From their self-released debut album, Remnant of Humanity, From Sorrow To Serenity showed they have what it takes to sit alongside comfortably with their peers in the Metalcore/Djent scene. Almost three years has passed on from then and with that time has come growth as they’ve risen through the ranks, supporting the likes of Chelsea Grin and Veil of Maya.
What musical progress have the band made for their sophomore release, Reclaim (Long Branch Records) and does it live up to their first efforts?Continue reading →
Formed nearly a quarter of a century ago, Twisted Tower Dire is one of those bands that never made it big, but has always been likable and consistent in their music. This Virginia-based act has been rather quiet since their last release, Mark It Dark (Cruz del Sur Music) in 2011, but now they’re back with a much-anticipated new record. Their sixth full-length album, Wars In The Unknown (No Remorse Records), boasts about how this quartet can still accomplish solid and entertaining Heavy Metal.Continue reading →
Rather than release a full album straight off the bat after their debut EP, Stoke-On-Trent based Metalcore act, Black Coast decided to go down a different route, by releasing two connected EPs. The first part arrived last year and demonstrated their pure rage and potential to become one of the subgenres next big-hitters. All that remains on the quintet’s shoulders is being able to follow-up with the same amount of passion.Continue reading →
The Dutch Death Metal act, Sisters Of Suffocation stirred the scene when they released their EP, Brutal Queen (Hammerheart Records) back in 2014. Young and female, SoS was determined to defy stereotypes by making their sound ruthless and unique. Their sophomore album, Humans Are Broken (Napalm Records) continues to carry this conviction and delivers something rather riveting.Continue reading →
If you are after a deep and introspective album that’ll make you ponder about the world’s mysteries, Cheap Love (Arising Empires) by To The Rats and Wolves isn’t the album for you. That’s because Cheap Love is the album you want to be playing halfway through the night at your local alternative club. With just enough heaviness and to get away with fitting under an alt-label and the right amount of infectious hooks and beats per minute.
This eleven-track release will keep you partying til the early hours of the morning!Continue reading →
With barely a break for a cup of tea and a biscuit after their tour with Enter Shikari, Black Peaks hit the road again alongside Noise-Rockers, Phoxjaw in support of their new sophomore release, All That Divides (Rise/BMG). With the new release moving in a more progressive direction to their debut, how well will this translate onto the live circuit?Continue reading →
Instrumental metal quite often gets the wrong rap for being a bit tedious and pretentious, seemingly a genre that is more about a band trying to show off how well they can play their instruments rather than create an atmosphere and a unique sound and hook. Brand new four-piece outfit, Crevassian set out to create a cathartic blend of atmosphere and groove with their debut, self-released, self-titled EP.Continue reading →
Currents burst onto the progressive side of the Metalcore scene with their debut album back in 2017, displaying an array of influences including Architects and Northlane. Just over a year later, and the band is back with their third EP.
Continuing on the same path they have previously laid out, Currents display some great Mathcore guitar feats focusing on twangy, winding guitar tones similar to the likes of Periphery or Veil of Maya, showing those bands influences very clearly on their sleeves, though the combination of their influences in one complete sound gives Currents their own unique sound.
Similar to The Place I Feel Safest, I Let The Devil In (Sharptone) features dark, introspective lyrics. The opening track, ‘Into Despair’ exhibits this perfectly as vocalist Brian Wille’s tortured screams cry out “I never said I could make you better, What did you expect from me?!” It’s clear this isn’t just a set of generic lyrics, but something that as cheesy as it sounds comes straight from the heart. Wille’s performance from start to end shows the passion and authenticity of the emotions from the lyrics.
While the overall sound of Currents could be grouped alongside a growing number of Tech Metalcore bands, the vocals and emotional content fits far more alongside bands like Casey. If Currents keep up the development of their music, they could be one of Metalcore’s new trendsetters.
Holy Roar Records has been on a roll over the past couple of years, with releases this year alone from Rolo Tomassi and Conjurer, amongst others, of the highest order. The indie record label has truly made a name for themselves for pushing brilliant bands forward who will be here to stay. portrayal of guilt are the latest band to release their debut album on the label (which is available via Gilead Media in Northern America) but will it live up to the high standards set by their peers?Continue reading →
Not even a whole year after the release of their debut self-titled album, the extreme metal mob, Bitch Hawk are back at it again with their latest full release Joy (Adrian Recordings). The short time span has no effect on the quality of the music whatsoever. With a diverse range of musical backgrounds in the band, from Ska bands to writing for Charli XCX, this mixed bag of influences and sounds come together to create this unforgettable album.Continue reading →
