There is just so much to decipher when it comes to incorporating Norse-themed references into the creative process of a sonic craftsmanship; either it is in a mythological, esoteric, or cosmological sense– the discourses may vary from the dead warriors called Einherjar who Valkyries brought to Valhalla, the nine realms of Yggdrasil which started off as a primordial void called Ginnungagap, the great winter that preceded Ragnarok which is Fimbulvetr, to the trance-like state of the Berserkers which is called Berserkrgang.. I’m pretty sure many bands –especially the ones surrounding the Nordic Folk and Metal scene– have immensely covered the said topics enough already. But Wardruna is one of the precursors among the niche of Norse-themed music. It just appears to me that they have succeeded in making the very topics of ancient Norse cultural and esoteric traditions feel familiar towards those who are initially not deeply invested in the culture. Wardruna isn’t just some regular ordinary Norse-themed Folk collective; their musical trajectory is a testament of how profoundly well-versed they are when it comes to exploring their roots; the sorcery, the runes, the rites of passage, and the traditions.Continue reading
Tag Archives: Ralka Skjerseth
ALBUM REVIEW: Subway to Sally – Post Mortem
With strong Folk and Medieval undertones, Potsdam-based Subway to Sally announce the release of their fifteenth studio album entitled Post Mortem via Napalm Records, following its predecessor entitled Himmelfahrt. Having been around for over 30 years, they mainly play sounds under the Medieval/Folk Metal soundscapes, but they also managed to incorporate Gothic Metal and Folk Rock elements on the later trajectory of their musical career. Regarding Post Mortem, it is an album with an unbreakable force of light, and its enthusiasm radiates, to an extent where its listeners could absorb the passion and medieval spirit.Continue reading
ALBUM REVIEW: Bergthron – Neu Asen Land
Despite coming from Germany, the 30-year-strong Atmospheric Black Metal unit Bergthron tend to incorporate strong Norse-themed concepts and influences into their songs. Playing mostly Black Metal with a touch of progressive undertones —that would remind their listeners of Sólstafir and the likes–, they are best known for writing songs that pay homage towards the North and its pulchritude, and the ancient times; references of Norse myths included. This fact somehow also bears relevance with how the concepts of their sounds –both lyrically and sonically– are strongly associated with the cold and winter. Continue reading
ALBUM REVIEW: Six Months of Sun – Creatures
Presenting the best of Stoner Metal that is guaranteed to make their listeners aghast, Geneva-based power trio Six Months of Sun are back with a third full-length entitled Creatures via Cold Smoke Records and Urgence Disk, which features atmospheric passages and a versatile succession of riffs that ranges from being heavy to sharp. Having embarked on a formidable journey of track record by opening for many big names such as Red Fang, Church of Misery, and Fu Manchu, they continue on offering a profound bestiary of Stoner riffs with hints of Prog undertones here and there. While they’re keeping their massive sounds intact, they are suitable for fans of instrumental stoner/sludge such as Pelican and Russian Circles. Being a longtime Pelican fan myself since high school years, I instantly vibed with this album right after first listen– with all its solid resonances and all that.Continue reading
ALBUM REVIEW: 10,000 Years – All Quiet On The Final Frontier
Sweden truly is a melting pot for all sorts of high-octane Stoner Metal acts – Monolord, Graveyard, Hällas, Greenleaf, Void Commander; you name it. It is almost like the ideal home for acid trip-inducing slow-paced riffs. Even back in 2021, the label/collective Weedian curated a compilation album consisting of the finest psychedelic haze-laden Stoner Metal bands hailing from Sweden, entitled Trip to Sweden. One of the bands featured on the gnarly lineup of that compilation, the Västerås-bound 10,000 Years, are actually the one whose latest release I’m reviewing today.Continue reading
ALBUM REVIEW: Paysage D’Hiver – Die Berge
Consistently being the inherent epitome of a harsh menacing winter and presenting ever-enigmatic themes that have to do with the void of darkness and the subconscious, the Switzerland-bound Paysage d’Hiver has been around for quite some time playing inclement Ambient Black Metal with a low-fidelity raw production, while also incorporating elements of a myriad of associated styles, being Funeral Doom Metal, Dungeon Synth, and Drone. Continue reading
ALBUM REVIEW: Amerta – Nodus Tollens
As a result of years of persistence and hard work in exploring the immense depths of their own resonances, Jakarta-based post/sludge/power metal collective Amerta embarks on a new profound milestone through the release of their first full-length entitled Nodus Tollens (Self-Released). Through this release, this Indonesian multi-genre unit invites their listeners to venture on an enigmatic journey fueled by existential dread, contemplations, and the inner conflicts that mankind collectively faces against the banality of everyday chaos and mayhem in the form of an in-depth listening experience. Continue reading
ALBUM REVIEW: Deadform – Entrenched In Hell
Deadform, the three-piece collective hailing from Oakland, plays what is strongly aligned towards the fusion of Sludge Metal with Crust Punk undertones. Originally rooted from the members’ former projects Laudanum, Stormcrow, and Dystopia, the band’s debut full-length, Entrenched In Hell, releases via Tankcrimes Records, also based in Oakland.Continue reading
ALBUM REVIEW: Barathrum – Überkill
With the existence of bands like Beherit, Impaled Nazarene, and Archgoat emerging as the quintessential pioneers of the Finnish Black Metal scene back in the nineties, fair to say that throughout the years, Finland has left a long-lasting, profound legacy when it comes to presenting a harsh sonic journey of Black Metal, or most of Extreme Metal subgenres in general; even including the more contemporary names surrounding, such as Sargeist and Havukruunu. Continue reading
ALBUM REVIEW: Adorior – Bleed On My Teeth
Meaning “to rise up to attack” in Latin, the British Extreme Heavy Metal unit Adorior live up to their name by consistently presenting the crudest form of violent transgressions for decades, and still going strong. Continue reading