Slipknot’s iconic major label debut, their second album overall, the self-titled Slipknot album was released on June 29th, 1999, twenty-five years ago. While the band’s building blocks can be heard on 1996’s Mate. Feed. Kill. Repeat. (-ismist Records), the band we know today was built here on this album. Produced by Ross Robinson, Slipknot is the first album from the band to feature Corey Taylor. The band exploded on the scene in 1999 in a national and then international sense, immediately earning an army of fans, starting out on a relentless 2-year tour that saw them begin Ozzfest 1999 on the side stage, eventually graduating to the main stage. The band, which has already played its first few gigs of 2024, will celebrate 25 years of this album on a world tour, as well as Knotfest Iowa and other events, and merch drops for 2024 and 2025. Enjoy some Slipknot content from Ghost Cult and jam out to the tunes now. Continue reading
Tag Archives: Ross Robinson
ALBUM REVIEW: Suicide Silence – Remember… You Must Die
I have one question for the Suicide Silence lads. Why is it that they are perfectly content to settle on terrible studio production and mix? Yes, I get that The Cleansing and No Time to Bleed were popular and well-regarded in the Deathcore circle, but in all honesty, they were never going to be considered amongst the best metal recordings ever.Continue reading
PODCAST: Glacially Musical Pouredcast 105: Slipknot Discography: Pt. 2 “Iowa” – If You’re 555 I’m 666
Arguably the biggest metal band in the world, Slipknot is the subject of our current series. Episode 2 of 4 picks up the band following the release of their game-changing debut, from Ozzfest side-stage opener to headlining over legends in just a year, followed by the release of their second album, Iowa (Roadrunner Records).
PODCAST: Glacially Musical Pouredcast 103: Slipknot Discography: Part 1 – From a Larva to a Maggot
Kicking off a new series on arguably the biggest metal band in the world Slipknot! Episode 1 of 4 takes the band from their formation out of the mire of the Iowa metal and rock scene in the early 1990s, forming the “classic” line-up, working with Ross Robinson signing with Roadrunner Records , comparisons to Mushroomhead, to releasing the the epic debut album in 1999!
EP REVIEW: Lorna Shore – …And I Return to Nothingness
Say what you will about Deathcore, it is nothing if not persistent. Not that the idea of mixing Death Metal and Hardcore is a new one (i.e., Suffocation) but when the term deathcore is applied today it recalls the halcyon years between 2007 and 2012 when a young man’s worth was determined by his throat tattoo, the size of his gauges and his MySpace networking skills. If you had a pig squeal, a breakdown and a dream it seemed like you too could be handed an Earache Records deal. But when did that dream end? Well, according to Lorna Shore’s …And I Return to Nothingness (Century Media) it didn’t.Continue reading
Robb Flynn of Machine Head Reflects on 21 Years of “The Burning Red”
Robb Flynn of Machine Head has shared some memories of the 21st anniversary of their controversial album The Burning Red, released in 1999 via Roadrunner Records. In hindsight, the album has a soft spot in their fanbase and has a bunch of bangers. Read Robb’s thoughts here. Continue reading
Fear Factory Released The Genre Smashing Album “Demanufacture” 25 Years Ago!
Many times in music journalism, we writers are given to hyperbole, often because it is the low hanging fruit of the field to gush about the classics with a torrent of compliments. You often read words like genre-defying, and frankly, a lot of the time they don’t land as they are meant to. However, in the case of the entire career of Fear Factory and certainty of the album Demanufacture (Roadrunner Records), the words can never do proper justice to the music. Simply stated, Deamnfacture is one of the most important, unique, and unapologetically brutal albums in heavy metal history. Continue reading
ALBUM REVIEW: Suicide Silence – Become the Hunter
Ah, the long-vaunted return to Deathcore form for Suicide Silence. Or is it? I’m sure the cynics and naysayers have already written off Become the Hunter (Nuclear Blast) as a simple effort to save face after the experimental and pseudo-Nu-metal stylings of 2017’s Suicide Silence. But let’s really get down to brass tacks here: Suicide Silence isn’t the first or last band to hit the soft reboot button on their careers. Continue reading
CLASSIC ALBUMS REVISITED: Slipknot’s Debut Album Turns 20
Ah, 1999. A time for ridiculously baggy jeans, wallet chains, and clothes with far too many zips and pockets. A time for silly haircuts, spiked neckbands, black lipstick, and even blacker eyeliner – for both sexes. A time for backwards-facing red caps and hilarious facial piercings. Also a time for many metal fans over the age of forty to think back upon while making vomiting noises and pretending such crimes against metal never actually happened.Continue reading
Doc Coyle Interviews David Silveria (ex-Korn) for “The Ex-Man Podcast”
On the latest episode of Doc Coyle’s (Bad Wolves, God Forbid) The Ex-Man Podcast, he interviews Bias and former Korn drummer David Silveria (pronounced Sil-vera). Doc and David discussed his new band Bias, the origins of Korn, their rise to success, his battles with injuries, Korn and Nu Metal as a cultural phenomenon, and much more.