ALBUM REVIEW: Fleshwater – 2000: In Search Of The Endless Sky


Fleshwater’s new album 2000: In Search Of The Endless Sky (Closed Casket Activities) displays the lessons the band learned from playing arenas with a more anthemic nineties Rock sound than what was heard on “We’re Not Here to Be Loved.” It shoved singer Marisa Shirar into the spotlight, forcing her to own her identity as a frontwoman. The mix of this album is more radio-friendly with the vocals out front, as the guitar swirls around them. Shirar’s singing style is more Rock-oriented on this album, belting the choruses out as the guitar sits back in the mix. The atmospheric opener is the strongest song on the front end of the album, as the singles dial back the more shoegazing elements. Though it depends on what you want from music in this regard; if you are a fan of Paramore, the more alternative rock-leaning sound might be more to your liking.   Continue reading →


ALBUM REVIEW: Lowheaven – Ritual Decay


Canadian post-Screamo merchants Lowheaven open Ritual Decay (MNRK Heavy) with a swell of noisy ambiance, setting the stage for an explosion of screamo intensity against a stark, apocalyptic mood that bears more resemblance to Neurosis. The sung vocals add a melodic counterpoint that might remind you of Glassjaw. They are prone to hover over crushing Sludge-drenched stomps to give the album its heavier edge. These are often broken up by atmospheric guitar passages before reaching their scathing climax. Continue reading →


ALBUM REVIEW: The World Is A Beautiful Place and I Am No Longer Afraid To Die – Dreams Of Being Dust


Much like their distinct name, The World Is A Beautiful Place & I Am No Longer Afraid To Die continue to pen unique songs with flavor and character, and new studio album Dreams Of Being Dust (Epitaph Records), is no different. Continue reading →