ALBUM REVIEW: Yersin – The Scythe Is Remorseless


A beguiling atmosphere. A deliberate sense of urgency. A cacophony of turmoil and finality: blackened Grindcore-meets-crust purveyors Yersin needed only a hair under twenty-five minutes to effectively and enthusiastically encapsulate all of the above mentioned techniques, and then some.

The Scythe Is Remorseless (Trepanation Recordings) sounds as if the Sunderland-based trio recorded seven tracks in the midst of an apocalyptic phenomenon known only to them. The sound bites and pierces; the vocals pummel and decimate. Together, it’s enthralling. Continue reading


ALBUM REVIEW: Thorn – Evergloom


 

Allow me to go out on a limb here: the bathroom floor of a frat house on a Saturday night/Sunday morning has less bacteria and filth than Thorn’s newest record. But don’t be fooled into thinking Evergloom (Transcending Obscurity Records) is solely reliant on gag-inducing landscapes. The collective is armed with an innate ability to devise structured songs that possess personality and conjure truly frightening thoughts.

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CONCERT REVIEW: SEVEN)SUNS Live at Joe’s Pub


My first encounter with SEVEN)SUNS was two weeks into 2023 at La Suspendida, the Jazz-Metal-Opera brainchild of Kilter and William Berger, a massive undertaking in which the string quartet played a vital part. (Editor’s Note: read our review here.) Wait – violas and violins in metal? Of course. Connoisseurs of the progressive would expect violin in bands like Ne Obliviscaris, but the less familiar may be surprised to find strings in heavier, speedier bands like Fleshgod Apocalypse. While such symphonic metal may not be for everyone, let’s not pretend the haunted wailing of orchestral instruments has no place in metal. 

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