This has been the scenario for thousands of shows I have seen. Maybe 6,000 plus shows that I have attended or performed in since I was a small child. The final bow, thunderous applause, and the blinding lights of the house coming on, our shared experience ending as we gather ourselves to go to the bar, or home. Except this was different. This was the last time I would ever see Slayer. It was definitely hitting me, long before the final notes of ‘Angel of Death’ rang out and the final jets of pyro screamed across the top of the band in a way that would excite Beavis and Butthead to no end. Continue reading →
Getting close! The Very Best of the The Very Best of 2014 as brought to you by Ghost Cult. Coming up are albums ranked 5, 4, 3, 2 in the Official Ghost Cult Albums of the Year… You’ll have to wait just a little longer for the unveiling of our number one!
5. SóLSTAFIR – Ótta (Season of Mist)
Shaking off any last vestige of Black Metal from their sound, Sólstafir somehow managed to take 2011’s incredible Svartir Sandar and improve on it. Vocalist Aðalbjörn “Addi” Tryggvason has stepped up to join the rest of the band at the level they’d previously set and, with elements of Wild West flirting in and out of their gorgeous Sigur Ros flecked post-rock, Ótta is simply a wondrous album. Taking beautiful emotive post-metal, folk, goth and intelligent indie-rock and telling the story of the changing moods and emotions of the different phases of the day, Sólstafir take their place as one of the modern day leaders of great music.
“Ótta, the latest album from Icelandic musical vagabonds Sólstafir is one of the most uncompromising and challenging records that you are likely to hear this year; it is also one of the most compelling. it sounds uniquely Sólstafir and Sólstafir don’t sound like anything else you have heard. Admittedly, you might be able to detect echoes of other bands, of other singers but not delivered with this verve, guile and eccentric charm. Second, Ótta is an aural experience like no other: this is an immersive, emotional and evocative album, multi-layered, nuanced and brimming with pulsating and invigorating ideas; it is music for the head as much as the heart.”
The biggest band in our realm of Metal were up against it. The tragic loss of Paul Gray, the personal decision to part ways with key songwriter and distinctive drummer Joey Jordison, and a scene that had picked the carcass to the bone of everything Slipknot had left them in terms of influence and had moved on in their absence. Yet the Iowa giants didn’t just come back strong, they smashed it out the park with their strongest release since the seminal Iowa. Diverse yet unmistakeably Slipknot at every turn, The Gray Chapter paid tribute to their departed brother in a style he would only have been proud of.
“.5: The Gray Chapter is an album of some significance, a statement of intent, a mountain-strong collection of hate-anthems to stand with Slipknot’s best. All Killer, No Filler, And then some. .5 punches hard, deep and long, undeniably their most consistent album since 2001’s Iowa. The Slipknot sound has long been established, their influence is inherent, but what .5: The Gray Chapter achieves is unity – a pulling together of all the relevant bits of Slipknot into one tribute to their past, and to those that passed. Nine may have become seven, but if you’re five five five, then they’re (still) six six six. As I said before, .5: The Gray Chapter is an album of some significance.”
3. MACHINE HEAD – Bloodstones & Diamonds (Nuclear Blast)
There’s something about Machine Head that it seems like every time every time they come to a new album, they have to prove themselves all over again. And every time they unequivocally deliver. From the moment Through The Ashes Of Empires repaired the damage of the misguided and substandard Supercharger, through The Blackening (all Roadrunner), perhaps the mainstream metal album of this century, this has been a decade long comeback of sensationally high quality, as a post-Adam Duce revitalized fighting machine led by The General, Robb Flynn laying down a marker. Machine Head bring the thrash, the groove, the blood, the sweat, the tears and above all, the songs.
“All the elements the band has been working with for most of the last ten years, as well as their classic sounds are all intact, with a few new twists and turns. Tons of grooves, chill-inducing dynamic shifts, and of course, those head-nodding riffs galore are heard. Many bands have started out hot and fizzled out badly or had trouble staying relevant over time. Machine Head is perhaps the greatest American metal band right now, because they have a sense of purpose about their writing that above all makes you care what they are saying lyrically, and where they can take you musically.”
A theme of a number of the Ghost Cult Top 50 albums of the year is that of refinement on past excellence. Of a standard and a sound being set by a predecessor before the perfecting of the modus operandi in 2014, and it’s an approach that applies to Mastodon. The Hunter was a great album, a simplifying and a commercializing of the trademark quirk, groove and buffeting the ‘don had unleashed previously. Once More ‘Round The Sun takes The Hunter’s approach, and improves on it. For ‘Curl of the Burl’, read ‘The Motherload’, as anthem after anthem is spat out by the Atlanta quartet who, with this album, defiantly prove they belong at the top.
“When the band said earlier in the year that this album was a continuation of 2012’s The Hunter, they weren’t kidding and there are a ton of catchy prog and stoner grooves on this album to satisfy. The evolution that Mastodon began almost fifteen years ago, continues in 2014 as they prepare to drop their newest album. Along the way there have been few easy roads taken, and any battles won were well-earned on their climb to success. Certainly no one who started out with the band in their early days would have predicted where they would be today as a major international headliner, but this is where they are. As the band has grown they have picked up some new fans along the way who seemed to click with the newer, psychedelic rock vibes of their last few albums. If you have followed their entire oeuvre from the start and stayed, or came in as of late, this album has your name all over it.”
The countdown to the Official Ghost Cult Magazine Album of the Year for 2014 continues. Please consume and enjoy the results of our 2014 Writers’ Poll. We hope it will introduce you to some of the incredible works of art you may have missed that we have had the immense pleasure of listening to and writing about this year.
In our third installment we bring you albums 30 through to 21
30. CASUALTIES OF COOL – Casualties Of Cool (Pledge/HevyDevy)
“Casualties of Cool is an intriguing experiment from a man who excels in making left-field music. Go in expecting massive a prog-metal exercise will only lead to disappointment, but having an open mind will result in a rewarding experience” DAN SWINHOE 8/10 Full review here
29. ANATHEMA – Distant Satellites (KScope)
“One of our world’s most understated bands, despite the plaudits they get, Anathema have once again showcased their knack for penning both forward thinking and emotionally driven music which oozes real human character and sentimentality”. CHRIS TIPPELL 9/10 Full review here
28. DOWN – IV (Part II) (Down Records)
“When we look back on this part of their career, we will likely understand that these are less like regular EPs that other bands release, and much more like a mini-opus, in pieces. Down clearly realizes their collective vision, no matter who is in the lineup, every time”. KEITH ‘KEEFY’ CHACHKES 9.5/10 Full review here
27. VALLENFYRE – Splinters (Century Media)
“Sadistic and aggressive with endless moments of bleak reflection Splinters is a leviathan unleashed upon unsuspecting listeners and a release surely destined to grace many year end lists” ROSS BAKER 9/10 Full review here
26. AGALLOCH – “The Serpent and the Sphere” (Profound Lore)
Like a massive-antlered stag glimpsed amidst a wintry landscape, breathtaking, elusive and hard to pin down, The Serpent and the Sphere looks set to continue their elegant and ever-evolving legacy JAMES CONWAY 9/10 Full review here
25. THOU – Heathen (Gilead Media)
“A storm manifest as a piece of music, as devastating as it is awe-inspiring, Heathen is varied and compelling for the entire runtime”. TOM SAUNDERS 9/10 Full review here
24. septicflesh – Titan (Season of Mist)
“Sharp, buzzing riffs and symphonic keys, strength and brutality amongst moments of pomp and beauty, bloody entertaining and another show of form” PAUL QUINN 8.5/10 Full review here
23. PYRRHON – The Mother of Virtues (Relapse)
“The Mother Of Virtues doesn’t just challenge what is “extreme”, but calls into question whether some of what is produced is actually even music. Completely and utterly impenetrable, and exceptional with it”. STEVE TOVEY 9.5/10 Full review here
“Eyehategod continue to age like a good whiskey, seeming to improve as time goes by, but by no means losing their sting”. CHRIS TIPPELL 9/10 Full review here
21. ALCEST – Shelter (Prophecy)
“Shedding the last vestiges of metal, let-alone any lingering black metal leanings, a captivating and stunning piece of music poured straight from the heart”. JAMES CONWAY 9/10 Full review here