour, are you guys hitting the studio straight away, or are their more songs to write still for the new album? Can we expect the album in 2016, or next year?

Tom: We hit the studio last year and have the finished product ready to go. We recorded with Jon Taft at New Alliance East, which was a great experience. That studio is a great little room and Jon was great to bounce ideas off of. We’re working with a couple labels on different formats for release and we’re getting artwork and such together. It’s looking like an early 2017 release right now, we were hoping to get the record out this year but we didn’t want to rush anything considering how long vinyl turnaround can take these days. This way, everything will be out at the same time and no one will be left waiting around for vinyl to show up.

Matt: We are in the process of getting the artwork together.

Yianni: After this tour, we’re going to be writing more material, as well as finishing up the details for our upcoming album with Rozamov’s former drummer.

Matt: Hopefully it will see release early next year. We have some interested parties involved so things are looking good in that dept. I can’t give you any super specific details just yet.

 

Rozamov - Matt Lambert 2016-3

 

The ‘Ghost Divine’ track from the split 7-inch with Deathkings was great, and seemed to mark a new direction for the band. Will hear more of that style?

Tom: ‘Ghost Divine’ is a lot faster than the material on the new record but the vibe from that song will certainly be present on the record. The new album is by far the heaviest collection of songs we’ve done to date, reflecting the 2014-2015 winter when a good chunk of the record was written. I know I certainly was not in a good place at that time, being buried under 110 inches of snow will do that, so it’s a pretty dark record.

Matt: Not as far as speed or delivery but maybe in feel and over all tone..Ghost Divine was a step apart from really anything we’ve done. In truth we were building a record around that very song, it got picked up by Ryan from Midnite Collective and the rest is history..but the new material is slower and more deliberate its a little more bleak, a little more doom that before.

Yianni: “Ghost Divine” was definitely a huge shift in sound for the band, as it incorporates a mixture of heavy, complex, and driving riffs, while still keeping the core of our Doom sound. A lot of dynamics, and rhythmic changes, which definitely pushed us to write something we haven’t written before. I believe that we’re a band that will always have something different to offer, so I wouldn’t be surprised if our future material will sound a lot like this, and pushing the boundaries even more.

 

Rozamov - Matt Lambert 2016-9

 

What is the writing process like for the band? Is it a constant group effort, or do the individual members bring in their own material?

Tom: We usually write together in the practice space, it’s just the way Matt and I do best. Matt comes up with a good chunk of the original ideas for a riff and we’ll hash it out together in the space. Sometimes we bring in ideas that we’ve written on our own but a lot of those ideas either don’t fly or get dramatically changed in the room. Matt and I push each other to write stuff that’s interesting to the both of us and we can get pretty brutal on each other’s ideas. I think we both work best when we have someone to bounce ideas off of and to push someone in the right direction when they are onto something and struggling.

Matt: I think we just went for it and wrote 3 songs, as yet to be played live, they won’t see Canada this time. Every person has a personality so it will always change the vibe.

Yianni: In terms of the writing process, we all collaborate together. We’ll usually have one or two riffs that one of us have had, and bring them into the practice space, however we do a really good job at making fresh new riffs when we’re together. After that, we work on each segment, and figure out how we want to piece it all together. Being a new member, it’s always going to be interesting seeing how that will influence a band’s writing process, however when we work on riffs, we all talk about it together, and welcome ideas from all sides, so I’ve felt very welcome to bring my ideas to the tables.

 

You’ve had some turnover in the band the last few years, and now have a new drummer. With two longtime writing partners, how hard is it to incorporate a new person into the mix?

Tom: We try to always be writing. We were writing new material almost immediately after the recording sessions for the new record were over, before we had made the change behind the kit. Each change in the lineup has molded us and changed us as a band, and hopefully the same goes for those band mates. Yianni brings his own flavor to the band and allows us to try out ideas we’ve wanted to attempt but couldn’t before. We’re still getting used to him in a writing capacity so we’ll see where it ends up in the long run, but we’re just excited to bring a new outlook to the band.

Matt: It’s a constant group effort. I write a lot of the riffs but its a definite group deal. We are very serious about the sound and so we are brutal as fuck and… not every riff i write is good, honestly we kill more riffs than we keep.

The band has already shared the stage with some major acts and played a few large festivals. What is your favorite gig so far and the one gig to play or band in the world that is your dream to play with someday?

Tom: I’d say that my favorite show we’ve played so far was the Rubber Tracks gig with Slayer and Doomriders. I’ve been a fan of Slayer since I was in high school so to see those guys for the first time in a 500 cap room as the opening act was a dream come true. Playing with Doomriders was also absolutely great. Any day Nate Newton says your band was rad after your set is a good day in my book, and we’ve become friendly with those guys since.

Matt: Well Slayer and Pyscho (California) Fest were highlights for sure. Slayer had its own thing going, its own style and vibe. It was cool to see them sound check with some Journey….What?!

Yianni: Ever since I joined the band, we only played a couple of shows, however my favorite one was our show with Intronaut, Scale the Summit, and North, which was on March 30th at the Downstairs Middle East. That was a really fun time. I think the whole band would agree that sharing the stage with Mastodon would be a dream come true. We’re all very big fans of them, and highly influenced by their groundbreaking sound.

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

 

INTERVIEW BY KEITH CHACHKES

PHOTOS BY MATT LAMBERT


On The Road…. with Rozamov


Rozamov - Matt Lambert 2016-21

Rozamov, by Matt Lambert

That Boston’s Rozamov is an excellent band won’t surprise too many that have seen them live, or checked out their available tuneage. Their 2013 short player of Gods And Flesh was a flesh peeler and an ear opener to me for sure. Plus, it had some seriously sick artwork if I recollect. Their split with Deathkings, released a year ago showed a further exposition to the style they started, unafraid to take chances musically, yet playing to their strengths as a unit. If groups like early MastodonHigh On Fire, YOB, Black Tusk, Pallbearer, and Vallenfyre are your thing, this band will be right in your wheelhouse. In advance of an interview we are brewing with the band; Matt Lambert photographed them in their natural habitat for Ghost Cult. You can  see them here, destroying it live at this hometown gig at the Middle East Nite Club, while opening for Intronaut and Scale The Summit. The band hits the road in June for a short run of tour dates with Moon Tooth. Their new album will follow later this year.

 

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

 

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

 

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Rozamov on Bandcamp

Rozamov on Facebook

Rozamov on Twitter


Scale The Summit Releasing V This Summer Via Prosthetic Records


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Scale The Summit’s new album will be titled V, due out this summer via Prosthetic Records. They have completed the recording of the album with Jamie King (Between the Buried and Me, The Contortionist) and he will begin mixing duties shortly. This also marks the recording debut of new drummer J.C. Bryant.


Prog Sphere Accepting Submissions For Free Compilation


 

submissions open

 

The Prog-Sphere label and website is accepting submissions from unsigned bands for their first ever Progstravaganza CD edition. They will review all submissions and then select 11 songs (up to 7 minutes in length) that will be sent for a final master. The deadline for submissions is September 10th, 2014.

 

progsphere logo

 

The roots of Progstravaganza started as a compilation series from their label in 2010, and in the past have included such notable names as Astra, Scale the Summit, The Wrong Object, Exivious, Blotted Science, Soft Machine, Fughu, Galahad, and many more. The twentieth edition will be called Landmarks and besides new bands it will feature some of the artists that were featured on the previous samplers. Prog Sphere is also starting a mini-documentary series titled The Story of Progstravaganza, where some of the artists that were featured in the past will be talking about progressive music today.

On top of that, every band is showcased with an interview on the Progstravaganza website and is also featured on ProgSphere’s Progify streaming service. Baddass!

Besides the inclusion on the sampler, Progstravaganza CD also brings features in a special printed Progstravaganza magazine, 6-month promotional campaign, interviews, reviews, lyric/photo videos, polls, commentaries… More features will be added.

progstraviganza cd

Artists interested in taking part on the first physical Progstravaganza edition can get in touch with Prog Sphere at info@prog-sphere.com, with included link of a song and short biography.  

 

 

www.prog-sphere.com
www.progstravaganza.com
ProgSphere on Facebook


Cynic to Embark on Second Leg of Headline Tour Soon


 

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One of the more underrated tours this summer so far that definitely should be getting a bigger buzz is the Cynic headline tour. On the strength of their excellent new album Kindly Bent To Free Us (Season of Mist) the band is embarking on coast to coast jaunt and taking with them some exciting bands to boot. Ghost Cult will be catching this tour in a few weeks near our HQ in Boston. Lucky for us Bostonians we have an abundance of great progressive music in this town with Berkelee School of Music and several prestigious local conservatoires. The second leg kicks off soon, so we will truly have a Prog Metal party in this town  on the night of August 9th.

 

 

Kindly Bent To Free Us was our Album of The Month for March this year. As Cynic main man Paul Masvidal told Ghost Cult in a wide ranging interview for the cover of Issue #16, Cynic was never intended to be a band that re-made their seminal Focus album over and over:

 

I mean it’s funny, because it’s the same attitude I have right now, the mindset I have right now, this is the same person that created Focus. They want us to to recreate a sound would have never happened had I not been this person. It contradicts the very nature of the band to try and play it safe, do something familiar, repeat a pattern, stay in a cocoon, of “we found a sound, let’s just recycle it”. That goes against everything this band represented. Especially at the beginning with Focus, we were going against the grain. Everyone was offended and everyone was confused, we had a really hard time back then. It took a while for people to come around and realize there was something there. And now they want to keep you in the same place. It’s the eternal dilemma that every artist goes through, that has a work that maybe it’s received well. It represents a time and place, and has a sort of historical reference, and people want to keep you there. They are forgetting, we change too. We evolve. Art is not a static thing. It is alive. The very nature of Cynic is to honor that process of being open and having skill as a musician, enough to develop a voice that keeps expanding and exploring. For me anything but that, would be the death of this project. It is all about a platform for freedom and exploration. Art is not a thing, it’s changing. That is how I view it. I can’t imagine it any other way.”

GC 16 front cover

 

Cynic is not to be missed live and still pulls out many an old gem live from the Focus era. In addition to drummer Sean Reinert, Cynic is joined by bassist extraordinaire Sean Malone who rarely has toured with the band, in spite of playing on every recording the band has made. Joining Cynic that night will be three other bands. The atmospheric, piano driven jazzy alt-rock of The Reign of Kindo will surely mellow out the crowd ready to rock out. Meanwhile Lesser Key will thrill fans of bands as diverse as Failure and Pelican. Lesser Key has among its ranks former Tool bassist/co-founder Paul D’Amour. And last and not least, local Boston prog metal heroes Protean Collective are opening the bill. They are still supporting their recent epic album The Red and the Grey and are calling your name if you like Scale The Summit and other modern prog bands.

 

 

 

Buy tickets to this show!

Cynic on Facebook

The Reign of Kindo on Facebook

Lesser Key on Facebook

Protean Collective on Facebook


Ghost Cult Magazine #18 is out now!


GC 18 cover ALike a bat out of hell……Ghost Cult #18 is here! The new issue features none other than Down on our cover.We interviewed Jimmy Bower about the changes in the band and their amazing new EP, Down IV, Part II. Issue #18 also includes interviews with Lacuna Coil, Beastmilk, Sevendust, Sabbath Assembly, Kyng, Amenra, ReVamp, Lord Dying, Anciients, and Dragged In To Sunlight. We also have complete coverage of the legendary Roadburn Festival, and a recap the 16th annual New England Metal And Hardcore Festival. Plus concert reviews from the likes of The Dillinger Escape Plan, Carcass, Red Fang, Scale The Summit, The Ocean, & The Atlas Moth. We also have special feature with  the late Dave Brockie, as well our largest section of album reviews to date. Made especially for your tablet device or smartphone! Check it out and tell a friend! Twice!

 

 

 


CONTEST: Win 2 Tickets to see Scale The Summit


sts the ocean tour admat

 

Ghost Cult Magazine, in collaboration with Prosthetic Records wants to send you and a friend to the last date of the upcoming Scale The Summit tour stop at The Sinclair in Cambridge, MA on March 30th. The tour also features The Ocean, The Atlas Moth, and Silver Snakes. The Sinclair is the perfect setting for the musical magic that is going to happen that night.

 

The contest starts at 5 PM EST on 2/25 and runs until 3/7 at 5 PM. To win simply visit Ghost Cult on Facebook and answer the contest question with a comment in the post. The winner will be chosen at random to win the pair of tickets. Share our page with all of your friends to increase your chance of wining and going to the show! To get ready for the show, pick up The Migration which is out now from Prosthetic.

Scale-the-Summit-The-Migration

 

 

Scale The Summit on Facebook

Prosthetic Records on Facebook

The Sinclair on Facebook

 

 

 

ScaleTheSummit-Band

Disclaimer:

This contest is intended for our readers who live near, or can travel to Cambridge (MA) and attend the Scale The Summit show on 3/30. Please do not submit an answer if you cannot attend. Ghost Cult reserves the right to choose another winner in case of fraud or misrepresentation of an entrant. This prize is non-transferable. The prize in its entirety is two (2) tickets for entry to the show and does not include transportation, lodging or any any other costs associated with going to the show. Entrants must also be 18+ and have proper government ID to enter the venue. Anyone not 18+ can be accompanied by a parent or Legal Guardian with an ID, as per the venue rules. Winners are chosen at random, but the senior staff at Ghost Cult Magazine reserves the right to award the prize to a participant who properly fulfills the contest rules and meets the requirements set out in this disclaimer. Good luck! 


TesseracT- Scale The Summit – Anciients: Live At The Drunken Unicorn, Atlanta GA USA


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TesseracT recently toured the US along with Scale The Summit and openers Anciients, and I was fortunate enough to catch them during their stop in Atlanta, at the very packed venue Drunken Unicorn.

 

 

 

 

Anciients opened the night with their fantastic blend of Mastodon-meets-Opeth brand of metal. Intense and engaging, they played a monstrous set of music that would convert just about any metal fan. If you love the aforementioned bands, and dig the sonic landscaping of Tombs and Neurosis, Anciients is definitely worth checking out. They are touring hardcore off their release Heart of Oak (Season of Mist), and their string of high-profile gigs is beginning to pay rewards.

 

Scale The Summit has gained notoriety as young prog metal upstarts, and it is deserved. Boasting young musicians with an average of 22, this group of technicians impress with their energy and passion for their organic blend of music they call “Adventure metal”. Completely instrumental, they managed to keep the audience hanging on every note, cheering on the band’s clean, musical execution. True to prog form, the songs are epic in length, but are very well-arranged so your ear never tires. One can hear the Dream Theater influence, and certainly Between the Buried and Me, the band that connected three of the four members from their inception. To this listener’s ears they reminded me of BTBAM (who I like) but with a huge dose of Animals As Leaders too. The music never gets too dark; it seems as though their youthfulness has not yet experienced the negativity in life that can filter into an artist’s songs. There is a brightness, an exuberance to their sound that is uplifting without being cheesy, and stops just short of overindulgence. All the members, guitarists Chris Letchworth, Travis Levrier, and drummer Pat Skeffington are great musicians, but special mention is in order for newest member Mark Michell. Not only is he a joy to watch, but he is front and center, a place usually not reserved for a bassist.

 

Due to the length of their songs, they played only 8 in their set, inclusive of “Glacial Planet”, “Whales” and “The Olive Tree”. Occasionally, Guitarist Chris Letchford would address the crowd, but this was an otherwise vocal-free, exciting musical trip. I commend Scale the Summit for bringing their brand of thoughtful enthusiasm to a genre that can be stuffy and overwrought. Well done!

 

The crowd was very respectful and appreciative of all of the acts, but they saved their biggest roar for TesseracT. It was quite a switch from a purely instrumental band to a band led by the soaring, bombastic vocals of recent addition Ashe O’Hara. O’Hara is a strong front man and is good foil for the intensity of his band mates and their driving djent/prog metal sound. TesseracT played a nice selection of songs from their 3 full-lengths that had the audience singing along from the front of the stage to the back of the venue, pacing the set list so there was very little room to come up for air. There was much fist-throwing, head-bobbing and body-rocking, so even if you aren’t a fan of the band you couldn’t help but be moved by the love shown to them by the crowd. I will admit to not being familiar with this band at all before tonight, but I left much impressed by their performance. It was a great lineup for lovers of metal with a proggy bent, and each band brought their own unique taste of it.

 

TesseracT on Facebook

Scale The Summit on Facebook

Anciients on Facebook

 

Lynn Jordan