On The Road… with Cavalera Conspiracy and Death Angel

Posted on May 21, 2015 by News Team

Recently wrapping up six weeks of touring Cavalera Conspiracy and Death Angel criss-crossed the USA on a long tour. Both bands brought the heavy to thrash fans across the country. Joining them on the tour was Corrosion of Conformity BLIND, on their first national tour ever, and Lody Kong. Lody Kong of course counts amongst its ranks Zyon and Igor Cavalera, sons of headliner Max. The young upstarts with the metal royalty in their bloodline don’t flinch in fear of tough crowds or early stage times. COC BLIND features Corrosion of Conformity drummer Reed Mullen and singer Karl Agell (King Hitter/Leadfoot) play songs of the Blind (Columbia) album. Many of these tracks haven’t been played in concert since the tour following the album in 1991. Death Angel is still touring behind The Dream Call For Blood (Nuclear Blast) and has a new concert DVD on the way soon. They are one of the best live bands in thrash or any other genre of metal. Lastly Cavalera Conspiracy takes the stage, Max and his brother Igor (MIXHELL), reunited and thrashing just as they are meant to do together. The set list on this night included songs from the two CC albums, obligatory Sepultura hits such as ‘Territory’ and ‘Biotech is Godzilla’, a tribal drum off with a little kid from the crowd, and even a Nailbomb jam. Shot at the Hawthorne Theater by Curtiss Dunlap Photography, this was quite the entertaining night of metal!

Cavalera Conspiracy, by Curtiss Dunlap Photography

Death Angel, by Curtiss Dunlap Photography

COC BLIND, by Curtiss Dunlap Photography

Lody Kong, by Curtiss Dunlap Photography

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New England Metal And Hardcore Festival 17: Day 3

Posted on April 29, 2015 by News Team

Day 3 of The New England Metal And Hardcore Fest drew to a close with a lot of diehards in attendance, but a little less of the fanfare of the previous two days. When you go to a music festival or any show really, typically you are familiar with the bands that you go to see. But just like tape trading was back in the 80s, and downloading a decade ago, a music festival is a great place for music discovery, checking out new bands, and getting outside your comfort zone for fun. A lot of this happened today.

By day three of anything, a comic-convention or a destination music festival, people are spun out a little from the last few days of action. Industry folks, (most of) the photographers and the vendors were a lot more relaxed on day 3 with the lighter crowd. I chatted with Matt Bachand (Shadows Fall/Act of Defiance) about his new venture, Manshark Entertainment. It was cool catching up with him and other people from the scene I usually see at these things. At the same time you have to give it to the staff of a venue that has seen an endless stream of people come in and go out in a weekend, metal fans from all walks, and still have them keep their shit together, and do a great job. I gotta give it up to the staff of the Palladium for the work they put in keeping everything moving and everyone safe.

Exalt, by Meg Loyal Photography

Sunday is traditionally the “hardcore” day at NEMHCF and the the early bands brought that vibe. There were some killer early performances on Sunday from the likes of the more hardcore bands such as Oath, Living Laser, and Ghost X Ship, the nu-metal stylee-o of Gift Giver, and the phenomenal performance of Lorna Shore. They had their own crew of fans repping New Jersey in the house and I even saw some WSOU shirts on a few people that got me open! Also of note was a killer showing from New York’s Brick By Brick, now fronted by Ray Mazzola (Full Blown Chaos), for a sick set of ignorant (in the best way possible) hardcore and metal. Their set truly was a moshfest!

Brick By Brick, by Meg Loyal Photography

Later in the day following excellent performances from Sworn In, Vanna, The Color Morale and Cruel Hand on the small stage, Motionless in White took the stage as the final band of the weekend. Putting on a show that an amazing visual spectacle, stellar goth rock showmanship, the band owned the night. Their fans, many I met whom waited all day and checked out all of the bands before them, fell rewarded by a captivating show. The fans sang every word, jumped up and down when Chris Motionless said to jump, and generally yelled fuck you at all the appropriate moments, two middle fingers to the sky. It was a fitting close to a fun weekend. See ya next year Metalfest!

Motionless In White, by Meg Loyal Photography

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WORDS BY KEITH CHACHKES

PHOTOS BY MEG LOYAL PHOTOGRAPHY

New England Metal And Hardcore Festival 17: Day 2

Posted on April 25, 2015 by News Team

Day two at Metalfest is usually more like a marathon than a sprint. It’s about going hard or going home, but also taking care of yourself too. You gotta stay hydrated when you’re hot and sweaty, take a breather from time to time, and not eat like crap the entire weekend. I made sure to fill up on some terrific energy boosting organic juice at the Paris of the 80’s Cafe next to The Palladium. Because juicing is metal!

Saturday is also where I spent a little more time with the upstairs bands. While the main-stage has more of the metal bands that I favor, the upstairs is for real warriors. Hardcore is still loveless to the mainstream. Nobody plays this style of music for riches and fame. So there will be violence in the pit, there will be glorious pile-ons, sweaty hands grabbing the mic, and there will be shout-a-long choruses. Catching acts such as No Zodiac, Disgrace, Gods Hate, and the mighty Wisdom In Chains, you can see the past meet the future of music, and the fans who care deeply about these bands.

Shattered Sun, by Meg Loyal Photography

The first main-stage band I caught on Saturday was Texas-bred Shattered Sun. While they are opening the Dark Roots of Thrash II tour for tonight’s final acts, at Metalfest they hit the stage at about 2:30 PM. They whipped the early crowd into a frenzy with their modern take on neo-thrash. As I was jamming out, I look over to my left and there was Gary Holt (Exodus/Slayer) giving his seal of approval, banging his head.

The main-stage was so good this year, it was hard to peel away for some grub. Worcester (or Woostah if you are local wildlife) certainly has some decent food options, including the stellar Kenmore Diner within walking distance to the venue. I’d love to see some food trucks participate in future years, considering how many awesome ones we have locally.

After catching parts of good sets from Thy Will Be Done and The Agonist, it was time for some more death metal. We haven’t had much classic death bands of late here, so it was cool to see Incantation and Vital Remains on the bill. While the later band is immensely popular here, Incantation ruled supreme. Lots of people were seeing this great band for the first time today and they slayed.

Nails, by Meg Loyal Photography

The most talked about band before metalfest the last two years has been Nails. Their set last year may never be topped for intensity. Moving down to the main-stage, the entire floor did not devolve into a violent pit of epic proportions as I predicted. However, there was one large circle pit in the middle and some rough stuff up front, but for the most part people were able to enjoy the band and not die, which was good. Nails crushed it hard. That new album cannot come fast enough for me.

Nuclear Assault may be going into retirement, but not before hitting the road and ripping us a new one. They sounded fresh as ever, especially John Connolly’s chirping high screams. I’m looking forward to their new EP in June.

Exodus, by Meg Loyal Photography

Exodus is another band that has gone through some changes. With a recent album, Blood In Blood Out (Nuclear Blast) and a returning Steve “Zetro” Souza on vocals, the band sounded tight. I was happy with the set list, which included some of their more recent stuff, and of course classics like ‘Toxic Waltz’ and ‘Strike of the Beast’. Props to security for handling all the crowdsurfers and moshers without the usual nonsense I see at other venues.

Testament, by Meg Loyal Photography

Testament closed things out in style with a stage set right out of Iron Maiden’s playbook. And why not? Testament is one of those legacy (pun intended) thrash acts. They had a huge production with creative lights, billows of smoke, and the crazy bursting strobe lights that were a little overpowering frankly. Although they had a slightly over-loud sound mix, the band was incredible as they played only their first two albums, plus ‘Practice What You Preach’. With all of their talents, Testament is like The Avengers, and they are thrash metal’s mightiest heroes.

Testament, by Meg Loyal Photography

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WORDS BY KEITH CHACHKES

PHOTOS BY MEG LOYAL PHOTOGRAPHY

New England Metal and Hardcore Festival 17: Live At The Worcester Palladium

Posted on April 24, 2015 by News Team

Death Angel Just Added on Friday

It was a celebratory mood as I waltzed into The Palladium for another go-around of “Metalfest”. My 10th time attending and 17th overall in the history of the fest proved to be one of the most fun I can remember. Sure festivals can be grueling, all weekend affairs, logistical nightmares and just exhausting. But it’s also like a family reunion in which you hate almost nobody. Lastly, I was lucky to work with Meg Loyal of Meg Loyal Photography all weekend, providing the awesome shots of the bands all weekend for Ghost Cult.

The venue was swelling with people when I arrived, and I was glad to see support for early first day acts such as Begat The Nephilim, Lody Kong, Downpour (featuring Shadows Fall, Unearth and Seemless guys), The Atlas Moth, and Fit For An Autopsy. I usually do a loop of the venue right when I get in. Checking out the vendors, meeting old friends and making some new ones, it’s always a blast.

Within The Ruins, by Meg Loyal Photography

Finally getting down to the main stage floor, Jamey Jasta’s solo JASTA set was just ending. Being a Connecticut guy and a Palladium regular, the place was packed and seemed to end the set on a high note. Checking out the merch tables in between bands, it was cool to see sponsors such as Tama and Ibanez offering cool contests anyone could win. I caught some of Within The Ruins’ set and they were killer, as a bunch of bro dudes punched each other silly in the pit. Settling in at the main stage to watch the rest of day one was a tough choice. I love Overcast and Code Orange, but they played opposite COC Blind, which I could not miss. Playing hits off of Blind, this entity of Corrosion of Conformity includes singer Karl Agell (King Hitter), drummer Reed Mullen, and guitarist Scott Little (King Hitter, Leadfoot) among others was in great form and the audience seemed to enjoy the cuts much deeper than ‘Vote With A Bullet’.

Death Angel, by Meg Loyal Photography

Next up were thrashers Death Angel. It seemed like they might be more at home on the Saturday bill with their Bay Area brethren, but they killed anyway. Playing a short set of mostly recent tracks, they nearly stole the show on day one. Following them was Cavalera Conspiracy. A long changeover seemed to stall the momentum, but there was a lot of excitement to see Max and Igor play together once again. I spent a lot of time focusing on Igor, since watching him play is a treat for me. The set leaned heavy on the “hits” of CC, as well as choice Sepulutra jams and a Nailbomb song featuring Richie Cavalera on vocals.

Cavalera Conspiracy, by Meg Loyal Photography

The Red Chord, by Meg Loyal Photography

The Red Chord was next and I was pumped up to see them, since I missed the band in their last few comeback shows. They played a set heavy on their masterwork album Clients (Metal Blade) and one new song. Again, the deathcore brings out the crazy pit ninjas en masse. Guy Kozowyk was in great form, as the was the entire band who has been missed much.

Between The buried and Me, by Meg Loyal Photography

Closing out the night was Between the Buried And Me. While I really appreciate the North Carolinian prog metallers, (who gave a neat shout out to COC), I have never been a rabid fan. On this night they played the best set I have ever heard from them. They had a sweet production of video screens, smoke and lighting. Not only was their choice of songs slick, but their pacing and patience as a band has really risen up to the level of the veterans that they are. For an added bonus just for the Metalfest crowd, the band closed with a cover of Queen’s ‘Bohemian Rhapsody’. Except for Paul Waggoner playing the iconic piano parts on guitar (of course), the band became Queen, with Tommy Rogers transforming into Freddy Mercury; immaculate right down to his stage moves, voice, and half a mic-stand. The entire venue was singing and some people were crying too. It was an unforgettable end to Day 1.

Between The Buried and Me, by Meg Loyal Photography

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WORDS BY KEITH CHACHKES

PHOTOS BY MEG LOYAL PHOTOGRAPHY

FESTIVAL PREVIEW: New England Metal And Hardcore Festival XVII

Posted on April 17, 2015 by News Team

Today marks the start of New England Metal And Hardcore Festival XVII (that’s #17 for you Roman Numeral deniers among you), which is the unofficial start of spring in the northeast USA. That and the fact there is still some snow on the ground. Ready to thaw out and rock with some amazing bands, this years NEMHF promises to be one of the most diverse bills in its history, according to co-founder and talent booker Scott Lee. Held over three days this weekend on two stages, the fest is a must attend event I nth region which offers something for every heavy music fan’s taste.

Friday is headlined by Between the Buried and Me, which is sure to pack the venue as they usually do. Re-activated Boston mashers The Red Chord are in the spot right before BTBAM, highlighting the depth of this night. Other top billings for Friday go out to Cavalera Conspiracy, veteran thrashers Death Angel, COC BLIND, Code Orange, Overcast, Jamey Jasta solo, The Atlas Moth, Fit For An Autopsy and Within The Ruins.

Day 2 has the all out attack of the “Dark Roots of Thrash Tour” with headliners Testament playing an old-school set, and Exodus in tow making for circle pit heaven. Also from that tour is opener Shattered Sun playing much earlier than usual. Following Exodus is the final New England appearance of Nuclear Assault who are soon to retire. Another excellent band you should not miss is Nails, graduating to the main stage after last years’ bloody pit up at the small stage slot upstairs. Other Saturday bands of note include the recently added Turnstile, death metal overlords Incantation and Vital Remains, Rivers of Nihil, The Agonist and popular locals (from nearby Rhode Island) Thy Will Be Done.

Sunday is always the hardcore centric day, but this year has the added bonus of being led by Motionless In White. The band has worked their way up from nothing with relentless touring and recording, and looks poised for bigger things. A cavalcade of hardcore bands follows MIW such as The Color Morale, Vanna, Death Before Dishonor, Cruel Hand, Lionheart, Sworn In, Brick By Brick as well as Lorna Shore and Last Ten Seconds of Life.

Ghost Cult will be bringing you the review from the weekend full of action, so check back here next week.

Being Terrified Is Part Of The Game – Scott Lee of Mass Concerts

Posted on April 16, 2015 by News Team

Spring is in the air and that means music festivals all over the world. One such festival we always attend is the New England Metal And Hardcore Festival, held at the Worcester Palladium in Massachusetts. We caught up with festival co-founder and talent booker Scott Lee to get his take on the 17^th edition of the festival, taking place this weekend.

We started off by asking Scott about this year’s line-up:

“It’s great! We have a lot of diversity this year. Friday where you have Between the Buried and Me, The Red Chord Cavalera Conspiracy, Corrosion of Conformity (BLIND), and Within the Ruins, that day is stellar. Testament, Exodus, Nuclear Assault’s final new england appearance, so proud to have that. Nails is really exciting! Sunday has Motionless In White. People gave me a little crap for that, which is funny to me. They are just as much a metal band, with hardcore roots as anybody else. Just because they wear makeup and the type of label they are one, whatever. They are a metal band. They have done metal tours. They did Mayhem and other metal tours too. They are an awesome band. And they wear make up. So did Kiss. So do The Misfits. So does Dimmu Borgir. Who cares? The lineup is super stellar. Code Orange headlining upstairs on Saturday. Overcast… and there might be a surprise for Saturday for the hardcore world.” (Editor’s note: now revealed to be Turnstile).

Scott also discussed the significance of having two legendary Boston metal and hardcore stalwarts on the bill together in Overcast and the recently reactivated guys in The Red Cord:

“Oh they came up together you know? They came up at the same time, in the same vein. Same kind of New England thing. You wouldn’t be surprised to see a split 7” from the two of them. Actually that would be really cool! There are all kinds of genres this year, it’s a really good mix. It really is an all-star lineup . I am not going to be like “it’s better than last year” or “its better than the year before”. I hope people see what we are doing here and getting excited about it. There are not too many times you will see Nails and Testament on the same bill, on the same day.

Scott Lee, photo by Jeremy Saffer

Returning to the fest for a second straight year, Nails put on one of the most intensely violent shows ever at last’s year’s fest. We vouched for being terrified at the level of aggression the band coaxed out of the rabid fans in the pit. Just complete bedlam. This year they are on the main stage, and Scott shared his thoughts on the band:

“Being terrified is part of the game, my friend. I went and saw them at This Is Hardcore and it was amazing to me. That band is no joke! It’s great how they are true to their craft. They are really great people too. They write really great music. If you haven’t heard this band, you need to check them out. They are the real McCoy.”

On the complaints on a yearly basis about certain bands, and certain types of bands on the bill which he helps bring together:

“It’s called the New England Metal and Hardcore Festival. It’s bringing metal and hardcore tied into together with the entire scene like this: everything everyone here has ever done. It is not called the New England Death Fest. It’s not called the New England Hardcore Fest. It’s not the New England Metal Fest. It has a long name so everyone abbreviates it to NEMHF. With these bands, it doesn’t matter. The majority of these bands are fans of the music of the other bands too. If you are close-minded, I can’t argue with every single person about this that or the other the thing. This is what the scene is meant to be, open-minded. That’s what it’s supposed to be, for me doing this. We are not putting Black Veil Brides on, we put on Motionless In White. Motionless In White is a metal band. The whole kit and kabboodle on the situation is this: if you have enough time to ridicule, then you should go get another hobby.”

KEITH CHACHKES

King Hitter – King Hitter

Posted on April 16, 2015 by News Team

If there is ever a time I get to go on a great road trip (outside of Maryland Deathfest this year) I will be certainly cranking albums like King Hitter’s self titled debut EP. For those not familiar, King Hitter consists of Karl Agell on vocals (Corrosion of Conformity/COC BLIND/Leadfoot), Scott Little on guitar (Leadfoot), Mike Brown also on guitar (Cutterhead), Jon Chambliss sitting behind the set (S.L.A.M.), and Chuck Manning keeping up the low end on bass (S.L.A.M.). Overall, I liked the groovy, southern personality this group brings on their first EP. Karl’s vocals may not be the harsh vocals the heavy metal culture is accustomed to nowadays, but I find them to be fitting. Even if this EP only has five tracks on it, each one has its own feel and vibe which kept me interested throughout.

The first track, properly entitled ‘King Hitter’, is a great sample of what these guys have to offer. A great southern, bluesy feel while still keeping it groovy. Karl’s vocal hooks are also very catchy and listener’s will catch themselves head banging for sure. ‘Drone Again’ and ‘Feel No Pain’ increase the ante by getting a little heavier on the guitars and, at times, had sections of instrumentals that sounded like a punk rock band. ‘Suicide (is the Retirement Plan)’ wins the award for most clever song title of the month by a landslide as we hit the second half of the album. However, even if this EP is coming to an end, King Hitter does not wind down at all. Arguably one of the heaviest guitar riffs on the album comes in the verse of this song. Lastly, we have the most appropriate song title to end any album, ‘The End.’ The mood of this song swings more than pendulum which I though adds to the insanity of all endings really. Halfway through the track we get the most bluesy guitar solo I may have ever heard from a heavy metal band.

Overall I did enjoy this EP and I look forward to see what else King Hitter has to offer. For fans of bands like Corrosion of Conformity, Down, and even Volbeat, I feel you should check these guys out. Even if none of the aforementioned bands interest you, check out King Hitter.

7.0/10

TIM LEDIN

Ghost Cult Magazine

Music News, Interviews and Reviews that matter.

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