Sad news as former Lynyrd Skynyrd guitarist Ed King has died. He was 68. No cause of death for King was released, but he was reportedly been battling lung cancer and had recently been hospitalized for some time. King’s family confirmed his passing on his Facebook page. They wrote: “It is with great sorrow we announce the passing of Ed King who died at his home in Nashville, Tennessee on August 22nd, 2018. We thank his many friends and fans for their love and support of Ed during his life and career.” King was an incredible guitar player and songwriter who first gained fame as a founding member of psychedelic rock band Strawberry Alarm Clock (‘Insense And Peppermints’) before joining Skynyrd. With Skynyrd, he co-wrote their signature song, ‘Sweet Home Alabama’, played on their seminal first three albums Pronounced Leh-nerd Skin-nerd (1973), 1974’s Second Helping (1974) and Nuthin’ Fancy (1975). He played with the band from 1972 to 1975, and again from 1987 to 1996 and was inducted into the Rock And Roll Hall Of Fame in 2006. We send out condolences to Ed’s family, friends and fans at this time. Continue reading
Tag Archives: Lynyrd Skynyrd
Spear of Destiny – Tontine
Thirty-five years, and now fourteen albums, of railing against the establishment and providing regular, biting social commentary and Spear of Destiny mainstay Kirk Brandon could have been forgiven for dialling it down on Tontine, a fan-funded album released on Brandon’s own Eastersnow imprint, and just appeasing the masses with re-recordings, or watered down versions, of hits of yesteryear. Instead, the lack of giving a fuck that comes with such longevity and belligerence of vision fuels an interesting and diversely poetic selection of tracks. Continue reading
Rex Brown – Smoke On This…
While he’s been largely silent over the years, it’s hard to argue with the either quality or the diversity of Rex Brown‘s output. From Pantera’s transition from glam to thrash to pure groove, to the swampy sludge of Down and Crowbar, to borderline country music with Rebel Meets Rebel, the bassist has done it all.Continue reading
Southern Revolution: Warren Haynes of Gov’t Mule
With the imminent release of new Gov’t Mule record Revolution Come… Revolution Go (Spinefarm), Ghost Cult popped down to London to chat to Warren Haynes about the new album, the inspirations behind it, his upcoming UK tour and the unfortunate passing of his friend and fellow bandmate Gregg Allman…Continue reading
The Obsessed – Sacred
Scott “Wino” Weinrich and The Obsessed were one of the few bands waving the doomy, Black Sabbath-loving flag when, frankly, doom and Sabbath were not cool. They kept the faith during the dark days when it wasn’t cool to like big, slow, heavy riffs.Continue reading
News: Disturbed, Rob Zombie, Scorpions, Five Finger Death Punch, etc Confirmed For Carolina Rebellion 2016
Monster Energy Carolina Rebellion has been confirmed for May 6, 7 and 8, 2016 at Rock City Campgrounds at Charlotte Motor Speedway in Concord, NC. Confirmed acts so far include:
Disturbed
The Scorpions
Rob Zombie
ZZ Top
Five Finger Death Punch
Shinedown
Deftones
Lynyrd Skynyrd
A Day To Remember
3 Doors Down
Alice Cooper
Bring Me The Horizon
Cypress Hill
Pennywise
Lamb Of God
Megadeth
Ghost
Sixx:A.M.
Anthrax
Collective Soul
Clutch
The Sword
The Struts
Asking Alexandria
Yelawolf
BABYMETAL
Pop Evil
Bullet For My Valentine
P.O.D.
Sevendust
Hellyeah
Between The Buried & Me
Parkway Drive
Black Stone Cherry
Saint Asonia
Trivium
Escape The Fate
August Burns Red
Turbowolf
Enter Shikari
Sick Puppies
Filter
Candlebox
Tyler Bryant & The Shakedown
New Years Day
Aranda
Thousand Foot Krutch
Red Sun Rising
Texas Hippie Coalition
Hands Like Houses
Code Orange
Failure Anthem
Avatar
Lacey Sturm
The Glorious Sons
From Ashes To New
Wilson
I Prevail
Monster Truck
Audiotopsy
Wild Throne
RavenEye
Blackberry Smoke – Holding All The Roses
I have a musical comfort zone. And it’s all the way over there with the Jackson Flying V’s and double-bass drums. It may even include some spandex (not on me, though…) Yet here I am, sitting here, rocking on the porch (sofa), nodding along to the Southern vibes of Atlanta, Georgia’s Blackberry Smoke and their fourth album Holding All The Roses (Earache). And I’m more than fine with that.
Following the critical and commercial success of The Whippoorwill (Earache/Southern Ground) would have daunting to many bands, but not the Smoke, who shacked up with mega-producer Brendan O’Brien (Pearl Jam, AC/DC, Bruce Springsteen). Any fears that such a hit-maker would sterilize their sound are quickly dispersed by the laidback singalong to ‘Let Me Help You Find The Door’ and it’s rock n’ roll shamble. The title track shuffles in next, picking up the beat, with some clean guitar fingerpicking and a more uptempo come-and-join-us chorus. Whereas the temptation could have been to seek the big bucks and accidentally fall into the trap of producing sanitized radio rock, instead Blackberry Smoke have infused their music with even more of a traditional Southern flavour, and, boy, does it suit.
Blackberry Smoke are no gimmick band, just a class one with their hearts in yesteryear and a love of venerable records, releasing an album full of simple pleasures; of pure, excellent songs. There are many highlights, the pick of which are the two melancholy numbers, the deeper, bluesier ‘Woman In The Moon’, where Charlie Starr’s lazy delivery comes into its own, and ‘No Way Back To Eden’ (a track I’d have been tempted to close the album on), both of which prove the quintet have that added depth all the best have. In amongst the swathes of Creedence Clearwater Revival (and several other subtle references I’m too unschooled to know) ‘Too High’ is wistful country and ‘Rock and Roll Again’ is the sound of the Deep South ripping on Status Quo and Lynyrd Skynyrd’s ‘Call Me The Breeze’, while ‘Payback’s A Bitch’ has a work-shy hook that will infect you like sidewinder venom, as Holding All The Roses unfurls it’s kick-ass blues rock beauty with a smile.
I’ll level. If Blackberry Smoke weren’t on Earache, the chances are high I wouldn’t have been interested in checking them out. Chances are also as good as getting a 7+ on a 15 hand in pontoon we wouldn’t be included them in the hallowed digi-pages of the good ship Ghost Cult without the same, or similar, connection. And we’d have missed out on a warm, chilled out doozy, so hats off to Dig and all concerned for branching out and expanding their traditional net. I’m delighted they did. I’m not going to go off and dive into a whole other musical genre, but I’m glad the Smoke have entered my life and my music collection. They won’t be for everyone who frequents a metal site, but they should be for people who value unassuming good rock songs.
If there is justice out there, the winds will spread the Blackberry pollen far and wide.
8.5/10
STEVE TOVEY
Vices – New Breed
They say that variety is the spice of life and when it comes to music fans. Some choose to roll with this, while others completely ignore it. For musicians, the former is usually the case with new bands often looking to distinguish themselves from the crowd and older ones going in search of fresh directions. Vices are a four-piece from Jacksonville who certainly abide by the above sentiments with their latest LP, New Breed (Melatov), mixing some interesting flavours together.
Hailing from the place that spawned both The Allman Brothers Band and Lynyrd Skynyrd, non-listeners may be able to guess what genre some of their influences are taken from, and they’d be right – Southern Blues Rock. On their 2012 EP, ‘The Out Crowd Blues’ this influence is more prominent, but there are a few twangs of it here as well. The other side of the mixing pot is Hardcore Punk, and while the combination may sound odd on paper, it works surprisingly well in the flesh.
Merging slow grooves with angry screams, opener ‘The Sabbath’ is our first glimpse into the albums two opposing styles, and it is also one of the best of the bunch. Trumped only by the smooth angst of the title-track, the first two songs really set the bar high for the rest of the record, and thankfully the band keep on delivering. Bringing a more fast-paced way of music with songs such as the Gallows-esque ‘Slum Wolves’ and ‘Devil’s Advocate,’ it is the middle of the album where things hit more of a hardcore punk vibe but this is no bad thing as Vices execute this style of music with great vigour. The influences of before are not completely forgotten with ‘No One Rules’ bringing together slow jams and hectic overtones, while ‘Swan Song’ closes the album with an impressive, albeit short, solo of the classic rock variety.
New Breed is a refreshing album to listen to, neither boring nor repetitive, only the ‘Instrumental’ track is worth turning off, while the rest are defiantly worth turning up. Extending a more Hardcore feel than their EP, fans of the band’s previous effort will still have plenty to love here, and the same rings true for anyone looking for melodious yet heated passion, both in musical style and lyrical content. New Breed is the kind of vice that you won’t be sorry you have and it won’t kill you either, which is always a bonus.
9.0/10.0
EMMA QUINLAN