Ghost Cult Launches Our Podcast!


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Ghost Cult Magazine is proud to announce the official launch of our very own podcast! The podcast is hosted by Omar Cordy and will be a hub of conversation about metal and other heavy and progressive music, beyond what you see daily on the website or on our other channels.

Episode I of the Ghost Cult podcast features a conversation with owner and Chief Editor Keith (Keefy) Chachkes and covers a multitude of topics. We also have an interview with Matt from King Parrot, an Underground Bands Spotlight with Icarus (Iceland) and much more. Thanks for checking it out and feel free to send us a message or a comment with some feedback!

 

 


Wovenwar- Wovenwar


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Wovenwar is a band that should not exist, but they do. I was excited to hear what the guys from As I Lay Dying were going to do next. They have a clean slate now and can go anywhere and with this album, and they did. Their new band are a blend of the heaviness that you know from them, plus an extremely melodic commercial side not really seen before. IF you were expecting Part 2 of their old band, look elsewhere.

 

Once again they guys teamed up with producer Bill Stevenson and mixed by Colin Richardson, who did the last AILD album. It’s another sonic juggernaut. This album is full of catchiness, it feels like any given song could be one of those radio hits from back in the day. From the opening track ‘All Rise’, singer Shane Blay of Oh, Sleeper fame, shows you that he’s a different voice than you’d expect to hear with these guys. He has a great vocal attack that fits perfect with this ‘Profane’ and ‘Sight of Shore’. There’s a few banging vocal sections spread over this album that just crush. Jordan Mancino’s drums are really solid here on ‘Tempest’. He has this great Meshuggah flavored ending that I just love. Bassist Josh Gilbert is heard playing effortlessly on everything. He just stands out, and when he gets to toss in his vocals on tracks like ‘Matter of Time’ and ‘Prophets’ it just adds so much more dimension to Shane’s sound. There’s some mighty fine solo work all through out thanks to the guitar team of Nick Hipa and Phil Sgrosso. ‘Death to Rights’ & ‘Ruined Ends’ show off some pretty bad ass riffs.

 

I think this record is a grower. A few spins, and it all sinks in. Except ‘Moving On’ that one gets stuck in the head from first listen. I don’t know if they were purposely trying to distance themselves from their past or just organically branching out. Either way it’s a solid record that I think could have been just a little more edgey.

 

8.0/10

Wovenwar on Facebook

 

OMAR CORDY


Controlled Chaos: Marco Minnemann


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To say that Marco Minnemann is one of the greatest drummers in the world would be an understatement. Putting together an impressive body of work in progressive rock, and metal with a who’s who of bands a bands and projects such as The Aristocrats, Steven Wilson, Joe Satriani, Adrian Belew, Levin Minnemann Rudess, Necrophagist and many more, Marco ought to be even more of a household name. Perhaps owing to his humility and his German roots, Marco is a rarity in this business: proud but well grounded, appreciative for everything his talent has brought him in life. Promoting his new solo album, EEPS (Lazybones Records) Omar Cordy traded some thoughts with Marco for Ghost Cult via email.

 

How long was this project in the works?

I’m always writing music. It just belongs to my universe it seems, hahaha. So once there is enough material for an album ready I choose the songs for the right vibe and mission and then the thing will be completed. Eeps in particular was written and recorded mostly during the road in 2013 and at home January-February 2014.

 

 

As the sole creative force, what was the writing process like?

I usually write from a theme that sort of either way falls from the sky, in the form of a guitar riff, melody or groove, … Or from a vibe a purposely want to create. These things I never force, I just grab the best ideas when they show up and then build on it.

 

 

The songs I’ve heard have a very loose feel to them. Was a click track used or did you just “go for it”?

Half and half I’d say. I mainly use a click track, to keep a possible sequencer option open.

But I do like a feel that sounds ‘lively’, not to be confused with un-tightness , hahaha ;-)). I in fact like precision in playing and recording, but I leave a loose feel or also bleeding into microphones on certain tracks, as long as a groove feels right.

 

Did you use Roland V drums and or DW drums for the recording?

I used 2 different set ups: A DW cherry wood kit and a DW Jazz custom kit, both recorded in different rooms. On the track Eeps, the intro is in fact a Roland TD 20.

 

I dig the up-beatness of ‘OC/DC’, it feels like a playful 60’s era song. It just seems happy. Was that what you had in mind when you choose to make it the 1st video?

 

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The first video was done by Scott Schorr and a friend of his. He also runs the label Lazybones Recordings and helped greatly with this album here.

And thanks for your nice words on OC/DC. That song was really just a fun experiment, playing everything in one take pretty much without giving a shit and detuning all instruments. I just wanted to see if that approach works and how it would sound like. So it’s just basically ‘controlled chaos’. But I’m happy that some people got it.

 

You’re mainly known as a drummer, will we be seeing more guitar session work from you in the future?

I’ve been playing guitar on my albums for almost 20 years now. So, ‘yes’, you’ll hear more guitar from me. For example on the LMR project (Levin Minnemann Rudess).

 

Do you find playing guitar makes it easier to write for yourself or with others?

Absolutely. When I write music on the guitar I really just focus on the drums later to compliment the song. Also when writing for the Aristocrats as an example I basically write for a ‘stringed’ trio.. And writing on a guitar on bass then, definitely helps to translate into the music that the trio is going for.

 

At this point in your career do you still find time to practice or are you too busy working with others?

Well, I think that composing, recording and performing really is an ongoing process, isn’t it? But I do practice things that I’m interested in and want to be able to explore of course. Also, I really play everyday, music just belongs there in everyday life it seems. And I feel like I’m missing something if I haven’t had a certain dose of it. Like food.

 

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What other projects have you worked on recently that we should be on the look out for?

Hmmm, I’m touring with Joe Satriani right now. Then also with the Aristocrats. Recording wise there’s a new Steven Wilson album in the making. A new Aristocrats album and also Joe’s new recordings. So…, life won’t be boring it seems for a while ;-)).

 

What was your first concert you ever played?

My first concert I ever played was when I was 12 years old, my drum teacher at that time wanted me to go onstage and play a few songs. Man, and I was soooooo scared. I just sat there thinking ‘don’t fuck up… Just make it though the song… C’mon you can do it’. And then after I played a little solo spot within the song arrangement, people started to applaud. That’s when I basically ‘woke up’, and I saw all these smiling faces looking at me. And then all of sudden I didn’t want to leave the stage anymore, hahaha. It felt so rewarding that people brought the energy back in return to what I’ve worked for. So that moment pretty much defined that music is passion and a dedication for me.

 

 

 

Buy EEPS here!

Marco Minnemann on Facebook

Marco’s Website

 

 

OMAR CORDY


The Consummate Professional – Floor Jansen of ReVamp


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Last month Ghost Cult’s Omar Cordy had the chance to chat with singer Floor Jansen of ReVamp, while moonlighting on her regular gig as the voice of Nightwish. Their interview took place right before the bands’ debut New York City show, of their first American tour in support of Iced Earth. Their latest album Wild Card (Nuclear Blast) came out last fall to critical acclaim, but most importantly beloved by fans of the band. Truly a group in tune with their fan base, ReVamp makes music for themselves, but clearly knows what makes them popular too.

 

 

In order to showcase their music to the world, the band turned to Kickstarter to help make this dream a reality. Crowdfunding can go either way these days, with some campaigns doing great and getting funded seemingly overnight, while others fail spectacularly. We started off by asking Floor about her experience using Kickstarter:

 

There were a lot of people who don’t understand why we would need that and think as a musician you’re making tons of money. Or this is only to make sure I can buy 3 bikinis instead of 2, and have a cocktail at the beach. Those people can be negative about it because they don’t know the income of the average musician, but most people were very positive.”

One of the things that ReVamp has been known for is their collaborations with other artists such as Bjorn Strid from Soilwork, Russell Allen of Symphony X fame, Johan van Stratum, Mark Jansen of Epica, Marcela Bovio of Stream of Passion, and Daniël de Jongh of Textures. On working with Devin Townsend twice, the mention of Devy had Floor exclaiming “I love his voice! It was great to hear how it came together.”

 

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Not only have they written with other artists in mind, they allowed true creative involvement by Townsend. “You can only really go for it the person can sing along. With Devin, he really put in a few extra things that made it more Dev-like. But he followed my basic melodies and added his musicality.”

When asked if anyone outside the band has written with them in mind or Floor personally outside of her bands, she explained: “So far that really hasn’t happened before, only in the early days of After Forever. That didn’t go to well because of the timing. And the short notice of Nightwish and Tuomas Halopainen is writing the new stuff, so I don’t have many concerns.”

 

You may have noticed, it seems ReVamp has a thing for writing these multi-part songs. Floor insists that’s not the case. “We actually don’t write long songs. Most of them are not even five minutes. The structures very basic verse, chorus, verse, chorus, mid part its not that complex not always but what happens within the part is a little complex perhaps. Most of it is written by Jord Otto, the guitar player, Ruben Wigga, the keyboardist and me. Together with producer Joost van den Broek who also played in After Forever. Co-wrote the first ReVamp album. Most of this is done through the internet. Everyone adds their ideas and and later on we sit together and work on physically next to each other.”

 

 

With a lot of people not familiar with the band in the states, they’re determined to not lean on her previous bands material to win over crowds on tour:

“It’s only ReVamp stuff. We played some After Forever stuff when we only had one record and headlining shows that were longer than the first album. It was also a good step from the old days into the new with a second album it’s not necessary anymore. In the states we only have 30 minute so were going to do a mix of both and it’s out first tour there.”

 

 

As one of the hardest working artists in music, Floor has no shortage of outlets for creativity. One side project is Star One to which she commented on the state of that band: “I’m as involved as anyone else. It’s a project that sometimes happens, and nothing has happened in many years so..” her voice trailing off in uncertainty.

With the amount of touring she does, she stresses the importance of keeping your voice in tact. “Your voice is a part of your body so your body needs to be in generally good shape. Eat well, sports, get healthy foods. I’m quite strict about those things. They only thing my voice doesn’t like is cigarette smoke and speaking loud, so if I don’t do that, everything is fine. I also strongly believe if you stress too much about it, it backfires on you. So I don’t pay attention to my voice that much, I know it’s doing fine as long as I’, doing fine. Keep my body in shape and don’t do crazy things, it never lets me down.” (laughs)

 

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The touring for ReVamp doesn’t stop with just North American as added. “I am singing in Nightwish now an that’s the bigger band so that determines the schedule, so there’s limited for ReVamp to tour. We’re doing this extended North American tour for six weeks covering as much as we can from that huge continent and then we’ll make it over to South America after that.”

 

It isn’t sorted out yet but, I’m working on getting some master classes set up. I did my first master class for singers here in the Netherlands in March and I sold it out in one day and one in Finland too. There’s many people over the world interested so we’re truing to get some done in the states as well. As soon as I have some more news it’ll be posted on my website http://floorjansen.com I gave lessons on Skype as part of the Kickstarter incentives. I was teaching via Skype before that and unfortunately I don’t have the time anymore, so this is nice to do.”

 

When the subject of the Netherlands music scene was brought up, she was very blunt about it.

Metal isn’t very big here unfortunately, we have a lot of American and English music we glorify and bunch of singer-songwriters that do the same thing. It sounds very negative, but I’m completely done with the Dutch music scene because it’s not very good. And anything that isn’t 13 in a dozen. That’s a Dutch thing, I don’t know if you say that in America. It means everything in the dozen is the same, one more doesn’t really matter; and if you something different like metal, you don’t really stand a chance. Which I find sad because there’s a big market for it and it has to stay underground and its been pushed for back everything is more interesting than playing metal in your own country and it’s sad”

 

But you can smoke pot here without getting arrested so yay!”

 

ReVamp on Facebook

 

OMAR CORDY 


Blackfield – John Wesley: Live at the Best Buy Theater, New York City


 

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I’m not quite sure if this was Blackfield’s last show or last show with this lineup, it remains unclear to me. Tonight’s show had a feeling of closure and finality. Having newly discovered this group I can say I was regretting not finding them sooner. The night started off with fellow Porcupine Tree alumni John Wesley. Not at all what I was expecting when I heard who was in his band. Wesley and his solo band put on a massively mellow and grooving set. Fellow guitarist and vocalist Ian Medhurst won me over very quickly. I was even more impressed with his rhythm section: former Iced Earth drummer Mark Prator and Sean Malone of Cynic. Their musicianship was uncanny. They powered through eight songs of new and old tunes with little or no effort.Continue reading


Austrian Death Machine – Triple Brutal


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Just when you thought there was nowhere else to go, Austrian Death Machine; the Arnold Schwarzenegger themed band deliver the most beefiest and powerful sounding release to date. They cover everything from Red Sonja to the “maid incident”. From the crushing ‘I’ll Be Back’ all he way to the frenzied ‘It’s Turbo Time’, the production on here makes me wish all albums sounded this full. With the unfortunate situation Tim Lambesis finds himself in, this is likely the last new music from him we will get to enjoy for a while.

 

As always Lambesis handles the main vocals and a majority of the guitars. He’s damn fine guitarist and his voice just drives this beast. Just naming all the guests vocalist and guitarists on here would fill the review. A few stand out tracks belong to guitarists Doc Coyle on ‘Crom, Grant Me One Request’, and Mark MacDonald on ‘Chill Out Dickwad’ with his theme from The Terminator infused solo. A few of the vocal attacks come from Hatebreed main-man, Jamie Jasta ‘One More Rep’ and Lorenzo Antonucci of Sworn Enemy fame on ‘Pumping and Humping’ Besides the monstrous list of guest guitarists, the real highlight is the rhythm section of Brandon Trahan of Impending Doom and Joe Gericke of Death by Stereo. They are down right thunderous sons of bitches who aren’t pushing any pencils. They need to work together more. My personal favorites are the blast filled ‘I Hope You Left Room in Your Stomach For My Fist’ and ‘I Know Now Why You Cry’.

Oh what a fun ride this album is! Lambesis and company clearly having a blast and it can be heard. They make you want to spend the day watching movies, while working out. I look forward to seeing what they do with the newer Arnold movies someday.

 

8.0/10

Austrian Death Machine on Facebook

Omar Cordy


The Winery Dogs – Tony Harnell: Live at BB Kings, New York NY


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Starting off their current tour with not one, but two New York City shows, The Winery Dogs backed up their bite with a huge bark. Their brand of hard rock is so full of energy you couldn’t help but get drawn into the hype Opening the night was an acoustic set from Tony Harnell of TNT and his guitarist Virus, of Device fame. They belted out songs from his solo career as well as Westworld. Singer Rachel Lorin joined them for the final three songs of the set including a cover of the Nazareth song ‘Love Hurts’. Tony did reveal there will be some TNT shows in the US to mark their upcoming anniversary.

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The Winery Dogs fans are surprisingly vocal. For a band with only one album there was a sing-a-long for almost every song. From opening songs ‘Elevate’ and ‘We are One’ the crowd nearly eclipsed the bands’ harmonies. Maybe it has something to do with the musicians themselves being killer players. It was a pick-less night between the bass behemoth of Billy Sheehan and singer/guitarist, Richie Kotzen they both displayed insane finger playing. Seeing a bassist in rock without a pick is normal, but for a guitarist, rare. During ‘Six Feet Deeper’, they leaped into part of Jimi Hendrix staple ‘Hey Joe’ before diving head first into a dizzying drum solo by the mighty Mike Portnoy. Following that up, Billy blurring goodness filled ‘The Other Side’. With only an hours worth of material on their debut album, they treated the crowd to a brand new song. As they were wrapping up they went into my personal favorite, ‘The Dying’. It is one of those great, moody songs can stay on repeat forever.

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They returned to the stage for the encore, a massive rocking rendition of The Four Tops, ‘Reach Out (I’ll be There)’. Before closing the night off they Richie made his way over to the church organ for rendition of “Regret”. Instead of lighters, there were cell phone lights shining as the ballad carried on. To wrap up the first night of a two night stand, they knocked out ‘Shy Boy’ by Sheehan’s old band Talas. The Winery Dogs are a rocking groove machine of fun that I’d encourage anyone to check out when they hit your area.

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Set List:

Elevate

Criminal

We are One

Time Machine

Damaged

Six Feet Deeper

Drum Solo

The Other Side

Bass Solo

You Saved Me

Not Hopeless

I’m No Angel

Untilttled New Song

The Dying

Desire

 

Encore:

Reach Out (I’ll Be There) (The Four Top cover)

Regret

Shy Boy (Talas cover)

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The Winery Dogs on Facebook

Tony Harnell on Facebook

Words and Photos by Omar Cordy


Your Daily Inspiration: An Interview With GWAR


Gwar-Battle-MaximusWhat is identity? What happens the entire world knows your alter-ego, but for the most part only real fans know who you are? Would you even care, or perhaps even prefer it to be this way? Are you more free to be as crazy as possible under a mask? These questions that have surely come across the brilliant, twisted mind of Dave Brockie from time to time. Dave is better known by his gregarious alter-ego, mutant from another world, Oderus Urungus of the mighty GWAR. Hellbent on sex, blood, mass destruction, murdering celebrities, calling out hypocrisy, and spewing mass quantities fluids on crowds at shows for over thirty years, it’s nice work if you can get it. Along the way Oderus has become an icon, appearing on cable news shows, TV shows (Holliston), and other turns in pop culture. Ghost Cult’s Omar Cordy was treated to a very different personality backstage in New York City recently, when Brockie as Brockie waxed on about his long career, the ups and downs of a being in a constantly working band, GWAR’s recent album Battle Maximus (Metal Blade), paying attention to your fans, and more.

Continue reading


Death Angel – The Dream Calls for Blood


The-Dream-Calls-For-Blood-Death-AngelThis is the darkest, fastest, and most aggressive Death Angel album to date. Thanks to great song writing and production at the hands (and ears) of Jason Suecof, this just screams evil, tainted thrash. This is one of those albums where every song is good. I don’t know about the dream, but the band certainly called for blood.

 

Amazing production aside, the musicians here just shine. Singer Mark Osesgueda has a really killer flow on ‘Fallen’. It’s got a catchy as hell chorus that I found myself singing along to. This has their best lyrics so far too. Rob Cavestany’s solos are just remind you of early Kirk Hammett on ‘Caster of Shame’. The title track has a great gang vocal section that just makes everyone sound pissed off. My favorite tracks so far for me are ‘Execution Don’t Save Me’. It is the most dynamic song of the bunch. The acoustic opening reminds you of something early Metallica would have played. Then they blast out into speed heaven before stopping on a dime before the first vocal is uttered. The chorus is just so damned groovy it sticks with you.

 

Bassist Damien Sisson has marvelous sound that comes across flawlessly on ‘Empty’ and ‘Succubus’. Yay for finger style playing! Drummer Will Carrol lives up to his name; Beastman. He just pounds away on with speed and finesse on ‘Son of the Morning’. The other standout is ‘Territorial Instinct/Bloodlust’. Rob and Ted Aguilar dual harmonies on this bad boy are insane. This has been on repeat many, many times on my stereo. It is a damn fine way to close out this masterfully crafted sonic opus.

 

It’s school, without being old school (take a minute to figure it out it makes sense). If you’ve been sleeping on Death Angel for whatever reason, this might be the thing to change your mind. And the cover art kicks ass too!

 

9.0/10

Death Angel on Facebook

 

Omar (@Ojayy666) Cordy

 

 


Video Diary: On The Road With Into Eternity Part II


Into-EternityOnce again we join Ghost Cult writer Omar Cordy as he takes us inside the touring life, from his time on the road recently with Into Eternity. During a stop over at an RV park in Arizona, Omar muses about long haul drives,  the scenery of the American southwest, playing the waiting game, and what bands do with their down time. Into Eternity bassist Troy Bleich and singer Amanda Kiernan make a guest appearance!Continue reading