It seems like the journey to Toothgrinder‘s I Am (Spinefarm Records) has been one full of trepidation and behind the scenes issues. Vocalist Justin Matthews has certainly been open about his demons in the promotional materials stating: “My alcohol and drug use were pretty prominent on the last two albums and on tour.” And nothing but the utmost respect to him for being able to put those demons behind him in the lead up to their third proper full length. Continue reading
Some good advice I received from my mentor in music criticism was to never underestimate or pigeonhole an artist. Cradle of Filth has made a twenty-five year career out of Black and Death Metal music supremacy, often covering the dark and all about that blasphemous life. Although she definitely has earned her place in that world as a member of that band, singer and multi-talented musician Lindsay Schoolcraft displays a wide array of gifts will not fit in a neat box for you to file and categorize. On her debut solo album Martyr (Self-Released), she satisfies her jones (and ours) for all types of Gothy Metal and Rock styles.
Ghost Cult caught up with Justine Glaser from rising Los Angeles Rock band Blue Midnight for a chat recently to discuss all things about the band. Their 2018 release Eternal Wish is a multi-faceted album blending elements active rock, symphonic and classical influences, and the best progressive metal, all tied together by Justine’s enchanting voice. We chatted about the bands’ formation, Justine’s approach to writing and recording, the bands’ upcoming show at The Viper Room, their upcoming slot at Aftershock Festival opening the main stage in front of heavy hitters like Tool, A Day To Remember and Gojira, and plans for new music in 2020. Continue reading