Amnesia Rockfest Books Blink-182, Rise Against, Jane’s Addiction, Limp Bizkit and Ice Cube


Amnesia Rockfest 2016 admat ghostcultmag

Back for an 11th year in a row, Amnesia Rockfest near Quebec, in Montebello Canada will host mega bands such as Blink-182, Rise Against, Jane’s Addiction, Limp Bizkit and Ice Cube among the 125 bands who are slated to perform. Other bands scheduled to appear include Korn, Ontario punks Billy Talent and Sum 41, Bring Me The Horizon, Florida’s A Day To Remember, Lamb of God, Anthrax, Twisted Sister (farewell tour and last show in Canada), Puscifer, NOFX (performing their album Punk In Drublic), The Used (performing their album In Love and Death), At The Drive-In (reunion show), Underoath (reunion show), Blink-182’s Travis Barker (solo show), NOFX’s Fat Mike performing as Cokie The Clown (world-exclusive solo show), Lagwagon (performing their album Hoss), Millencolin, Streetlight Manifesto, Against Me!, Strung Out, Guttermouth, No Use For A Name (special tribute), Leftover Crack, Wizo, Flag, The Adicts, Misfits, Dead Kennedys, Steve Ignorant of Crass, D.O.A., Turbonegro and GG Allin (special tribute), Sepultura, Sodom (first show in Canada in 10 years), D.R.I. (first show in Canada in 20 years), Cannibal Corpse, Korpiklaani, Max & Igor Cavalera Back To ‘Roots’ (performing Sepultura’s Roots album), Corrosion Of Conformity, The Black Dahlia Murder, The Faceless and Poison The Well (reunion show) and many more. Some defunct Quebec bands will temporarily reunite exclusively for Amnesia Rockfest, including Vulgaires Machins, Kermess, Raid, Démence and Yelo Molo. Festival regulars Grimskunk, Despised Icon, The Sainte Catherines (performing Dancing for Decadence), Voivod, Anonymus and BARF will be back this year. In addition, Québec Redneck Bluegrass Project, Bob Bissonnette, Gorguts and WD-40, alt rock legends Ludwig Von 88 (reunion show and only Canadian date) and Les Ramoneurs de Menhirs, Bérurier Noir’s Loran’s group.

Tickets are now on sale at www.amnesiarockfest.com and at Amnesia stores. Once again this year, festival weekend passes will be sold at very reasonable rates: $120 (plus fees and taxes), which comes out to less than a dollar per band! New this year: festival-goers can pay for their order in five instalments. VIP packages are also available.

For the 2016 edition of the festival, the VIP campground will be totally revamped to offer a unique experience to festival-goers. Again this year, several public transit options will be available, as well as an area for RV camping.

 

 


One Year Anniversary of Emo Night LA Held on December 1


emo night taking back tuesday

The Echo and Echoplex in Los Angeles, CA will be celebrating their one year anniversary for their Emo Night: Taking Back Tuesday on December 1, 2015.

Scheduled to perform are performances and DJ sets from Dashboard Confessional, Seahaven, Fakers, and Have Mercy, and DJ sets from Mark Hoppus (Blink 182), Jack Barakat (All Time Low), Mikey Way (My Chemical Romance), FIDLAR, Sugarcult, We Are The In Crowd, and more.

Other nights scheduled are posted below:

Dec 01: The Echo + Echoplex – Los Angeles, CA
Dec 08: The Marquis Theater – Denver, CO
Dec 15: Rickshaw Stop – San Francisco, CA


Prong – Songs from the Black Hole


prong-songs-black-hole-7427

I’ve never really taken to Prong, strange though it seems. Energetic and bruising, they nevertheless come across a tad light-heartedly for me, and that’s sometimes the case with latest album Songs from the Black Hole (SPV GmbH).

A set of lesser-known Punk covers, the opening draft of Discharge‘s ‘Doomsday’ rips up trees with its pace and ferocity; Tommy Victor‘s acidic growl and rapid bursts of leadplay enlivening a great start. It’s on the ensuing ‘Vision Thing’, however, a gothic classic given a Blink182-meets-Desert feel,  that the irritation begins: the largely laconic vocal blunting a subtle yet driving riff, turning the track into that awful ‘Nu-Punk’ stuff that blighted metal in the 90s. No doubt the band are trying to retain the feel of the originals while slapping on their own slant, but that cheapens the sound in some areas; the chopping bullet riff of the Butthole Surfers‘ ‘Goofy’s Concern’ diluted by that throwaway, almost disinterested vocal. The Adolescents‘ ‘Kids of the Black Hole’, though, is given a crucial kick by a more urgent, sputtered delivery, some pinpoint pace changes and a real snarling attitude with riffs and lead pulsing viciously together culminating in a brooding atmosphere enhanced by a rumbling bass.

As well as questioning the need for a band of Prong’s stature to produce such an album, it’s the lack of substance, immediacy, a paucity of real feeling and belief which ultimately disappoints despite the occasionally feisty rampage such as the version of Black Flag‘s ‘Bars’. If only the emotive, baiting ‘Seeing Red’ with its staccato riff, pounding drums and true Killing Joke evocations was the norm rather than the exception, this would be a joyous reworking of understated favourites. Even the catchy, driving riff of Fugazi‘s ‘Give Me the Cure’ seems to miss an edge, a vitality that only appears in the angered chorus.

There’s no doubting the “fun” aspect, nor the quality of the musicianship, but overall this could be a really decent pub band working through a hard-edged set. If Prong want to prove their relevance, this isn’t the trick to do it. Go and stream the originals, kids.

 

6.0/10

Prong on Facebook

 

PAUL QUINN


Matt Skiba and the Sekrets Releasing Kuts In June


matt skiba and the sekrets kuts

Matt Skiba and the Sekrets is releasing their second album entitled KUTS on June 2, 2015 (North America) and June 1, 2015 (Europe) via Superball Music. The album was produced by Rob Schnapf (Elliott Smith, Beck, the Vines) and the album cover was photographed by Jonathan Weiner and posted above.

Skiba’s first album with the Sekrets, 2012’s Babylon, received adulation from both fans and press. Now, Matt Skiba and his Sekrets (Hunter Burgan on bass, Jarrod Alexander drums) ready the release of KUTS. Skiba’s ongoing work in Alkaline Trio has been a well-documented punk rock success story, and the vocalist/guitarist has recently performed several gigs as a temporary member of punk/alt icons Blink-182.

Says Skiba of KUTS:

“The writing style and entire approach to this new one was a stronger desire to do something fairly different from my other band. We used sounds hugely influenced by early David Bowie stuff and took more chances. I knew that the playing of Hunter and Jarrod would bring entirely new elements to the songs that would help shape them in a huge way and influence ideas that I would never have thought of on my own. They did great stuff for the last record but had even more freedom on this one. It really shaped the way this record sounds.”

KUTS Track Listing:
01: Lonely and Kold
02: She Wolf
03: Krazy
04: She Said
05: I Just Killed to Say I love You
06: Way Bakk When
07: Krashing
08: Hemophiliak
09: Never Believe
10. Vienna

SUPERBALL MUSIC on Facebook


Falling In Reverse – Just Like You


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“Na na na na, I’m aware I am an asshole” chirps Ronnie Radke seconds into the perky title track of the third Falling In Reverse album, Just Like You (Epitaph); a relevant self-aware line for the people who find the former Escape The Fate frontman a hurdle to get over in and of himself. While some won’t listen to Megadeth because of Dave Mustaine’s crazy-ass bollock spouting (rather than the valid reason they haven’t done anything worthwhile for 25 years), liking Falling in Reverse shouldn’t mean forgiving or condoning his actions, as there has to be a separation between the man and the band.

Because, while Just Like You is not the album where Radke and his compadres grow up, it is the one where they produce a convincing, enjoyable slice of modern pop-rock fun and catchy metalcore.

‘Chemical Prisoner’, an energetic tune that recalls A at their best, kicks things off as the opening quartet of tunes of the album bring the sun and the fun, with staccato rock bouncing shoulder to shoulder with pop sensibilities. There are dashes of My Chemical Romance as spirited verses drop to half-time anthemic choruses, while English lead guitarist Jackie Vincent shines with a series of Yngwie-esque classical tinged solos. Some of the lyrics are dreadful, and the “OMG! You make me cum!” on ‘Sexy Drug’ will make parents the world over cringe, but the sugary swagger, the hook-filled rapid-vocal delivery in the verses and the festival-friendly chorus more than make up for it.

There’s plenty of looking to the big hitters for influence as ‘Just Like You’ could be Blink 182 jamming with Fall Out Boy while choruses throughout point to Def Leppard and Warrant albums in the collection. Elsewhere, ‘Guillotine IV’ and ‘The Bitter End’ showcase the other side of Falling… as they head back to beatdown town and out Asking Alexandria Asking Alexandria as they churn through the metalcore, but never at the expense of the chorus or the song.  ‘My Heart’s To Blame’ is a slower, more considered number, not a million miles away from some of the more thoughtful moments of Sempiternal (RCA/Epitaph), and ‘Wait and See’ flits from Eminem to King 810 to Panic! At The Disco, further showing the diversity on offer.

What is interesting is that, while the grind of a track like ‘Die For You’ spices up proceedings and adds an impetus, where Falling In Reverse truly shine is when they cast off the trappings of trying to hang with the heavy, and let the pop rock bravado shine through. These guys can write hits, and while they could be a great rock band, they’re not much better than average when they do their metalcore thang – it makes you wonder if they’re trying to prove something that doesn’t need proving.

However, when all is said and done, Just Like You is a swag-bag full of new toys for their hordes of teenage fans to sing along and lose their shit to, and I have a feeling Ronnie and the boys are going to do pretty damn well out of it, thank you very much.

OMG.

 

7.5/10

Falling In Reverse on Facebook

 

STEVE TOVEY


Tom DeLonge Out Of Blink 182?


Blink 182

Blink 182

The ongoing saga of whether Tom DeLonge had quit or was dismissed from Blink 182 keeps getting interesting. It originally began as the band’s publicist, Mark Hoppus and band drummer Travis Barker said he had left the band ‘indefinitely.’

In a statement, Barker explained:

Matt Skiba of the Alkaline Trio will join Blink-182 in replacement of Tom DeLonge at the 8th annual Musink Music and Tattoo Festival. “We were all set to play this festival and record a new album and Tom kept putting it off without reason. A week before we were scheduled to go in to the studio we got an email from his manager explaining that he didn’t want to participate in any Blink-182 projects indefinetly, but would rather work on his other non-musical endeavors.” Travis Barker and Mark Hoppus plan to honor all Blink-182 commitments including the Musink Festival and are excited to have singer/guitarist Matt Skiba join them for this project. “No hard feelings, but the show must go on for our fans.” Additionally, Skiba will continue to make new music and tour with the Alkaline Trio.

Photo Credit: Simone Joyner/Getty Images

Photo Credit: Simone Joyner/Getty Images

But DeLonge rebutted in a statement of his own:

LETTER TO THE FANS
Where to begin?
The truth is always a good place. Let’s go there.
I love Blink and am incredibly grateful for having it in my life. It has given me everything. EVERYTHING. I started this band, it was in my garage where I dreamed up the mischief.
So what have I been doing behind the scenes? Well, I’ve tried to make things work. I’ve tried to help move this band down 50 different paths using my people, or other people, and people we don’t even know. I tried to put forth ideas about how we can grow and challenge ourselves to become a better band. I’m not sitting around waiting for someone else to do the work. I’m not wired that way.
The big reset was when I tried to put together a band summit in Utah where we’d talk and work things out. It quickly was narrowed down to three hours in someone’s dressing room in a shitty casino. What I hoped would be a positive get-together away from everything turned into an awkward meeting in a smelly convention hall dressing room. But it was there that I told Mark and Travis that as long as we talked, and things were good between us as real friends, that I would be engaged and work passionately. I’d mirror our personal relationship. Exact words.
Then, the EP was the test. Months later, we’re recording those songs. I was in the studio for two months and they came in for around 11 days. I didn’t mind leading the charge, but we had all agreed to give it 100%. And this time- no baggage.
Despite that, we still somehow managed to self-sabotage.
At one point, squabbling and politics forced me to pull the EP down at a time when 60,000 fans were trying to purchase it. And that blew my mind. I’d been trying so hard but that moment ultimately broke my spirit. I then realized that this band couldn’t lose the years of ill will.
It was after that episode that I promised myself I would never be in that position again – to rely on the words we said to each other.
I remember asking one of them on the phone, “did you try your best? Like we all agreed to?” He was silent.
Are they at fault?
Am I? Of course. I’m nuts.
But there’s three of us – we’re all accountable. At the end of the day, we’ve always been dysfunctional, which is why we haven’t talked in months. But we never did. In the 8 years we have been together it has always been that way.
Over the past two and a half years, while a recording partner was being sought for a new Blink record, I launched a media company. I just put out a new Angels & Airwaves record and as some of you know, there’s a lot more coming – comics, books, a film, etc. The books will all come with music. This is a wheel that’s already in motion. So you can imagine my frustration when I was handed a 60-page Blink contract saying I couldn’t release an Angels album for 9 months and that the Blink album had to be recorded in 6 months, which was impossible for me. Doing so would force me to breach several artist contracts. Authors, Concept Artists, Animators… Many people.
They did eventually drop the Angels provision, but the part about having to finish a Blink album in 6 months remained. All of these other projects are being worked, exist in contract form– I can’t just slam the brakes and drop years of development, partnerships and commitments at the snap of a finger.
I told my manager that I will do Blink 182 as long as it was fun and worked with the other commitments in my life, including my family.
But Mark and Travis know all of this.
I wrote this same letter to them a year ago. But it created a massive argument, the biggest one yet actually. I just wanted us to do things we all agreed on. But that was their moment to dig in. From their view I was controlling everything. In reality, I was scared to put myself out there again. To repeat the EP experience.
I also wrote all of this to their managers this past December (who told me my bandmates weren’t angry and agreed with some of my ideas of how to grow the band).
So you can imagine my surprise when a press release went out yesterday—without my knowledge—about the band’s future. This is new to me. It’s not in my nature to fuel negativity about the legacy of the band on something as trashy as the Internet world.
But I guess that’s another example of how I differ from most. I follow the light… I follow passion and I make art. I hang with my son, my daughter and my wife.
At the end of the day, all of this makes me really sad.
Sad for us.
Sad for you- that you’re witnessing this immaturity.
I know them very well, and their current actions are defensive and divisive.
I suppose they’re doing this as a way to protect themselves from being hurt.
Like we all do.
And even as I watch them act so different to what I know of them to be, I still care deeply for them. Like brothers, and like old friends. But our relationship got poisoned yesterday.
Never planned on quitting, just find it hard as hell to commit.

Tom

Blink 182 has been confirmed for the 8th Annual Musink Festival at the OC Fair & Event Center on March 20-22, 2015. They will be headlining the Sunday date with Yelawolf and Prayers.


Rancid, Bad Religion and Blink 182 Headlining 8th Annual Musink Festival


Musink FestivalMusink Festival

Rancid, Bad Religion and Blink 182 have been confirmed as headliners on the 8th Annual Musink Festival at the OC Fair & Event Center on March 20-22, 2015.

The schedule is as follows:

Rancid

Rancid

March 20th:

Rancid
Sick Of It All
The Interrupters

Bad Religion

Bad Religion

March 21st

Bad Religion
OFF!
Ignite

Blink 182

Blink 182

March 22nd

Blink 182 with Matt Skiba of The Alkaline Trio
Yelawolf
Prayers