Damnation Festival 2016 Promises Greatness With Electric Wizard, Enslaved, Abbath And More


damnation-festival-2016-final-poster-ghostcultmag

Although all metalheads seem to love Halloween, I’m sure our friends in the UK and beyond can’t wait for next weekend to get here. That’s because Damnation Festival 2016 s is coming next Saturday November 5th to Leeds University Union, and it’s sure to be a banger. Get prepared with our preview:Continue reading


Damnation Festival Announces Final Lineup, Tickets On Sale Now


damnation-festival-2016-final-poster-ghostcultmag

The premiere UK music festival for the underground, dark, and extreme bands, Damnation Festival has announced the final additions to their lineup, taking place Saturday, November 5th, at Leeds University Union.Continue reading


Caligula’s Horse – Bloom


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In recent years Australia has given a burgeoning and genuinely exciting scene of metal, particularly those of a progressive nature. From the likes of Karnivool to recent genre alchemists Ne Obliviscaris, such bands are not only making waves on the wider radar but are doing so with inventive, compelling and brilliant flavor. Similarly Brisbane originated Caligula’s Horse have made a mark, with two well received albums, a characterised brand of emotive progressive metal and the eventual signing to prog label titans InsideOut. Not too shabby really.

Latest album Bloom (InsideOut) begins on almost misleading terms, as the title track begins with a lengthy, acoustic passage accompanied by soft vocals before it gradually increases tempo and dynamic, in part reminiscent of Opeth, as it proves to build up towards the comparatively heavier ‘Marigold’. Throughout the album Caligula’s Horse strike that tricky balance between the heavy and lighter elements with aplomb melding the complexity of tech metal and some near djent-like moments with emotional resonance and accessibility. In fact, much like Agent Fresco, there is a great level of pop sensibilities and a weight of influences and styles, but doing so with a style and feel of their own.

At an approximate duration of 45 minutes, Bloom offers a rich diversity and layering but in a run time more manageable for the more novice listener. Catchy, poppier moments and recognisable influences with further draw people in, whilst rich textures and the fluid blend of complexity and aspects of serenity will keep the trained listener engaged for ages. A stunning effort from a band that are quickly proving to be one of the contemporary prog scene’s most promising torch bearers.

 

8.0/10

 

CHRIS TIPPELL

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News: Butcher Babies Supporting Cradle Of Filth On Upcoming Tour


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Butcher Babies has been confirmed as direct support on Cradle of Filth’s upcoming Inquisitional Torture tour with Ne Obliviscaris opening. Dates are posted below.

Jan 26: Theatre of The Living Arts – Philadelphia, PA
Jan 27: House of Blues Boston – Boston, MA
Jan 28: Baltimore Soundstage – Baltimore, MD
Jan 29: Ritz Raleigh – Raleigh, NC
Jan 31: The Fillmore Charlotte – Charlotte, NC
Feb 01: The Masquerade – Atlanta, GA
Feb 02: Venue 578 – Orlando, FL
Feb 03: State Theatre Saint Petersburg – St. Petersburg, FL
Feb 09: New Daisy Theatre – Memphis, TN
Feb 10: House of Blues Dallas – Dallas, TX
Feb 11: House of Blues Houston – Houston, TX
Feb 12: The Aztec Theatre – San Antonio, TX
Feb 14: Gothic Theatre – Englewood, CO
Feb 15: The Complex – Salt Lake City, UT
Feb 16: House of Blues Las Vegas – Las Vegas, NV
Feb 17: The Mayan – Los Angeles, CA
Feb 18: House of Blues San Diego – San Diego, CA
Feb 20: Ace Of Spades – Sacramento, CA
Feb 21: The Fillmore – San Francisco, CA
Feb 23: Showbox At The Market In Seattle – Seattle, WA

cradle of filth butcher babies us tour


Brian Giffin – Encyclopedia of Australian Heavy Metal


The Encyclopedia of Australian Heavy Metal

The Encyclopedia of Australian Heavy Metal (Dark Star) is a thorough listing of most, if not all, of the bands to have been born in the land down under. This is the third revised edition of the encyclopedia lovingly compiled by long time fan Brian Giffin. In his opening he shows the reader just how many people and how much work goes into creating a book of this depth and length. The worldliness of metal is also emphasized. It is clear that Giffin takes Australia’s role on that world stage very serious.

Giffin’s desire to highlight Australia’s presence in global metal is not misplaced. The only Australian band most average music listeners can name is AC/DC. Even then, many mistakenly believe they are from the United Kingdom. Interestingly the encyclopedia seems to confirm that AC/DC are the biggest band to come out of the country. The entry on them is one of the longest in the entire book. One third of the book based resources in the References section are solely written about them. While it is good to acknowledge this part of Australia’s history it also makes the reader wince since the goal of this encyclopedia is to introduce people to all the country’s metal offerings.

This encyclopedia is one of the most in-depth there is out there when it comes to sheer length and number of bands mentioned. Although this is a testament to Giffin’s thoroughness and love for Australian metal it can present itself as a setback. Many of the mentioned acts only have a single sentence to describe them. A good chunk of others read like a “Where Are They Now?” article since there is so much overlap with band members and the formation of new bands out of defunct ones. This is where one wonders if being a completest has been given favor over accessibility. The book may have been more clear and engaging if important bands in certain sub-genres were highlighted and defunct ones were mentioned in the biographies of newly formed bands where appropriate. In defense of the smaller bands being included, there are some interesting entries one may not have heard of otherwise. One such case is the description of Circadian which reads, “Circadian is an enviro-centric one-man doom band…” It makes the reader wonder just how specific one can get with their music approach.

While the encyclopedia is a great example of how passionate metal fans are, it is likely not something casual listeners will be interested in. It is easy for the entries to seem never-ending as the whole work could use more visuals. The wiki version that Giffin mentions in the opening is better for those who just want to look into a few bands from this part of the world. Credit must be given to the man for opening readers’ eyes to just how much music there is to be discovered; especially considering all 342 pages of the encyclopedia is just on metal.

 

The Encyclopaedia is available now via

Lulu: http://bit.ly/1VEkqeC

Amazon: http://amzn.to/1frgKvY

 

5.5/10

MELISSA CAMPBELL

 


Tuska Music Festival Adds More Bands, Tickets On Sale Now


tuska banner

Finland’s #1 metal festival of summertime, Tuska 2015, has announced a slew of new acts to join the bill. Among the additions are Stormwarrior, Architects, Alfa Hanne, Dr. Living Dead!, Mokoma, Alfa Hanne, At The Hollow, Tryer, The Cold War, Adamantra and many more to come. The show takes place June 26th to June 28th in Suvilahti, Helsinki.

 Single day tickets and passes are on sale now from the festival website, with VIP packages to be announced soon. The full bill will be announced later this spring with the line-up for each day so far

Friday June 26th
Sabaton, Lamb Of God, Architects, Exodus, Krokodil, Blues Pills, Ghost Brigade, Alfa Hanne, Enforcer, Foreseen, Death Toll 80k, Ape

Saturday, June 27th
In Flames, Amorphis, Loudness, Ne Obliviscaris, Bloodbath, The Sword, Einherjer, Bombus, Atomic Rotta, Morbid Evils, Tryer, Red Moon Architect, Adamantra, Dark Side Of The Mime

Sunday June 28th

Alice Cooper, Opeth, Stratovarius, Stormwarrior, The Sirens, Warmen, Dr. Living Dead !, At The Hollow, The Cold War

For more information:
http://www.tuska-festival.fi
http://www.fme.fi
http://www.facebook.com/TuskaOpenAir
https://twitter.com/tuskafestival
http://instagram.com/tuskafestival