Cult of Luna Books North American Tour with Emma Ruth Rundle And Intronaut


Cult of Luna has announced a North American headline tour for early in 2020. The trek is slated to run from February 25th through March 13th. Support will be provided by Emma Ruth Rundle and Intronaut. See all confirmed dates below. Cult of Luna just released their new album via A Dawn To Fear via Metal Blade Records. Continue reading


Carcass, Intronaut, and Xibalba are The Final Bands For Decibel Metal and Beer Fest LA 2019


Decibel Magazine has revealed that Carcass will headline day two of the second edition of the Decibel Magazine Metal & Beer Fest: L.A. at the Observatory in Santa Ana on December 13-14, 2019. Intronaut (performing for the first time in over two years) and Xibalba also join an already-stacked bill featuring Possessed, Nails, Vio-lence, Cadaver (in their U.S. debut performance), Schammasch (also in their U.S. debut performance), Gatecreeper, Evoken, Spirit Adrift, Visigoth, Mortuous and Graf Orlock. Featured Breweries include Unibroue (Canada) and Metal Monkey (IL), Three Floyds (IN), Burial (NC), Wake (IL), Hoof Hearted (OH), Stone (CA), Three Weavers (CA), Societe (CA), Modern Times (CA) and Brimming Horn Meadery (DE).Continue reading


From The Shadows – Rozamov


Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Boston’s sludge and doom metal merchants Rozamov are hitting the road next week with Moon Tooth on a tour that will take both bands through some new territories, surely making new fans. We caught up with the power trio recently to discuss the upcoming tour, the progress of their new album, their approach to songwriting, and that time when they saw Slayer warm up with a Journey cover:

 

Rozamov is hitting the road with Moon Tooth in June. What you most looking forward to for the tour?

Tom Corino: I’m most looking forward to getting to see a little bit of Canada and to play outside the country for the first time. I’ve wanted to get the band north of the border for a while, it feels great to be getting on the road again even for a short little run. It’s the first tour with Yianni so it’ll be a good way to see what it’s like to tour together with the new lineup too.

Matt Iacovelli Each tour has its own flavor and rhythm so it will be interesting to see how this group of people interact.

Yianni Tranxidis: For this short run, were most excited to visit Canada for the first time. This will be ours & Moon Tooth’s first Canada shows, so it’ll be an interesting experience to see how the shows will go.

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

After the tour, are you guys hitting the studio straight away, or are their more songs to write still for the new album? Can we expect the album in 2016, or next year?

Tom: We hit the studio last year and have the finished product ready to go. We recorded with Jon Taft at New Alliance East, which was a great experience. That studio is a great little room and Jon was great to bounce ideas off of. We’re working with a couple labels on different formats for release and we’re getting artwork and such together. It’s looking like an early 2017 release right now, we were hoping to get the record out this year but we didn’t want to rush anything considering how long vinyl turnaround can take these days. This way, everything will be out at the same time and no one will be left waiting around for vinyl to show up.

Matt: We are in the process of getting the artwork together.

Yianni: After this tour, we’re going to be writing more material, as well as finishing up the details for our upcoming album with Rozamov’s former drummer.

Matt: Hopefully it will see release early next year. We have some interested parties involved so things are looking good in that dept. I can’t give you any super specific details just yet.

 

Rozamov - Matt Lambert 2016-3

 

The ‘Ghost Divine’ track from the split 7-inch with Deathkings was great, and seemed to mark a new direction for the band. Will hear more of that style?

Tom: ‘Ghost Divine’ is a lot faster than the material on the new record but the vibe from that song will certainly be present on the record. The new album is by far the heaviest collection of songs we’ve done to date, reflecting the 2014-2015 winter when a good chunk of the record was written. I know I certainly was not in a good place at that time, being buried under 110 inches of snow will do that, so it’s a pretty dark record.

Matt: Not as far as speed or delivery but maybe in feel and over all tone..Ghost Divine was a step apart from really anything we’ve done. In truth we were building a record around that very song, it got picked up by Ryan from Midnite Collective and the rest is history..but the new material is slower and more deliberate its a little more bleak, a little more doom that before.

Yianni: “Ghost Divine” was definitely a huge shift in sound for the band, as it incorporates a mixture of heavy, complex, and driving riffs, while still keeping the core of our Doom sound. A lot of dynamics, and rhythmic changes, which definitely pushed us to write something we haven’t written before. I believe that we’re a band that will always have something different to offer, so I wouldn’t be surprised if our future material will sound a lot like this, and pushing the boundaries even more.

 

Rozamov - Matt Lambert 2016-9

 

What is the writing process like for the band? Is it a constant group effort, or do the individual members bring in their own material?

Tom: We usually write together in the practice space, it’s just the way Matt and I do best. Matt comes up with a good chunk of the original ideas for a riff and we’ll hash it out together in the space. Sometimes we bring in ideas that we’ve written on our own but a lot of those ideas either don’t fly or get dramatically changed in the room. Matt and I push each other to write stuff that’s interesting to the both of us and we can get pretty brutal on each other’s ideas. I think we both work best when we have someone to bounce ideas off of and to push someone in the right direction when they are onto something and struggling.

Matt: I think we just went for it and wrote 3 songs, as yet to be played live, they won’t see Canada this time. Every person has a personality so it will always change the vibe.

Yianni: In terms of the writing process, we all collaborate together. We’ll usually have one or two riffs that one of us have had, and bring them into the practice space, however we do a really good job at making fresh new riffs when we’re together. After that, we work on each segment, and figure out how we want to piece it all together. Being a new member, it’s always going to be interesting seeing how that will influence a band’s writing process, however when we work on riffs, we all talk about it together, and welcome ideas from all sides, so I’ve felt very welcome to bring my ideas to the tables.

 

You’ve had some turnover in the band the last few years, and now have a new drummer. With two longtime writing partners, how hard is it to incorporate a new person into the mix?

Tom: We try to always be writing. We were writing new material almost immediately after the recording sessions for the new record were over, before we had made the change behind the kit. Each change in the lineup has molded us and changed us as a band, and hopefully the same goes for those band mates. Yianni brings his own flavor to the band and allows us to try out ideas we’ve wanted to attempt but couldn’t before. We’re still getting used to him in a writing capacity so we’ll see where it ends up in the long run, but we’re just excited to bring a new outlook to the band.

Matt: It’s a constant group effort. I write a lot of the riffs but its a definite group deal. We are very serious about the sound and so we are brutal as fuck and… not every riff i write is good, honestly we kill more riffs than we keep.

The band has already shared the stage with some major acts and played a few large festivals. What is your favorite gig so far and the one gig to play or band in the world that is your dream to play with someday?

Tom: I’d say that my favorite show we’ve played so far was the Rubber Tracks gig with Slayer and Doomriders. I’ve been a fan of Slayer since I was in high school so to see those guys for the first time in a 500 cap room as the opening act was a dream come true. Playing with Doomriders was also absolutely great. Any day Nate Newton says your band was rad after your set is a good day in my book, and we’ve become friendly with those guys since.

Matt: Well Slayer and Pyscho (California) Fest were highlights for sure. Slayer had its own thing going, its own style and vibe. It was cool to see them sound check with some Journey….What?!

Yianni: Ever since I joined the band, we only played a couple of shows, however my favorite one was our show with Intronaut, Scale the Summit, and North, which was on March 30th at the Downstairs Middle East. That was a really fun time. I think the whole band would agree that sharing the stage with Mastodon would be a dream come true. We’re all very big fans of them, and highly influenced by their groundbreaking sound.

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

 

INTERVIEW BY KEITH CHACHKES

PHOTOS BY MATT LAMBERT


On The Road…. with Rozamov


Rozamov - Matt Lambert 2016-21

Rozamov, by Matt Lambert

That Boston’s Rozamov is an excellent band won’t surprise too many that have seen them live, or checked out their available tuneage. Their 2013 short player of Gods And Flesh was a flesh peeler and an ear opener to me for sure. Plus, it had some seriously sick artwork if I recollect. Their split with Deathkings, released a year ago showed a further exposition to the style they started, unafraid to take chances musically, yet playing to their strengths as a unit. If groups like early MastodonHigh On Fire, YOB, Black Tusk, Pallbearer, and Vallenfyre are your thing, this band will be right in your wheelhouse. In advance of an interview we are brewing with the band; Matt Lambert photographed them in their natural habitat for Ghost Cult. You can  see them here, destroying it live at this hometown gig at the Middle East Nite Club, while opening for Intronaut and Scale The Summit. The band hits the road in June for a short run of tour dates with Moon Tooth. Their new album will follow later this year.

 

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

 

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

 

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Rozamov on Bandcamp

Rozamov on Facebook

Rozamov on Twitter


Intronaut – The Direction Of Last Things


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Intronaut are a Prog Metal band who up until this point, it’s fair to say, have pretty much gone under the radar. With The Direction Of Last Things (Century Media) the band are on studio album number five and, not to completely suggest that it is only now they’ve finally hit the sweet spot, but with this record Intronaut have collated all of the best bits and pieces from their previous work and found the kind of inspiration which might just squeeze this into a few ‘Album of the Year’ lists.

Across the album we find Intronaut mixing expansive sounds with heavy brutality via a truly masterful level of precision. As far as wider inspiration is concerned, there’s definitely a bit of Opeth and Mastodon (Crack The Skye era) rooted at the core with all the barmy eclectic, yet ridiculously perfect, sounds you might expect from the likes of King Crimson. As a scene, Prog Metal has certainly been shooting out some great bands recently, and whilst album number five probably means they’re far more seasoned than some of the younger bands pushing through, The Direction Of Last Things will likely elevate Intronaut into a far wider consciousness, forming for many a complete introduction to the band.

The album kicks off with the track ‘Fast Worms’ which does in fact sound like a neurotic tribute to the popular computer game franchise Worms, as a little 8-bit sounding intro suddenly makes way for some absolutely crushing riffs. Even if it has absolutely nothing to do with it, if you’ve ever played Worms before this track actually perfectly epitomises the eerie atmospherics which capitulates into a blaze of chaos which you would tend to experience on screen. Its sudden grasp away from the powerful riffs into an atmospheric soundscape took some getting used to, but after a few spins you’ll be fully on board.

To be honest, this approach is true of the album as a whole; it’s not overly accessible and it’s therefore likely that along the way they may lose a few people. When some of the tracks veer off into the wilderness, you do find yourself longing for the next explosion of riffs, and may even fast forward till you find them. A die hard Prog Metal fan will be critical of that sentence, but the key to albums like this is to make every element interesting and frankly Intronaut are better at doing the heavy than they are the calm – for example in a head to head the tracks ‘The Pleasant Surprise’ and ‘The Direction Of Last Things’ highlights this perfectly.

Overall then, with their fifth studio release, Intronaut have certainly made their mark once again in the prog metal world. However, where so many of these bands fall down with these huge sounding albums is the fact that they need to ensure every single minute is as engaging as the last, and it is difficult to argue that they’ve actually achieved this. It needs repeat listens – it is “one of those” which does get better with each spin, but even so whilst a large section of the Prog Metal community will probably salivate all over it, an equal sized section will probably allow it to pass them by. That said, the strong production does make it an excellent listening experience, but the fact you’re left questioning whether it’s quite so great even after several listens says a lot.

 

7.5/10

 

TOM DONNO  


Audio: Hex Inverter – The Mission Statement


hex inverter

Hex Inverter is streaming “The Mission Statement” off of their self titled debut here. The album was recorded by the band’s own Mick Mullin (Intronaut, Woe) and mastered by James Plotkin (Khanate, Palms). The record’s stunning layout and design was created by artist Brian Azer (Sun Kil Moon, Jesu). The band has upcoming tour dates with Kayo Dot and Giant Squid.

Track listing:

01: Led to This Place
02: Even for No One
03: The Mission Statement
04: Bruise
05: Into the Hills
06: Beneath the Weeds
07: Lamb
08: Something It’s Not

hex inverter tour

HEX INVERTER tour dates:
May 20: BAR New Haven – New Haven, CT (w/ Kayo Dot)
May 21: The Paper Box – Brooklyn, NY (w/ Kayo Dot)
Jun 24: TBA – New Haven, CT
Jun 25: Lucky 13 Saloon – Brooklyn, NY (June 24-27 w/ Giant Squid)
Jun 26: Kung Fu Necktie – Philadelphia, PA (June 24-27 w/ Giant Squid)
Jun 27: Machines with Magnets – Pawtucket, RI

Hex Inverter on Facebook.


Video: Intronaut – Instrumental New Song Plus Studio Footage


Intronaut band 1

Intronaut debuted the instrumental version of a new song at the House of Blues in Anaheim, CA. Band drummer Danny Walker shared lots of studio footage, where they are recording at Clear Lake Audio in North Hollywood, CA with producer Josh Newell. Devin Townsend will be mixing, and is due out later in the year.

Toying with bass effects and gettin jazzy wit it! #clearlakeaudio #intronaut

Posted by Danny Walker drummer on Wednesday, April 15, 2015

Toying with bass effects and gettin jazzy wit it! #clearlakeaudio #intronaut

Posted by Danny Walker drummer on Wednesday, April 15, 2015