Colorado’s The Flight of Sleipnir has maintained a consistent but eclectic sound for nearly fifteen years, mixing Doom and Atmospheric Black Metal with elements of Folk and Prog Rock in a way that should sit well with fans of Agalloch. Their seventh album mostly adheres to this genre blend and boasts the fuller production that was last seen on 2017’s Skadi. However, Eventide (Eisenwald) manages to tweak the formula as those Blackened elements seem to be upfront than before.
Formed in 2016, Devon’s Cistvaen are building a solid reputation for themselves within the UK extreme metal scene. Taking their name (literally translating to “stone chest”) from a type of ancient burial chamber often found in the South West of England, the five-piece’s brand of doomy atmospheric black metal suits them down to the ground.
Atmospheric metal band Foscor are streaming their entire new album, Els Sepulcres Blancs, which will be released worldwide tomorrow, September 6th via Season of Mist. Jam it out now!Continue reading
Minneapolis is not a frigid northern waste year-round, but it’s a good stand-in for Scandinavia on a frosty winter day. The music that comes from there often conjures the heartless sounds of the birthplace of Black Metal. While also being home to the funky sex god Prince (RIP), the region has notably given us many great modern USBM bands to hand our hats on. The greatest may very well be False, as the sextet continues to hone their sound to perfection. I won’t event front, I have been a huge fan for some time and while they are “emerging” to mainstream ears, I have been down since the beginning, with several EP’s and splits most prized among my collection. So of course, I was amped for the release of Portent (Gilead Media), their new full-length album, so I got ready to dive in hard. Continue reading
When you think of thriving underground metal scenes, Italy may not be the first place that springs to mind; but it is one that is criminally overlooked and that in recent years has become a hotspot for creativity bubbling under the surface. One of the most important players in this scene is the ever-reliably great Avantgarde Music, who have championed and showcased plenty of great Italian acts (as well as from other locales) such as Selvans, Progenie Terrestre Pura and the subject of this review Enisum. Continue reading
Right from the offset, Black Metal has always been a genre that has championed the more esoteric aspects of art. Whether that being in the challenging music itself, or in its purveyor’s presentation, it is also a style of music has always thrived in mystique and continues to do so to this day. Shrouded in mystery with an almost hidden identity, Swiss solo musician Asknt has been (partly or wholly) responsible for a number of varied projects over the years, most recently with the full-length debut of DSKNT, PhSPHR Entropy (Sentient Ruin Laboratories).Continue reading
In recent years there has been a boom within the Black Metal scene of bands embracing a more melodic, often delicate and ambient side to the genre. Where bands such as the likes of Alcest and Agalloch (although vastly different, they share some ground in Black Metal’s evolution in recent times) adopted more ambiance and earthy atmospheres were surprising and evolutionary, nowadays such acts are much more commonplace, and thus the cream of the crop becomes harder to stand out. Continue reading
There isn’t much in terms of smoke and mirrors when it comes to Void Ritual’s debut LP, Heretical Wisdom (Tridroid Records). It’s a straightforward black metal album through and through. And that’s a great thing. In a subgenre where it’s far too easy to coast on cliché and spectacle, a little earnest effort goes a long fucking way.Continue reading
Since their inception in 2010, Dynfari have proven to be a true, unearthed gem for forward thinking metal; and yet another entity in Iceland’s thriving and rich Extreme Metal scene. Continuously showing evolutionary steps across their early albums, 2015’s Vegferð Tímans (Code666) was at the time their creative zenith, bridging atmospheric Black Metal with post-Rock and ambient landscapes to stunning effect. On latest album The Four Doors Of The Mind (Code666/Aural), this duo have majorly upped the ante both in musical execution and in subject matter.Continue reading
Great Scott in Allston, MA is a personal favorite venue of mine in the Boston area. Right by the T, tons of nearby restaurants for a quick dinner, easy street parking unless it happens to be snowing, and of course, the intimate venue. Tonight helped solidify my feelings on the venue as Black Elm, Vattnet Viskar, and The Atlas Moth brought their best even in the middle of the week. Given the late start time (9PM), I was able to toss back a giant bowl of Japanese Ramen noodles before entering Great Scott for what promised to be a great show.
Black Elm, by Meg Loyal Photography
Black Elm kicked off the night dishing out some groovy hardcore. The band received a successful response from the crowd that showed up “early” to catch the openers. Regardless if they were up front, at the bar getting a beer, or purchasing merch, everyone applauded their approval at the end of each song and at the close of the set.
Vattnet Viskar, by Meg Loyal Photography
Vattnet Viskar was the band I was most excited to see as I have not seen them in almost five years and with their new material being played live. The New Hampshire foursome brought their special blend of atmospheric black metal and post-metal to the Allston crowd in full force. For fans of the latest album, Settler, the majority of the set was of new material. Such songs included: ‘Dawnlands’ , ‘Yearn’ , ‘Impact’ , and closer, ‘Coldwar’. The sheer energy on stage for each song from these guys was truly inspiring. A lot of heavy bands today just do not seem to understand the importance of giving the audience a show. Hell more than a show, an experience. Vattnet Viskar provided quite the experience at Great Scott on this evening so I ensured a t-shirt and a patch was purchased.
The Atlas Moth, by Meg Loyal Photography
Finally it was time for the headliners, The Atlas Moth, to provide their own breed of post-metal to the eager fans. Complete with green lasers and mesmerizing light show, the Chicago natives put on quite a show that certainly ended the night on a high note. The set list was a solid mix of new and old for the group as the Allston crowd received three tracks from An Ache for the Distance and two from The Old Believer. Off of those albums we heard tracks such as: ‘Holes in the Desert’ , ‘Perpetual Generations’ , ‘The Sea Beyond’ , and closing out the night, ‘Blood Will Tell’. Additionally, ‘The 6th Passenger is Death’ and ‘Hope for Atlantis’ were also tossed into the mix. One of the highlights of the night was when David Kush called on a vote for either a cover song or a new song. The crowd was almost unanimous in voting for a cover. David and the rest of The Atlas Moth busted out a memorable rendition of Failure‘s ‘Golden’. There was truly something for everyone during the band’s set!
The Atlas Moth, by Meg Loyal Photography
Even though the overall turnout for the show was not one of the strongest I have witnessed at Great Scott, these three bands came together and put on a great show. I am certainly looking forward to catching Black Elm once again, potentially on a bill with some better fitting bands for them, as well as Vattnet Viskar and The Atlas Moth. And for those nearby to the Boston area and have not had a chance to attend a show at Great Scott, I highly encourage you take the Green Line B train up to the Harvard Ave stop and give them a try.
The Atlas Moth, by Meg Loyal Photography
The Atlas Moth, by Meg Loyal Photography
The Atlas Moth, by Meg Loyal Photography
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WORDS BY TIM LEDIN
PHOTOS BY MEG LOYAL PHOTOGRAPHY