Say what you will about Deathcore, but that goddamn subgenre refuses to die or give an inch. More power to it, I say. While it may not have reached the commercial heights of its sister subgenre, Metalcore, one could argue that that the former has been just as active as the latter.
It’s the end of the world as we know it, and I feel … thoroughly pissed off. That seems to be the thrust of Finnish metallers Lost Society and their latest If The Sky Came Down (Nuclear Blast).
Say what you will about Deathcore, it is nothing if not persistent. Not that the idea of mixing Death Metal and Hardcore is a new one (i.e., Suffocation) but when the term deathcore is applied today it recalls the halcyon years between 2007 and 2012 when a young man’s worth was determined by his throat tattoo, the size of his gauges and his MySpace networking skills. If you had a pig squeal, a breakdown and a dream it seemed like you too could be handed an Earache Records deal. But when did that dream end? Well, according to Lorna Shore’s …And I Return to Nothingness (Century Media) it didn’t. Continue reading