Revolution Rock Festival To Host Avenged Sevenfold, Slayer, Volbeat, Chevelle, Anthrax, Ghost


 

Revolution Rockfest poster ghostcultmag

Taking place outside of the world-famous Foxwoods Resort Casino will be one of the best one-day concert events in North America this year, the Revolution Rock Festival – fueled by Monster Energy. Led by a stacked lineup of Avenged Sevenfold, Slayer, Volbeat, Chevelle, Of Mice & Men, Anthrax, Ghost, Killswitch Engage, Sevendust, The Amity Affliction, KYNG, Nothing More, Twelve Foot Ninja, Crobot, and Devour The Day, the new annual rock festival is presented by AEG Live.

Joe Litvag, Executive Producer of Revolution Rock Festival for AEG Live commented:

“We’ve spent the better part of two years searching for the perfect location to create a festival that is just for the rabid rock fans of New England. After seeing the incredible property and amenities offered at Foxwoods Resort Casino, I knew we had finally found a home. It’s really easy to get to from just about anywhere in the region, and the fans can make a whole weekend out of it with a top-notch resort, golf, spa, shopping, great restaurants, and of course the gaming. Our hope is that Revolution Rock Festival will become an institution for rock fans of the Northeast and will be thought of as ‘New England’s rock festival’ for years to come!”

Felix Rappaport, President and CEO of Foxwoods.

“We are thrilled to be partnering with entertainment powerhouse AEG Live to bring the Revolution Rock Festival to Mashantucket and Foxwoods Resort Casino. Foxwoods has been at the forefront of entertainment since we opened in 1992, and events like this festival will continue to make Foxwoods the market leader.”

General Admission: $59.50

General Admission Ticket 4-Pack: $198.00

At the general onsale, tickets will be priced as follows:

General Admission: $79.50

General Admission Ticket 4-Pack: $269.50

A limited number of Foxwoods Resort Casino VIP Hotel Packages for two or four people will also be available for purchase. Hotel packages will include VIP Lounge access, hotel for Friday and Saturday nights, and a $25 merchandise voucher per person. Visit www.RevolutionRockFestival.com for details.

A limited number of discounted ticket 4-Packs will also be available for active military through Revolution Rock Festival partner GovX (www.govx.com).

Revolution Rock Festival is produced by AEG Live, producers of many of Rock On The Range, Monster Energy Carolina Rebellion, Rocklahoma and more.

Revolution Rock Festival online

Revolution Rock Festival on Facebook

Revolution Rock Festival on Twitter

Revolution Rock Festival on Instagram

 


Avenged Sevenfold, Alice In Chains, The Offspring, Slayer, Chevelle Booked For Monster Energy Rock Allegiance


Rock Allegiance 2016 ghostcultmag

 

For the second year in a row, the Monster Energy Rock Allegiance Festival promises to be the east coast’s answer to the best rock and metal festivals the USA has to offer. The fest takes place at Talen Energy Stadium, 1 Stadium Drive, Chester, PA, just outside Philadelphia on September 17 & 18, 2016. With 35 bands on two stages over two days, the fest is headlined by Avenged Sevenfold, Alice In Chains, Slayer, The Offspring, Breaking Benjamin, Volbeat, and Chevelle, the fest also features The Cult, The Pretty Reckless, Pierce The Veil, Of Mice & Men, Ghost, Anthrax, Killswitch Engage, Chevy Metal, Baroness, Hellyeah, Sevendust, Motionless In White, Buckcherry, Trivium, Avatar, Max & Iggor Cavalera Back To Roots, Jim Breuer and the Loud & Rowdy, Sick Puppies, The Amity Affliction, letlive., Neck Deep, Skindred, KYNG, Young Guns, Crobot, Devour The Day, Twelve Foot Ninja, Dinosaur Pile Up, Death Angel and Hundredth.

avenged sevenfold live mayhem2014_638

Rock Allegiance also features a craft beer and Gourmet Man Food experience celebrating what makes Philadelphia cuisine famous, unique and delicious. A main theme of the fest is supporting craft beer entrepreneurship with a celebration of local breweries and specialty drafts hailing from throughout the nation. The initial lineup of regional and national craft beers is as follows: Evolution Craft Brewing Co. (Salisbury, MD), Fordham & Dominion Brewing Company (Dover, DE), New Belgium Brewing (Fort Collins, CO), Starr Hill Brewery (Crozet, VA), Tröegs Independent Brewing (Hershey, PA) and Victory Brewing Company (Downington, PA). Gourmet Man Food: The initial Gourmet Man Food lineup includes: Braz-B-Q, Chickie & Pete’s, The Cow & The Curd, Dos Hermanos, Dump ’n’ Roll, M.A.T.T.’s Gourmet Sliders, Mama’s Meatballs, Seoulfull Philly, Sum Pigand The Tot Cart. You can get tickets at this link:

Rock Allegiance online

Rock Allegiance on Facebook

Rock Allegiance on Twitter

Rock Allegiance on Instagram


Audio: Devour The Day Stream S.O.A.R., Pre-orders Start Tomorrow


Devour The Day band 2016

Rockers Devour The Day have premiered their new single, the title track of their forthcoming album S.O.A.R., releasing from Razor & Tie on April 1st. You can hear ‘S.O.A.R.’ at this link or below: 

 

Guitarist Blake Allison commented:

‘S.O.A.R.’ is an acronym for ‘Suffer, Overcome, And Recover.’ It references the true nature of hard work, dedication, and the feeling of strength through any process. When the pressure of life and all its struggles has beaten you down, it’s what one does in response that really matters and makes us grow as human beings.”

 

‘S.O.A.R.’ will be available for purchase as a grat track with all Pre-orders of the album starting tomorrow, at this link:

 

 

Devour The Day online

Devour The Day on Facebook

Devour The Day on Twitter

Devour The Day on Instagram

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Devour The Day on YouTube


The Kyngs of LA – Tony Castaneda of Kyng


Kyng band image

Rock music is deeply rooted with the Los Angeles music scene and has produced a number of acts who have helped shape a section of music history. One of the city’s rising stars is East LA natives Kyng, who have made a name for themselves over the past few years with their back to the roots heavy rock sounds with heavy grooves and melodic overtones.

Veterans of the LA music scene, the three members of the band (vocalist/guitarist Eddie Veliz, bassist Tony Castaneda and drummer Pepe Clarke Magana) created a powerful yet hard-hitting sound that fans discovered on their latest album Burn The Serum (out now via Razor and Tie), and their recent journey found themselves on Knotfest 2015, becoming extra special for them being this was in their backyard in Southern California.

kyng knotfest

Castaneda shared his thoughts about the show and playing at San Manuel Amphitheatre, the Devore, CA based venue which held events such as Ozzfest and Rockstar Mayhem Fest in the past. “The main difference is this is in our backyard. We’re from Los Angeles and this is a hometown show for us, and it’s always nice to go home after the night and sleep in your own bed. That’s not to say the other festivals aren’t awesome.

This is definitely a venue that individually we’ve played here in the past. To be here with Kyng is definitely awesome. We love this place. There’s definitely a lot of history here, as you know Ozzfest and I’ve seen Iron Maiden and Black Sabbath. I’ve played Ozzfest back in 2007 with Pepe in another band we were in.

He shared his thoughts about playing Knotfest and taking part on a much talked about event. Being asked to participate on a festival run by one of the biggest acts in heavy music is an honor for most bands, but Castaneda chose to take in as much of the event as he could, aside from himself playing on it.

Not falling on my ass from all of the dust on stage and wearing my Vans, and having more canvas underneath them!,” he said, with a laugh. “The highlights for me are yet to come. There’s a lot of friends here. Devour The Day’s here, Suicidal Tendencies…which I’ll be catching. After I’m done [here], I’ll be catching Cannibal Corpse. Clutch…so many bands. I missed yesterday’s set [but] I’m excited for what’s to come.

Photo Credit: Alyson Coletta Photography

Photo Credit: Alyson Coletta Photography

Their journey has taken them on tour with a variety of audiences, from Corrosion of Conformity and Clutch, to Seether and then even Megadeth. They discovered along the way how they have managed to work their sound towards that respective audience and winning them over along the way.

We discovered that we can be as heavy as we want to be and still be melodic. That’s what separates us from all of the other bands. We have a drummer like Pepe that’s a beast and can basically play in a heavy, heavy metal band and plays in a rock band like us. We do both and I feel we do it well as it works for us and we’re going to continue to do.

Kyng Album cover

Coming out of an area such as East Los Angeles and often overshadowed by the bands coming out of West Hollywood’s Sunset Strip area makes their story even sweeter. Having flown under the radar and slowly building an audience at every

It means a lot because not too many bands come from East LA. A lot of band would be Hollywood bands, but you do have your bands from Los Angeles like the Red Hot Chili Peppers. There’s a lot of bands. I guess for a band of this genre, there’s not too many of them from LA. It means a lot especially being from East LA and myself, growing up in a predominant Latin community, I’m proud of that all of us are Latinos and that’s something that’s cool to us. We’re very thankful that we can be in this genre and making our stamp and let it be known.

Photo Credit: Rob Fenn

Photo Credit: Rob Fenn

One of their biggest supporters from the early days was Jose Mangin of Sirius XM’s Liquid Metal, who befriended the band and helped spread their name around the scene. Castaneda acknowledged how his influence greatly helped them towards bigger things such as Metallica’s Orion Festival.

He’s the biggest supporter since day one. He is the reason why we have gotten a lot of attention. He’s the type of guy everybody knows. Everybody in the industry knows that guy knows his shit and he vouched for us since day one and everybody jumped on board that was a friend of his and believes in it as much as he does. For that we’re grateful and will be forever grateful,” he said.

On the subject of a new Kyng record, the band teased the Knotfest crowd with a brand new, yet untitled tune. “We played a new song today. I’m not sure if it’s a working title at the moment. We only played one new one but the rest were some from the first album and some from the second.

Photo Credit: Shawn Evans/Sonic Visions Photography

Photo Credit: Shawn Evans/Sonic Visions Photography

While specifics on when a new record is coming are yet to be determined, Castaneda gave an update on the status on their third album, which they are currently working on.

It’s a little bit of the first album and a little bit of the second album intertwined. There’s gonna be a few new things we may or may not try. Generally it’s definitely a Kyng album. It’s heavy music, melodic with harmonized vocals here and there, [with] singing. So that’s pretty much it in a nutshell.

Lastly, he shared his goals for the next record. While the members of Kyng have accomplished many personal goals within their first two albums, he admits he is working on a new bucket list as they are entering a new album cycle real soon.

I think every year there’s a new bucket list, as you mark things off of your list, you want to stay hungry and find new stuff. We got to play with Metallica so it would be nice to tour with them. We’d like to tour with Megadeth again – that’s definitely on the top of the list. It would be cool to play with bands that are not just heavy metal. We’ve done tours with bands like Seether. We would like to do something Foo Fighters or Queens of the Stone Age. I think we can adapt to the different types of fans within the genre. That’s definitely something on my list.

We actually went from Seether, which we finished that tour and then went straight into Megadeth. It’s two different worlds. So it worked. It’s weird because we get concerned sometimes when we do tours like that. With Seether, a lot of the times with fans like theirs, we’re a little too heavy for them. Then when we jump onto a tour like Megadeth, we’re like ‘well I wonder if we’re heavy enough…’ Like I said, we pride ourselves on being able to do stuff like that. That’s something unique that we have.

By Rei Nishimoto

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Video: All That Remains – Victory Lap



All That Remains band 2015

All That Remains have released a new music video for their single ‘Victory Lap’. You can watch the clip at this link or below.

 


The band recently announced the departure of long-time bassist/vocalist Jeanne Sagan and named her replacement, Aaron “Bubble” Patrick (ex-Devildriver). Kicking off a tour tonight with Devour The Day, Audiotopsy, and Sons Of Texas, the band is on the road supporting their album The Order of Things (Razor & Tie) released earlier in 2015.

 

All That Remains tour dates, with Devour The Day, Audiotopsy, and Sons Of Texas

Dec 08: Masquerade – Atlanta, GA

Dec. 09: The Fillmore – Charlotte, NC

Dec 11: Asylum – Portland, ME

Dec 12: Webster Theater – Hartford, CT

Dec 13: Rams Head Live – Baltimore, MD

Dec 14: Gramercy Theater – New York, NY

Dec 16: Chameleon Club – Lancaster, PA

Dec 17: Machine Shop – Flint, MI

Dec 18: Mr. Smalls – Millvale, PA

All That Remains online

All That Remains on Facebook

All That Remains on Twitter

All That Remains on YouTube

 

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Finding Tribulation – Devour The Day


devour the day 2

I got to see Helmet! They played my favorite song (“Unsung”), and I got it on video on my iPhone,” said lead vocalist Blake Allison, sharing his favorite moments after his band Devour The Day completed playing on the Sunday of Knotfest. The band was coming off of a high, playing in front of a large crowd who showed up early to watch the band rock the side stage.

My favorite was the macaroni and cheese. Amazing I wanted to eat so much more of it. The ladies in catering mean so much more business today. They know that metal guys will eat will so much at home on one plate,” added bassist Joey “Chicago” Walser, about one of his favorite moments during Knotfest.

Being they were one of the few rock bands to share a stage with variations of metal bands, they used this to their advantage and won over fans along the way. In fact, Walser said they found new fans within situations like this and attracted new fans.

Absolutely for us, at these kinds of shows Blake and I experienced it during Ozzfest, which was super similar. To assume that everyone here to watch metal only and listens to metal is small minded. We get fans every time we play something like this. There’s got to be people out there and jump on Lambgoat and say we suck, but we don’t care. We had a great time. The energy was great.

In fact on Lambgoat, I think they said every band today on here sucked…except for Cannibal Corpse and Helmet!,” he said, with a chuckle.

Photo Credit: Melina Dellamarggio

Since Allison and Walser began Devour the Day in 2012, following the end of their previous band Egypt Central, they immediately began writing new material that resulted in becoming their debut album, 2013’s Time and Pressure.

We were in a band called Egypt Central for a long time. Joey and I have been playing music together since we were teenagers. That band broke up for whatever reason…it doesn’t matter. The point is this band’s here and we’re making the best music that we have and we love this project, all the way to the soul of it. It’s something we never had before as musicians. We’re proud of who we are and what we’ve done and the music that we’ve made,” explained Allison.

Photo Credit: Melina Dellamarggio

Photo Credit: Melina Dellamarggio

Within their touring cycle, Devour The Day has since recorded a new album. Allison talked about it plus the story behind the album.

We just went and finished doing another record recently. So we have another record coming out in 2016 called Sore.

It is about the struggle of the past few years. I think as much as we’ve talked about on the first record – our issues with the business, realizations of young men growing up doing this and touring. This record is more about the human being universally and how we all relate to each other. I think that’s through tribulation and how you respond to that tribulation. The record speaks to that on a spiritual level, on a political level, on an addictive level – a lot about the power of addiction. I think a lot of people can relate to that. The record is for human beings, not dogs,” said Walser.

Photo Credit: Melina Dellamarggio

Photo Credit: Melina Dellamarggio

Another change within their camp is that Sore will be coming out through their new label home, Razor and Tie.

I’ll say the biggest change so far is that we were able to make this record the way we intended to. I think it’s one thing to make a record on your own – in your own garage or your own living room, like we did on the last one. But on this one, because they saw something in the band and what we’ve done before, they thought it would be a good idea to stay in the studio with a guy who knows what he’s doing. His name is Dan Korneff. He did the Killswitch Engage record, a lot of Breaking Benjamin and Paramore…the list goes on and on. So he gets it. He knows where our background and the music and what we listen to.

We didn’t have to fight for the record that we wanted. It was already set up that way. We couldn’t be there without Razor and Tie. We’re extremely excited about the future of this band and what’s going to happen with this record. I think if we didn’t sign with them we’d be in a different spot, none better or none worse – just different,” said Allison.

Being that Devour The Day had built a fan base more from a DIY standpoint since the formation of the band, they knew what they were seeking from a recording label as a partner.

I would say, especially since most of the guys involved in our do it yourself kind of approach are still very much involved with the group. I think when they signed us, even in the initial meetings when we talked, Blake and I were pretty clear about our vision for what our band was and if they were interested in doing that. We turned down other deals from other labels. We have not found the right thing until we were with Razor and Tie. I think a lot of that had to do with the team that we have now being with us all the way through that,” said Walser.

He also talked about experiencing the DIY method helped them work harder towards achieving goals they were after.

We feel that hard work really does pay off, as cliché as it sounds. We work our asses off for years to achieve a fraction of the eventual goal that we’re after. At this point, we want people to relate to our music because that’s what saved our lives. Music really got us through every weird situation. We could always go back to my bass and…she never cheats. She never lies,” said Walser.

Another aspect has been touring with heavier bands such as their current tour with All That Remains has made Devour The Day the missing void on an often heavier billed tour. Walser shared his thoughts on the matter.

Blake one time said he had heard it through a couple podcasts or read that it’s almost for us, what we want to be is original and looking for the gaps within music. I don’t think we want to hear some band or CD that we like and go make that CD that sounds like…it’s pointless.

For us, we have such a large variety of influences. We’re just trying to show that what we are and how we are. I think that our fans that love where we’re coming from will get that and those who don’t will hate it and that’s perfectly ok. That’s the power of diversity.

By Rei Nishimoto


Knotfest 2015: Live At San Manuel Amphitheatre in Devore, CA.


knotfest2015posterbands

 

Slipknot brought back heavy music into their brand of a festival called Knotfest once again to Southern California as they packed two days (plus a VIP only Friday evening event for campers) full of headbanging and mayhem at San Manuel Amphitheatre in Devore, CA.

The VIP pre-party show consisted of brief sets by Khaotika, Motorbreath, Rings of Saturn and The Faceless, while Sepultura became the main focus of that evening, performing many longtime favorites from their 30th anniversary tour, such as ‘Refuse/Resist’, ‘Arise’ and ‘Propaganda,’ while working on a few of the newer songs such as ‘Choke.’

 Corrosion of Conformity, by Melina D Photography

Corrosion of Conformity, by Melina D Photography

Saturday’s main stage led the charge with the return of Pepper Keenan with Corrosion of Conformity, working in favorites such as ‘Clean My Wounds’ and ‘Albatross’; then Trivium and Mastodon both brought out powerful sets of powerful guitar driven hard rock leading into Korn’s semi-setlist of their début self titled album (ie they played only half of the album but they still brought their usual powerful live show) while working in other favorites like ‘Freak on a Leash’ and ‘Falling Away From Me.’

Korn, by Melina D Photography

Korn, by Melina D Photography

 

Mastodon, by Melina D Photography

Mastodon, by Melina D Photography

 Corrosion of Conformity, by Melina D Photography

Judas Priest, by Melina D Photography

Headliners Judas Priest came out strong with a cross-section of newer songs such as ‘Dragonaut’ and ‘Valhalla’ while working in longtime favorites such as ‘Breaking The Law’ and ‘Hell Bent For Leather,’ as well as ‘Turbo Lover’. Following a strong showing on their previous tour, they did not disappoint and showed that after all of these years they can still deliver classic metal the right way.

Unlike the 2014 edition, Slipknot only played one day instead of both days, and they brought back the mini roller coasters and the Slipknot museum for attendees to enjoy. Another addition to this year’s edition was the Extreme Stage with such bands as Kataklysm, Abysmal Dawn, Belphagor and Inquisition living up to their musical brand and the headbangers representing as well.

 Reaktion, by Melina D Photography

The ReAktion, by Melina D Photography

The only band who did not quite fit the stage was Chilean-Canadian alternative-metallers The ReAktion, where their synth-driven riff metal was something fans grew accustomed to but was greatly out of place on that stage. The early set time worked in their favor on Sunday, with fans enjoying sightings of Slipknot DJ Sid Wilson around their set. Despite that, their eclectic sound was refreshing and somewhat interesting to see how they evolve from here.

Slipknot vocalist Corey Taylor made a brief appearance with fellow Iowans Green Death during their brief set later on Sunday. Fans got acquainted quickly with the band despite their lack of recognition prior to the show.

Stages 2 and 3 were placed on the revolving stage where bands could get going much easier. Saturday’s set began with Battlecross, Red Fang and Goatwhore getting early set calls, but the packed crowd showed up to rock out with each band. Even the well publicized Josh Barnett joined in the pit action early on.

Trivium, by Melina D Photography

Trivium, by Melina D Photography

 

At The Gates, by Melina D Photography

At The Gates, by Melina D Photography

Veteran metallic hardcore outfit Earth Crisis brought back memories of their appearance of Ozzfest 1996 at this venue. Other highlights included At The Gates’ aggression driven set, while Body Count plowed through their set of classics (despite minor technical difficulties with Ice T killing time with his attempt at telling jokes on stage). GWAR capped out the stage with their usual antics and over the top stage show, moving forward post Oderus Urungus (a.k.a. Dave Brockie).

Mobb Deep, by Melina D Photography

Mobb Deep, by Melina D Photography

Sunday’s main stage opened with Ghostface Killa and Mobb Deep’s brief old school hip hop set that attracted curious onlookers, while Clutch came in with their usual power riff rock set that their stripped down stage show appeared a bit bare for such a large sized stage.

Clutch, by Melina D Photography

Clutch, by Melina D Photography

 

Bring Me The Horizon, by Melina D Photography

Bring Me The Horizon, by Melina D Photography

Bring Me The Horizon’s updated stage show and sound definitely caught the attention of the crowd with their LED powered backdrops with the letters to SPIRIT aligning with each word of their opening song ‘Happy Song.’ Frontman Oli Sykes had the crowd moving along with his commands, and kept the show entertaining. Plus their newer synth oriented melodic rock sound on songs like ‘Throne,’ and ‘Can You Feel My Heart’ made their live show much more anthemic driven tunes for the crowd to sing along to. Even with the older heavier songs like ‘Chelsea Smile,’ Bring Me The Horizon showed that they have a full arsenal within their bag of tricks and is no surprise why they have the attention of the hard music world.

Slipknot, by Melina D Photography

Slipknot, by Melina D Photography

 

Slipknot, by Melina D Photography

Slipknot, by Melina D Photography

When Slipknot took the stage, they unveiled their new stage setup that resembled the carnival from hell, and they took charge from the opening minute. Opening with ‘Sarcastrophe’ and leading into ‘The Heretic Anthem’, Slipknot was on a mission to show why they are one of the biggest hard acts on the planet and can command their own festival. They even worked in ‘Me Inside’ (which they have never played live before apparently) and ‘Eeyore,’ giving the crowd more to get manic over.

The second and third stages on Sunday featured hard rockers Devour the Day and Kyng giving the crowd energetic melodic rock to nibble on, while semi-hometown favorites Snot got the crowd rocking with selections from their Get Some album while paying tribute to their late singer Lynn Strait.

Cannbal Corpse, by Melina D Photography

Cannbal Corpse, by Melina D Photography

Helmet, All That Remains and Beartooth all plowed through power sets of rock and metal that got the crowds working up a sweat, while led into the massive stampede of fans eagerly awaiting Cannibal Corpse and Suicidal Tendencies to perform. Cannibal Corpse simply owned Knotfest’s second stage and possibly had the largest crowd of headbangers and mosh pit participants of any act, which bled into Suicidal’s already veteran LA punk rock fan base. Overall, the insanity that came with those acts simply made the observing that much more enjoyable.

Overall, Knotfest 2015 brought together a strong collection of acts within the heavy music world once again and gave fans something to be excited about. After two consecutive years, hopefully Knotfest will continue to be an annual event (or something close to it).

 

PHOTO SET DAY 1:

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PHOTO SET DAY 2:

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WORDS BY REI NISHIMOTO 

PHOTOS BY MELINA D PHOTOGRAPHY


Festival Preview: Knotfest


knotfest2015posterbands

Slipknot’s Knotfest is taking over, and if you have doubts about this I feel sorry for you. Growing to new locations and opportunities, Slipknot continues to grow their brand and the legend of these concert events. Taking place this weekend at the San Manuel Amphitheater and Festival Grounds in an Bernadino California, kicks off tonight with a private pre-party for campers ad VIP’s with performances from Sepultura and The Faceless among others. In addition to camping and vendors, this year’s Knotfest has crazy attractions like the Knotfest Museum, Street Drum Corps Blood Drums Experience, Thunderdome – Fire Area, Ring of Fire Carnival Ride, Flaming Carnival games and more.

Slipknot, by Evil Robb Photography

Slipknot, by Evil Robb Photography

Music is the thing that makes Knotfest come alive and Saturday is headlined by the mighty Judas Priest prepared to put on their legendary stage show. Followed up by Korn, who is in the midst of their debut album, 20th anniversary. Next on the main stage is Mastodon, followed by Trivium, COC with Pepper Keenan and a surprise special guest TBD.

Dr. Michael Bishop as Blothar of GWAR, photo by Meg Loyal Photography

Dr. Michael Bishop as Blothar of GWAR, photo by Meg Loyal Photography

The #2 and #3 stages for Saturday boast the likes of GWAR, Earth Crisis, Body Count, Goatwhore, At The Gates, Red Fang, Born of Osiris and Battlecross. Meanwhile the extreme stage has Kataklysm, Inquisition, Her Name In Blood, Belphegor, Abysmal Dawn, and Khaotika. Plus there is a Headbang for the Highway Stage sponsored by Zippo.

Clutch by Evil Robb Photography (20)

Sunday is no less impressive with Slipknot putting on their typical astounding show. They have out done them selves in every edition, and this should be no different. Bring Me The Horizon has possibly the biggest album of the year on their hands and are in the penultimate support slot appropriately. Rock giants Clutch follow closely along with Mobb Deep and Ghostface Killah.

The eclectic and star heavy second and third stages have bands such as Suicidal Tendencies, Beartooth, Cannibal Corpse, Snot, Helmet and Devour The Day. On the extreme stage legends Dying Fetus with have a chance to show fans how real technical death metal is done. They are joined by Internal Bleeding, The Reaktion, Disgorge, Green Death and Kings of Carnage.

You can still get tickets for Knotfest here: 


Slipknot’s Scream Park Attraction Added To Aftershock Festival


slipknotscreamfestoct2015

Slipknot, one of the headline acts for Monster Energy Aftershock Festival have paired up to present Slipknot ‘s Scream Park for the Monster Energy Aftershock Pre-Party on Friday, October 23 from 7 p.m. to midnight in Sacramento, California. The pre-party concert and food truck event will be headlined by Hell Or Highwater, with more bands to be announced. Hell Or Highwater has also been added to the festival proper, performing on Saturday, October 24.

Slipknot ‘s Corey Taylor and M. Shawn “Clown” Crahan have partnered with Sacramento-based Scream Park California to produce an event that explores a whole new, intensely visceral world of horror, as only Slipknot can provide. Slipknot ‘s Scream Park features three haunted houses and live horror entertainment. Slipknot ‘s Scream Park will also have an onsite presence at Monster Energy Aftershock on October 24 and 25.


A limited number of guests can gain admission to the Monster Energy Aftershock Pre-Party by showing proof of purchase of an Aftershock ticket. This will allow free access to the Aftershock Pre-Party, which will include live music and food trucks. On the Pre-Party night guests will be able to go through the haunted houses at Slipknot ‘s Scream Park for a discounted price of $15. More details will be available soon about music performances at the Pre-Party and how to obtain free Pre-Party admission, as space will be limited. You can view the trailer for the Scream Park at this link or below:

Slipknot ‘s Scream Park is also offering an Aftershock Scream Park Bundle for $119.50. This package includes one 2-day General Admission weekend ticket to Monster Energy Aftershock and one Scream Park General Admission ticket (a $25 savings). Purchase your combo tickets for both Slipknot ‘s Scream Park and Monster Energy Aftershock Festival at link text or www.Slipknot screampark.com.

Slipknot ’s Scream Park is located at 4909 Auburn Blvd. in Sacramento, California.

AFTERSHOCK.2015.admat_.FINAL_.8.31

Monster Energy Aftershock Festival already boasts an incredible music lineup with four stages and countless attractions such as live, in-ring matches with WWE’s NXT Superstars beyond music for entertainment. Bands appearing in addition to Slipknot are Faith No More, Deftones, Shinedown, Jane’s Addiction, Marilyn Manson, Coheed & Cambria, Stone Temple Pilots, Breaking Benjamin, Seether, Bring Me The Horizon, All Time Low, Sleeping With Sirens, Eagles Of Death Metal, Black Veil Brides, and many more.


Slipknot, Shinedown,Faith No More, Deftones, etc Confirmed For Aftershock 2015


AFTERSHOCK 2015

The fourth annual Monster Energy AFTERSHOCK Festival will be held on Saturday, October 24, 2015 and Sunday, October 25, 2015 at Gibson Ranch outside of Sacramento, CA. The festival will feature live, in-ring matches with WWE’s NXT Superstars, alongside this year’s lineup on each day consisting of:

Saturday, October 24:

Slipknot
Shinedown
Marilyn Manson
Breaking Benjamin
Seether
Bring Me The Horizon
Black Veil Brides
Clutch
Hollywood Undead
P.O.D.
Sevendust
Pop Evil
All That Remains
Helmet
Snot
Beartooth
Turbowolf
Art of Dying
Temperance Movement
Kill It Kid
Devour The Day
September Mourning
Stars In Stereo
Raveneye

Sunday, October 25:

Faith No More
Deftones
Jane’s Addiction
Stone Temple Pilots
Coheed and Cambria
All Time Low
Death From Above 1979
Eagles of Death Metal
Sleeping With Sirens
Yelawolf
Failure
Glassjaw
Suicidal Tendencies
Issues
The Sword
Highly Suspect
’68
Red Fang
One OK Rock
Madchild
Neck Deep
Pink Slips

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