Tag Archives: Satan

Converge, Pig Destroyer, Napalm Death, Mayhem and more Booked for Decibel Metal and Beer Fest 2020

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Decibel Magazine’s flagship Metal and Beer fest in Philadelphia will host amazing bands, brewers and fans in 2020. Booked for  April 3-4 at The Fillmore, and the lineup looks sick with full-album sets from Converge (playing 2001’s Jane Doe), Pig Destroyer (playing 2001’s Prowler in the Yard in full for the first time), and Napalm Death (playing a one-time-only set of 1990’s Harmony Corruption and 1992’s Utopia Banished), plus Mayhem, Satan, Night Demon, Haunt, Magic Circle, Un, and more TBA.Continue reading →


ALBUM REVIEW: Vitriol – To Bathe from the Throat of Cowardice

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Yeah, this sounds fucked upcoming from me the advocate of all things Death Metal, loud and slamming drums, but young extreme bands need to learn when to hold them and when to fold them. There are many moments of technical brilliance – leads and solos in particular – to be found in Vitriol’s To Bathe from the Throat of Cowardice (Century Media Records), but they tend to get lost in a monochromatic cement sea. Continue reading →


PODCAST: Episode 18 – Twin Temple Talks Satan, Music and Sex Magic

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Ghost Cult got to catch up with Twin Temple recently at their sold out show at Saint Vitus Bar, in Brooklyn. We chatted with the group about their new album, … Brings You Their Signature  Sound: Satanic Doo-Wop, their new record deal with Rise Above Records, the principles that propel the band, their influences, their extremely NSFW music video, and more. Continue reading →


Mötley Crüe’s Shout At The Devil Turns 35

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Thirty-five years ago, 1980s glam rock and heavy metal leaders Mötley Crüe released their excellent second album Shout At The Devil (Elektra). Following up from their solid debut Too Fast For Love, this album has gone on to legend status over the years for breaking the band through to bigger audiences. It was definitely a commercial breakthrough and fan-favorite, although it was critically drubbed by some at the time. The next step in band mastermind Nikki Sixx’s plan for world domination (and to be the next KISS), it’s full of classic Crüe songs, memorable choruses, and some killer musical performances from the band. Continue reading →


RAISE YOUR FIST! Heavy Metal Album Reviews Round up: Royal Hunt, Satan, Beyond The Black, Cauldron, and more

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As summer swings round towards autumn, there are no shortage of odes and tributes to the Gods of power and glory that brought us traditional and classic Heavy Metal. Ghost Cult dives in amongst the raised fists and studded wristbands to round-up the latest album releases.

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September 7th 2018 New Music Releases

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Check out all of today’s new releases in the music world! Continue reading →


Deicide Shares New Single – “Seal The Tomb Below”

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Deicide will release a new album on September 14th from their long-time label Century Media. Overtures Of Blasphemy will be their first album in five years, since In The Minds Of Evil. They just dropped a new single, ‘Seal The Tomb Below’, which you can stream now. Continue reading →


Slayer’s “South Of Heaven” Was Released Thirty Years Ago

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What do you do for an encore when you have released arguably the greatest album in metal history, at the zenith point for the genre? Well if you are Slayer, you blow people’s minds and release South Of Heaven (Def Jam) as the follow-up to Reign In Blood (also Def Jam). Although some of its slower mid-tempo jams threw fans for a loop, Slayer’s fourth album is full of gritty, true to life bangers and classic tracks. Let’s revisit this masterpiece which turned thirty years old today. Continue reading →


The Antichrist Imperium – Volume II: Every Tongue Shall Praise Satan

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The Antichrist Imperium features Akercocke and The Berzerker members in equal numbers amongst their ranks, and with the release of second album Volume II: Every Tongue Shall Praise Satan (Apocalyptic Witchcraft) it seems that team Akercocke is determined to show that they’re on one hell of a creative roll at the minute. Like their other projects, there’s that unmistakable Akercocke tone woven throughout; they’re clearly confident and comfortable with each other as musicians and are free to experiment. Continue reading →