Given the critical backlash and derision Shoegaze garnered in the nineties at the hands of the British music press and publications such as the NME and Select, who favoured bland sixties Britpop revivalism (Oasis, Blur, Supergrass take a bow), the resurgence in recent times has proven somewhat surprising. Continue reading
Despite being from London, Cold in Berlin once again lives up to their name, as it conjures, stark, wintry urban landscape at night. Wounds (New Heavy Sounds) finds the band going further down the path they wandered down on their previous album, which found them more fully committing to their crossover into doom. The opening track of their new album blurs the lines even further, carrying a darker, more pulsating beat. Vocalist Maya belts things out with the expected intensity of her aching alto. The hypnotic pulse of “12 Crosses” shares some common ground with grunge from the nineties, as more exotic flourishes of atmosphere are also employed. Continue reading
With Halloween upon us, and Instagram beginning to fill with girls sporting a Vampira look for their selfies, it begs the question what is Goth? The answer might not be revealed in Dead Posey’s new album Are You In a Cult (Self-Released), but this duo is banging out some fun-filled arena rock that has more in common with The Pretty Reckless than it does Siouxsie and the Banshees. The album is full of catchy choruses and frontwoman Danyell Souza sings about creepy things, but it packs the kind of punch that would be more at home at the Welcome to Rockville fest than, opening for The Cure. Continue reading