In a world full of two-faced people, misleading information and strings attached to practically everything, Goregrind is the breath of fresh air society needs. Simply put: what you see is what you get.Continue reading
Tag Archives: metal album reviews
ALBUM REVIEW: Electric Wizard – Black Magic Rituals and Perversions, Vol. 1
In 2024, Electric Wizard returns with their first album in seven years, Black Magic Rituals and Perversions, Vol. 1 (Spinefarm Records), a live album. Returning with a live album is one thing but this isn’t your ordinary live album. Usually, when one thinks of live albums, you may think of hearing bombastic stage sounds and roaring crowds, but Electric Wizard chose to record to an audience of each other and to the fans with the idea that people would get to hear what a band, trapped in isolation with the thought of possibly never playing again. The result of this album is a crushing presentation of songs that are even more raw, angry, and fist-clenching than before. Continue reading
ALBUM REVIEW: Miracle Blood – Hello Hell
Miracle Blood’s latest album Hello Hell would serve as a standout piece within any punk music lover’s record collection. Their new album Hello Hell, released by Nefarious Industries, is a cacophonous concoction of noise-punk, sludge, and heavy metal. The band’s sophomore LP is strange and unusual, and may be found to be the next underground favorite of those who themselves are strange and unusual.Continue reading
ALBUM REVIEW: Hidden Mothers – Erosion – Avulsion
Hidden Mothers made sure to sneak in their debut full-length just before the 2024 calendar year comes to a close, and it’s important that everyone makes sure not to miss this one as 2025 approaches with a new crop of releases.
ALBUM REVIEW: Coilguns – Odd Love
If one’s perception of Switzerland involves cliches such as neutrality, cuckoo clocks and chocolate then think again. This is a country with a truly exceptional musical pedigree, for which a cursory glance reveals the likes of The Young Gods, Celtic Frost and of course late, great musician/producer Roli Mosimann. Continue reading
ALBUM REVIEW: Amerta – Nodus Tollens
As a result of years of persistence and hard work in exploring the immense depths of their own resonances, Jakarta-based post/sludge/power metal collective Amerta embarks on a new profound milestone through the release of their first full-length entitled Nodus Tollens (Self-Released). Through this release, this Indonesian multi-genre unit invites their listeners to venture on an enigmatic journey fueled by existential dread, contemplations, and the inner conflicts that mankind collectively faces against the banality of everyday chaos and mayhem in the form of an in-depth listening experience. Continue reading
ALBUM REVIEW: Tribulation – Sub Rosa In Æternum
The direction Tribulation heads on Sub Rosa In Æternum (Century Media Records) has been a long time coming. You can’t call a band goth without them eventually turning to the dark side. The Swedes started as a Death Metal band that flirted with the shadowy atmosphere, but never bore the Sisters of Mercy Halloween trappings they were credited with. Until this album. The sung vocals that open the first song solidify this; this may be the final step over this threshold for them. Johannes Andersson has sung on their previous albums in smaller doses, but this album finds him committed to it. Continue reading
ALBUM REVIEW: Moskitos – Mirage
Regarding psych rock, I have heard some of the best bands ever. They seem to come primarily from every place except for America. I have seen amazing bands from Sweden, Finland, Germany, and Spain. For the first time, I’m hearing a band from Cape Cod, South Africa. Moskitos have put Cape Town on the map as a new, untapped hub for psychedelic rock with their stellar debut album Mirage (The Good Times Co.) Continue reading
ALBUM REVIEW: Nachtmystium – Blight Privilege
The problem with American Black Metal bands, is they are often comprised of Punk Rock kids from Brooklyn or any other hipster city, who appropriate the sonic aesthetics that work for their indie-rock sensibility lacking any sense of darkness. There are a few bands who have proved an exception Tombs, Weakling, and Nachtmystium. Blake Judd’s struggles with addiction are responsible for giving Nachtmystium its legitimacy his harrowing accounts of inner torment are far more intense than faux Satanism. After all, exorcising one’s demons can not be faked. Blight Privilege (Lupus Lounge) is Judd clawing his way back up from the abyss to make music again. This album might not be as experimental as his past work but it feels more honest.Continue reading
ALBUM REVIEW: Black Oak County – III
The world of Post-Grunge and Octane-Hard Rock is often looked down upon in the alternative scene with phrases like “buttrock” and “divorced-dad rock” now part of the common lexicon when referring to such highly esteemed bands like Nickelback and Shinedown. Continue reading