Krakow – amaran


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When you’re handed an album for a Norwegian Metal band, it’s pretty safe for you to assume that you’ve been given a Death or Black Metal record with the fact that a new one pops up almost on a weekly basis. With Krakow’s amaran (Dark Essence) though (yeah they’re not from Poland…) what you’ve actually got is a dark and twisted Stoner/Metal album which revels in bleak down tuned slow riffs and heaviness. When some of the harsher vocals kick in you’ll quickly draw comparisons to their native Kvelertak, but Krakow are a different beast, mashing together several influences like Kvelertak do, but with less focus on the punkier aspects and more drive towards the Doomier side.

The album opens with ‘Luminauts’ which immediately sets the tone for what’s going on here. The mysterious and atmospheric opening to the track is an idea which they run with throughout the record. Each track builds and builds until it reaches a cacophony of sound at the end – and for the most part it works very well. The track ‘Pendulum’ becomes a perfect example of this. It actually sounds like the band were sitting there experimenting with different sounds before someone picked up a guitar and threw down into an awesome bouncy riff. They’ve made it sound effortless to produce, when in reality you know that it would have taken a lot of work.

Perhaps the only drawback here is the fact that you kind of know what you’re getting with each track. They’ve focussed on making each one such an epic it might not be the most accessible to casually pick up– old hardened Doom heads will absolutely love it though. There are some tracks on here as well, like ‘Ten Silent Circles’, where the band has actually looked to expand into quite a proggy sound. By this point you should be able to grasp that Krakow do not pull any punches when it comes to trying to deliver a truly varied soundscape – they’re clearly a talented bunch, with each track sounding very tight and well produced but this deviation isn’t one of the stronger points on the record.

Overall then, with amaran, Krakow have produced a solid Stoner/Doom Metal album which brings together a deluge of different influences whilst also stamping their own authority and sound on proceedings. It isn’t the kind of album you’ll casually pick up and be instantly hooked, but with patience and a good few repeat listens you’ll begin to appreciate the musicianship of the group and all of the little intricacies each track houses.

 

7.0/10

Krakow on Facebook

 

TOM DONNO

 


Napalm Death – Apex Predator – Easy Meat


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Remember the first time you heard From Enslavement to Obliteration (Earache), the ground-breaking second album from UK grind pioneers Napalm Death? I certainly do. It was 1988, I’m there trying to grasp on to my love of loud music…and I fucking hated it. I found it laughable, and it sent me away from Metal’s harder edges for a long time. How can you identify with a five-second song, for Christ’s sake? Up to this moment, I’d never listened to another Napalm Death album.

A staggering 27 years later fifteenth album Apex Predator – Easy Meat (Century Media) hits my inbox and boy, I feel different. The angry yet tribal rhythm of the shamanic title track gives way to the pounding machine-gun rattle of ‘Smash A Single Digit’, while the powerful skewing punk of ‘Metaphorically Screw You’ ploughs an irresistible furrow. There’s display of a flexibility in pace with the initially slower ‘Dear Slum Landlord’ retaining a hefty boot with a full production and eventually exploding with euphoric ferocity. The band’s trademark veering grind is still in evidence in the speed and violent switches of ‘Cesspits’ and ‘Bloodless Coup’; while the exercise in raw bloody velocity that is ‘Stunt Your Growth’, complete with mid-point of brutal groove and a barked Barney Greenway delivery, will rip up some serious pits live.

That the band still emits a burning intensity, railing against injustice and The Establishment, is reassuring and adds the crucial element of gravity to what is, in essence, a joyous and energising sound. The beefy punk of ‘Hierarchies’ possesses choruses of near harmonised, reflective vocals and a lightning lead break to highlight the versatility. Thankfully this is followed by the frenetic  bludgeon of blastbeats and the savage roars of the penultimate ‘One Eyed’, reverting back to the coruscating norm with a wonderful closing bounce that is the album’s highlight.

Me, the Napophobe? I bloody love the nose-breaking, careering chaos of it all, which would appal an old, lost friend and make a few more chuckle. I’m ashamed I’ve missed out on so much but thank God for mid-life crises, eh?….

 

8.5/10

Napalm Death on Facebook

 

PAUL QUINN


The Official Ghost Cult Writers Albums of the Year Top 50: 40-31


The countdown to the Official Ghost Cult Magazine Album of the Year for 2014 continues. Please consume and enjoy the results of our 2014 Writers’ Poll. We hope it will introduce you to some of the incredible works of art you may have missed that we have had the immense pleasure of listening to and writing about this year.

In our second installment we bring you albums 40 through to 31

 

jfac-new-album-cover-400x40040. JOB FOR A COWBOY – Sun Eater (Metal Blade) 

“Evolution from deathcore to a more compact, yet technical, death metal…  complex and melodic structures accompany a diversified approach” DIOGO FERREIRA 7/10 Full review here

 

 

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39. AGELESS OBLIVION – Pethos (Siege of Amida / Century Media)

Marrying both technical and atmospheric forms of Death Metal, Ageless Oblivion create their own brand of chilling yet punishing aggression, presented in a show of impressive progression.

 

 

 

 

Killer-Be-Killed-Killer-Be-Killed-400x40038. KILLER BE KILLED – Killer Be Killed (Nuclear Blast)

“Cavalera, Puciato, Sanders, and Elitch put their stamp on this recording, making a memorable, political-flavored, heavy album that certainly lives up to the hype” KEITH ‘KEEFY’ CHACHKES 8.5/10 Full review here

 

 

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37. AEVANGELIST – Writhes In The Murk (Debemur Morti)

“If you’re able to get past the initial disorientation and look inside, you’ll find an album that follows its own perverse ambition flawlessly, with not a shred of compromise, dilution or failure” RICHIE HR 10/10 Full review here

 

 

 

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36. FEN – Carrion Skies (Code666)

“Fen are the rawer, rockier, more achingly human cousin to Tombs’ Neurosis-driven thunder, and among the richest and most emotionally expressive Metal albums of 2014” RICHIE HR 9/10 Full review here

 

 

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35. JUDAS PRIEST – Redeemer of Souls (Epic/Columbia)

“Judas Priest has released a retrospective that nods to their career, recalling everything that has made them genuine legends of our metal world, Redeemer Of Souls has a beautifully warm and classic Priest feel”. STEVE TOVEY 8.5/10 Full review here

 

 

CW_418_lowRes-630x63034. COFFINWORM – IV.I.VIII (Profound Lore)

The phrase “Doom” doesn’t do justice to the ugly, polluted, measured sludgy bludgeon of IV.I.VIII; a beautifully horrible record of nihilistic malevolence, that dissolves doom, death, black and sludge in its fetid path.

 

 

 

trap-them-blissfucker-400x40033. TRAP THEM – Blissfucker (Prosthetic)

“My advice? If you have never listened to Trap Them, get on this bandwagon before these guys run you over with it”. TIM LEDIN 8/10 Full review here

 

 

yaitw_album32. YOUNG AND IN THE WAY – When Life Comes To Death (Deathwish Inc)

The hardest of hardcore punk fused with the blackest of Darkthrone’s black metal offspring, creating a crusty hell in aural format.

 

 

against-me-transgender-dysphoria-blues31. AGAINST ME! – Transgender Dysphoria Blues (Total Treble)

The gutsy pop-punk outfit release a cathartic biographical concept album of frontwoman Laura Jane Grace’s experiences for their sixth album.

 

 

 

Ghost Cult ‘Albums Of The Year’ 50-41 here

Compiled by Steve Tovey