ALBUM REVIEW: Suicide Silence – Remember… You Must Die


 

I have one question for the Suicide Silence lads. Why is it that they are perfectly content to settle on terrible studio production and mix? Yes, I get that The Cleansing and No Time to Bleed were popular and well-regarded in the Deathcore circle, but in all honesty, they were never going to be considered amongst the best metal recordings ever.Continue reading


ALBUM REVIEW: Bonecarver – Carnage Funeral


 

Imagine being a child and your buddy informs you that an outfit known as Bonecarver has a new album titled Carnage Funeral on Unique Leader. What do you do with that information? That’s like the most metal collection of words ever assembled. Carnage Funeral? Bonecarver? What in the world is a Bonecarver and why does anyone need it? So many questions trying to keep up with a rushing imagination. 

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ALBUM REVIEW: Chelsea Grin – Suffer In Hell


 

Deathcore, the subgenre that took the late 2000’s by storm and is still muscling along today. Like many subgenres before it, multiple generations of bands come together and play their own particular brand of the given subgenre. In terms of deathcore, one earlier generation example that did not experiment themselves away from their roots is Chelsea Grin. They have released their sixth studio album (the first of a two part series) entitled Suffer In Hell (ONErpm) with the sister album, Suffer In Heaven, due out in 2023.

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ALBUM REVIEW: Oceans Ate Alaska – Disparity


 

Following on from two initial releases (including the particularly realised for the time Hikari), Oceans Ate Alaska in 2017 were a young band who had quickly shown huge levels of promise for bigger things to come. So, the fact the band had not followed up quickly (global pandemic of course not helping matters) feels somewhat surprising considering the momentum that was behind them. Continue reading


ALBUM REVIEW: Harbinger – A Letter To Anguish – Self-Released


In UK underground metal circles, Harbinger is a name that seems to have been around for a considerable time. Regular gig-goers will more than likely have come across them (intentionally or not, as welcome as they are) on a festival or support slot at some point. Which makes it surprising that since their inception, only one full-length release has seen the light of day (in addition to a handful of EPs). Perhaps surprisingly in that respect (if not with their own lifespan), this mini-album follow-up to said full-length has shown considerable movement in their sound.

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EP REVIEW: Crown Magnetar – Alone In Death


These days, with technology readily at our disposal, music isn’t always created directly by humans. Programming has significantly widened the plains of the musical landscape, for better or worse.Continue reading