ALBUM REVIEW: Black Sabbath – Technical Ecstasy Super Deluxe Box Set


Although 1976’s Technical Ecstasy (Vertigo/BMG) is unlikely to ever be viewed as a top tier release among most Black Sabbath fans, the fact that it exists at all goes to demonstrate the Birmingham foursome’s resilience and determination in those early days, if not the focus. 

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Listen to a New Version of Ozzy Osbourne’s “Hellraiser” as a Duet with Lemmy Kilmister of Motorhead


Ozzy Osbourne will release a new edition of his 1990s classic album No More Tears this week, on Friday, September 17th, 2021. In addition to streaming on all DSPs, there are two new vinyl versions of the album, including a special two-color variant via Tower Records pre-orders are live at the link below. Ozzy has shared a new version of the single “Hellraiser” as a duet with hsi late friend Lemmy of Motorhead, who co-wrote the track and three others for No More Tears. “Mama, I’m Coming Home,” “Desire,” and “I Don’t Want to Change the World.” Listen to the track here.

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Ozzy Osbourne’s Classic “No More Tears” to See a 30th Anniversary Expanded Edition


Ozzy Osbourne’s iconic sixth solo album No More Tears will be see and an expanded digital audio album due out September 17 (Sony Music). Two other special editions–a 2LP black vinyl version and a special yellow and red 2LP vinyl version with a specially created booklet exclusively Tower Records online, will be released simultaneously. Pre-order the album at the links below!

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ALBUM REVIEW: Geezer Butler – Manipulations Of The Mind Box Set/The Very Best Of Geezer Butler – BMG 


Having stayed with Black Sabbath until 1983’s unfairly criticised Born Again (Vertigo) album, founding member Geezer Butler returned to the band in the early nineties but with a growing desire to prove himself as a solo artist. After leaving again in ’94, the iconic bass player and moustache enthusiast teamed up with former frontman Ozzy Osbourne for a while before eventually going it alone to form G/Z/R.

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ALBUM REVIEW: Black Sabbath – Sabotage Super Deluxe Edition


The last of a groundbreaking run of undisputed classics, Sabotage (Vertigo/BMG), often gets overlooked during debates about the studio legacy of legendary metal pioneers Black Sabbath. Considering the seismic impact of the band’s previous five releases, this isn’t entirely surprising but Sabotage has always deserved more time in those conversations.

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Rob Zombie Discusses Being Hated On by Slayer Fans and Being “The World’s Biggest Cult Artist”,


In his latest ‘At Home With’ conversation on Apple Music, Zane Lowe is joined by Rob Zombie who discusses riding out quarantine from a farm in Connecticut, becoming friends with his heroes, being “the world’s biggest cult artist”, Alice Cooper as a mentor, why he stopped collecting posters, and discovering music from filmmaking. He also recalls the first time he met Ozzy Osbourne, how White Zombie was widely hated by most bigger bands and their fans when they started and much more! 

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REVIEW: Black Sabbath – Heaven and Hell and Mob Rules


While Black Sabbath fans tend to agree on most things, the argument over singers Ozzy Osbourne and Ronnie James Dio still rages on. Just who was the better frontman? Most will obviously side with the former but there are still those who insist Dio will always be number one. Ozzy was responsible for six of the finest albums in the annals of heavy metal but Dio rescued that same band (at least temporarily) from total collapse with two hugely important albums of his own.

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Miley Cyrus Taps Ozzy Osbourne’s Team of Elton John and Chad Smith for Her Cover of Metallica’s “Nothing Else Matters”


Miley Cyrus has shared her studio version of Metallica’s song “Nothing Else Matters” and she had some famous people to help her do it. Sir Elton John, Chad Smith of Red Hot Chili Peppers, and produce the same team of collaborators Ozzy Osbourne had on Ordinary Man, helped her cut the track. Check it out now! 

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Ghost Cult’s Top 10 Stories of 2020


Here are the top stories on www.GhostCultMag.com in 2020:

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ALBUM REVIEW: Ellefson – No Cover


Cover songs can be tricky. A balancing act that often results in calamity. Lean too far one way and be accused of musical blasphemy; keep things too safe and be reliably informed you shouldn’t have bothered in the first place. So with that in mind, surely an album consisting entirely of cover versions is just asking for trouble, isn’t it?Continue reading