ALBUM REVIEW: Go Ahead And Die – Unhealthy Mechanisms


 

It’s one thing to see siblings together in music, but two generations in one band is not as typical. Go Ahead And Die features legendary Max Cavalera (ex-Sepultura, Cavalera Conspiracy, Soulfly, etc.) and his son, Igor Cavalera Jr. (Healing Magic, Lody Kong). What’s more, Johnny Valles (live drummer for Cerebral Rot, Black Braid, etc.) has picked up the drumming role on their latest album, Unhealthy Mechanisms (Nuclear Blast Records). The three-piece specializes in a groovy death metal band with some crossover punk spilled over the top.

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Remembering Reed Mullin, Drummer for Corrosion of Conformity (1966-2020)


So far, 2020 has been a cruel mistress as the reaper has claimed several giants of the drumming world. One that hits us particularly hard is the sudden death of Wiliam “Reed” Mullin of Corrosion of Conformity, at the young age of 53. Reed was not only a stellar drummer and musician, but he was also almost universally loved by the Hardcore Punk, Thrash Metal, Doom and Stoner Rock community, which is both amazing and insane. It just goes to show the talent Reed had and the breadth of different styles he helped encompass with C.O.C. Equal to his impact on record and behind the drumkit and the microphone, Mullin impacted a ton of people in the scene with his kindness and sense of humor. Continue reading


Iron Reagan – Crossover Ministry


The mighty Iron Reagan have returned with another adrenaline-pumping album, Crossover Ministry (Relapse). From start to finish, this record is sure to keep your heart rate up and keep your attention. Continue reading


Corrosion Of Conformity – Hang The Bastard: Live at Academy 2, Manchester


COC with Pepper UK tour poster 2015

 

The reunion of the classic Deliverance line up is hotly anticipated with a sold out crowd ready to greet Pepper Keenan and the rest of Corrosion Of Conformity.

Kicking the night off in fine style were London based bringers of sludgy despicable metal Hang The Bastard, and boy were they sludgy. Looking like the Born Too Late-era Saint Vitus (only with less convictions for holding onto Walter White’s stash) and sounding just as punishing, like a wave of grim descended upon the venue. Drawing mainly on their last album Sex In The Seventh Circle the five piece slam through their 45 minute repertoire of heavy lumbering riffs and ear piercing vocals against a constant wall of nothing but uninterrupted feedback. The simple stage set up of red lights throughout added to the hazy almost bleak red room from Twin Peaks feel to the evening, if only instead of weirdest the backwards talking dwarf was replaced by riffs that made your brain want to dribble out of your ears. The fact the PA in the venue was blisteringly loud didn’t half improve the bands’ set, making a hypnotic wall of sound that crumbled each time the bands rumbling bass sound kicked back in.

 

Playing a set comprised of In The Arms Of God and fan favourites Wiseblood and Deliverance this evening has a greatly celebratory feel from the off as ‘These Shrouded Temples’ and the stomping ‘Señor Limpio’ kick tonight into gear.

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Keenan grins from ear to ear as fans raise their fists and voices for ‘King Of The Rotten’ and underground hit ‘Albatross’ which threatens to take the roof off. Woody Weatherman clearly enjoys having his fellow riffmeister back in the fold, trading off licks while Messrs Dean and Mullin hold down the groove with an almost telepathic ease. There are plenty of surprises too. ‘Goodbye Windows’ is given its live debut and ‘Broken Man’ is aired for the first time in nearly twenty years. A stellar performance which receives a rapturous reception, the North Carolinians reputation as a jewel in the crowd of underground metal was cemented tonight.

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WORDS: ROSS BAKER AND DAN O’BRIEN

PHOTOS BY EMMA STONE PHOTOGRAPHY