ALBUM REVIEW: Neckbreakker – Within The Viscera


Name changes can be important. Many great bands start out under completely different names only to find a quick re-evaluation of their brand is key to their eventual success. 

In the case of Neckbreakker, language appears to have been at least partly responsible as their recent name change alters nothing in its meaning, just the form in which it is delivered. Continue reading


CLASSIC ALBUM REVISITED: Pink Floyd’s “The Wall” at 45


The Wall: A Requiem For Generation X

It was unintentional or perhaps an unhappy coincidence, but as Pink Floyd’s The Wall is officially a member of Generation X at age 45, one cannot help but notice it’s the roadmap for the lives of General Issue Xers.Continue reading


PODCAST: Glacially Musical #171 – Slayer: “Seasons In The Abyss” or Crucial Album Number 5


Time for episode 666 of our @Slayer series! Nik and Keefy of @GhostCultMag wax ans wane about “Seasons In The Abyss” – a stone-cold classic!Continue reading


Philm Shares New Music Video – “Cries of the Century”  


Avant-garde Heavy Rock Band PHILM, featuring vocalist/multi-instrumentalist Gerry Nestler (Civil Defiance, Kkleq Muzzil) and bassist Pancho Tomaselli (War, Ultraphonix), have released a video for the song ‘Cries of the Century.” The track comes off of their latest album, Time Burner, out via Metalville Records.  Continue reading


Brutus Shares Live Versions “War” and “Space” from Studio Brussels


Brutus has shared two live performance videos from their appearance on the Belgian national radio show Studio Brisssells. The band played the tracks “War” and “Space” and you can now watch videos from the performance. The band just released Live in Ghent via Sargent House. Check it out!Continue reading


ALBUM REVIEW: Idles – Ultra Mono – Partisan Records


Idles have come on in leaps and bounds since their last album Joy As An Act of Resistance (Partisan Records). It’s not even been 5 years since they were playing 100 capacity venues, yet here they are today having sold out giant venues like Alexandra Palace in under a day. With two giant albums under their belt, the big question was how the Bristol band were going to not only top it, but maintain the astronomical growth they’ve been on for the past 3 years.

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ALBUM REVIEW: Warbringer – Weapons Of Tomorrow – Napalm Records


With frustration at the current Covid-19 situation growing by the day, it’s not too fanciful to suggest that some people might need an occasional, brief release of aggression to help with the continuing sense of isolation. So, before you start primal screaming into the nearest pillow, hurling dinner plates at your partner-cum-cellmate, or punching the cat, you could always just grab Weapons of Tomorrow (Napalm Records), the new album by Californian thrashers Warbringer, and headbang your quarantine problems away.Continue reading


CLASSIC ALBUMS REVISITED: Black Sabbath’s Genre Defining Debut Turns 50


Black Sabbath in 1970, photo by Warner Brothers Records

On the sleeve: a grainy picture of a woman dressed in black. A stagnant pond. A creepy looking mill house. 

And two words. Black Sabbath

On the record: Rain. Thunder. A tolling bell. Those three notes. That voice.

And just like that, in February of 1970 – appropriately enough on the 13th – the face of music was changed forever.

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