PODCAST: Episode 39: Ben Ward of Orange Goblin Talks US Tour and British Doom


Ghost Cult caught up with the great Ben Ward of the venerable Doom Metal overlords Orange Goblin! On the eve of their first US tour in five years, Ben was gushing about coming back to the states, his excitement to play at Muddy Roots Festival, his personal festival highlights of his career like Download Festival at Castle Donnington, the Mercyful Fate reunion, choosing sick opening bands such as The Skull, Mothership and WoFat, incorporating left-turns musically, and his love of beer and pizza! Orange Goblin’s current album The Wolf Bites Back is available now from Candlelight Records.

Orange Goblin – US Live Dates

Tuesday, August 27th – New York, NY @ Gramercy Theatre # https://livemu.sc/2G0Fzzl

Thursday, August 29th – Chicago, IL @ Thalia Hall #* http://bit.ly/2K4fEKU

Friday, August 30th – Cookeville TN @ Muddy Roots Music Festival http://bit.ly/2FQOZfc

Saturday, August 31st – Dallas TX @ Gas Monkey #^ http://bit.ly/2Vo5B4I

Sunday, September 1st – Austin TX @ Come and Take It Live #^^ http://bit.ly/2Iabq1P

Monday, September 2nd – Los Angeles CA @ Regent Theater ## http://bit.ly/2YPQ14a

# – wsg The Skull

^ – wsg Mothership

* – wsg Weedeater

^^ wsg Mothership & Wo Fat

## – wsg Black Cobra

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Sigh Shares New Single ft. Phil Anselmo, New Album Due This Fall


Legendary Japanese avant-garde band Sigh has announced details of their new album Heir To Despair set for release on 16th November via Candlelight Records. Better still they have also shared new track ‘Homo Homini Lupus’ which features the one and only Phil Anselmo! Jam the track out right now!Continue reading


Corrosion Of Conformity Books UK Tour Dates With Orange Goblin This Fall


In what is sure to be one of the highlight tours this fall, Corrosion Of Conformity has locked down UK tour dates with fellow stoner-doom mashers Orange Goblin for a co-headline tour. Direct support will come from Fireball Ministry and Black Moth. All dates go on sale on June 15th . Orange Goblin’s new album The Wolf Bites Back drops next week via Candlelight Records, while COC continues to tour in support of 2017’s No Cross, No Crown (Nuclear Blast). COC plays Download festival tomorrow,.Continue reading


Winterfylleth – The Hallowing of Heirdom


Come live with me and be my love” are not the kind of opening lyrics you expect from a veteran Black Metal band. But in new album, The Hallowing of Heirdom (Candlelight) the UK’s premier Black Metal act Winterfylleth have gone full acoustic. No blast beats, not screaming howls, no buzzsaw riffs. Just beautiful acoustic warmth.Continue reading


Ihsahn To Release His Seventh Solo Album, “Ámr”, In May


Ihsahn‘s seventh solo album, Ámr, is now confirmed to be released on May 4th via Candlelight/Spinefarm, and it’s going to be the legendary Norwegian’s most eclectic and challenging to date. Continue reading


Shores of Null – Black Drapes For Tomorrow


2017 is shaping up to be quite a year for heavy music as Shores of Null are back with their sophomore release, Black Drapes For Tomorrow (Candlelight). Track by track, I found a similar theme across the entire record. While I can headbang through each song, there is also this overwhelming sadness that comes out from the riffs and the vocals. This is truly an emotionally polarizing experience which deserves everyone’s time of day.Continue reading


Video: Vision of Disorder Releases Electric Sky From Razed To The Ground


vision-of-disorder-2016

Vision of Disorder unleashed their incredible new record, Razed To The Ground, last year to the masses, and they have some good news for you vinyl fans today. Continue reading


Abigail Williams Books East Coast Tour With Wolvhammer and Amiensus


 

abigail-williams-wolvhammer-tour-ghostcultmag

US Black Metal leaders Abigail Williams have booked a headline tour of the east coast. Wolvhammer and Amiensus will act as direct support on all dates. Abigail Williams are working on a new album, due for release in 2017. Further info will be announced as it is available in the months ahead. Continue reading


Lord Mantis – Nice Teeth Whore


Lord Mantis - Nice Teeth Whore album cover ghostcultmag

So, to recap: evil Chicago entity Lord Mantis spawns from three-quarters of Blackened Sludge quartet Indian. In 2014 the band split spectacularly with troubled yet horrifically effective vocalist Charlie Fell: upon which the parent band folds and becomes the new incarnation of the progeny, Indian vocalist Dylan O’Toole assuming the role of the heinous rasp. Moreover, since the recording of new EP Nice Teeth Whore (New Density), guitarist Scott Shellhamer and bassist Will Lindsay have also departed, with Alletta Ergun moving in.

Got all that? The debris from the Fell departure has finally settled and it’s now time to see if the Mantis can silence those who doubt the credibility of the band without him. Initially Nice Teeth Whore seems something of a return to the excellent days of sophomore album Pervertor (Candlelight Records): the slurring, quickened Black boom of ‘SIG Safer’ swelling to a final crescendo and highlighting O’Toole’s hostile bark, spearing the mind yet missing that sense of ‘serial killer’ depravity Fell exudes so effortlessly.

The title track runs at a more familiar and ominous, Doom-laden pace: the sheer violent malevolence of O’Toole’s delivery complementing Bill Bumgardner’s colossal drums; the switch between rumbling riffs, shimmering Blackened passages and some wonderfully emotive yet spiked leadwork utterly compelling. It’s this reined-in brutality, desperately attempting to break free yet unable to escape from the choke-hold, that is the essence of both bands and leaves the listener fraught, nerve-shredded and exhausted in a blissful fashion

Bumgardner’s drums are again to the fore in ‘Semblances’, pummeling their way through a savage, sawing chorus from which screams resonate and slice the skin. It’s the languid, funereal hostility of ‘Final Division’, however, where the heady days of this terrifying outfit truly return: vocals so oppressive as to clog up the throat; a hateful, slow-burning intensity crawling lazily through the gut, leaving hungry leeches in its wake.

The warm, beefy production and undercurrents of howling leads may steal a little menace, but make no mistake: Lord Mantis are back to their punishing best. Let’s now hope that some stability can allow this febrile ferocity to fester…

8.0/10

PAUL QUINN

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FESTIVAL REVIEW: NOIZ All-Dayer Live at Rebellion, Manchester UK


Noiz Alldayer ghostcultmag

He was so deeply huddled under a blanket that it took a while to locate the source of the voice hollering my name. Eytan Wineapple, curator of the rumbling beast that was the NOIZ All-Dayer, initially celebrated its second incarnation looking like death warmed up. After a long couple of days, with Wineapple escorting eventual headliners Dukatalon to Sheffield and back, they eventually bedded down in today’s venue. “They got here around 3 a.m., and I tucked them all in!” joked Rebellion manager and event collaborator Hayley. Five minutes later, the flat-capped Wineapple was bounding around like a madman: putting to serious shame Ghost Cult’s scribe who, twelve hours later, and still nearly three hours from the denouement, interviewed said host in a rather weary and addled fashion…

NOIZ is not your average festival. Displays of album-style art and guitars in various stages of completion (one of which is raffled off later in the day) stand beside the S.O.P.H.I.E. merch stall in the upper level of the club-style venue. A dedicated handful, meanwhile, witness the pulverising Industria of openers Khost: looking for all the world like a couple of local scallies bumbling about on a stage, yet laying waste with a mystical power which deserved a better slot and much more attention. The Birmingham duo’s ambient, crushing set, its implosive chords and guttural scours blending with a wonderful and passionate line in Middle-Eastern vocal samples, ended bang on time: a courtesy that some of the festival’s other performers could have tried harder to match.

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