As we all know by now, Body Count will be releasing Bloodlust on March 31st via Century Media. So far they’ve shared the ‘No Lives Matter’ video and a full album preview online, and thanks to Revolver Magazine, you can hear another new song today. Continue reading
As we all know by now, Body Count will be releasing Bloodlust on March 31st via Century Media. Continue reading
As we all know by now, Body Count will be releasing Bloodlust on March 31st via Century Media. Continue reading
Body Count has now confirmed that Bloodlust will be hitting stores on March 31st via Century Media. Continue reading
Body Count has released a teaser for their new video ‘No Lives Matter’. The song comes from their forthcoming album Bloodlust, due for a March release via Century Media Records. Continue reading
After previously announcing their signing to Century Media Records, Body Count, the hardcore metal band led by Hip-Hop legend Ice-T have now dubbed their new album they are working on, entitled Bloodlust. The album is set for release in 2017. Bloodlust is being produced by Will Putney known for his work on the last Body Count album, Manslaughter, and Miss May I among others.
Body Count, featuring hip-hop legend Ice-T, has signed a worldwide deal with Century Media Records. The band has entered the studio with producer Will Putney (Miss May I) to start recording its new album for a late 2016 release. Putney also steered Body Count’s last work, the acclaimed Manslaughter (Sumerian)
Ice-T commented on the signing:
“It’s cool to be a member of the Century Label Group alongside such a lot of well-established metal artists.
With our last album, ‘Manslaughter’, we tested the waters and got a great response from the fans and critics. Now it’s time to go kill it and make a more aggressive album and keep the Body Count style intact.Will Putney is like a member of the band and has an excellent ear. He’s a great producer because he captures the true essence of our band’s sound. Once we are done writing the song, it’s his job to step in and make it sound better. He helps move the record in the right direction. We’re anticipating working with him again.
Once the record’s done, we’re going to shoot a lot of music videos and perform spot-dates on certain tests, etc.”
Motörhead © Kevin Estrada / kevinestrada.com
The music world lost one of its true great baddasses when Ian Frasier Kilmister, known to scores of fans by his eponymous nickname Lemmy of Motörhead, passed away suddenly from cancer on December 28th. The shockwave felt with from announcement of his death at age 70 on social media, and then confirmation by the band was heartbreaking for many who followed his career of nearly five decades. Although he has struggled with health issues the last few years, Motörhead was last seen on tour in Europe three weeks earlier, supporting their recent new album Bad Magic (UDR). One of the most enduring sounds in rock music, the obscenely loud volume of the bands’ live backline, unmatched by any band in any genre, will never be heard again. Continue reading
Slipknot brought back heavy music into their brand of a festival called Knotfest once again to Southern California as they packed two days (plus a VIP only Friday evening event for campers) full of headbanging and mayhem at San Manuel Amphitheatre in Devore, CA.
The VIP pre-party show consisted of brief sets by Khaotika, Motorbreath, Rings of Saturn and The Faceless, while Sepultura became the main focus of that evening, performing many longtime favorites from their 30th anniversary tour, such as ‘Refuse/Resist’, ‘Arise’ and ‘Propaganda,’ while working on a few of the newer songs such as ‘Choke.’
Saturday’s main stage led the charge with the return of Pepper Keenan with Corrosion of Conformity, working in favorites such as ‘Clean My Wounds’ and ‘Albatross’; then Trivium and Mastodon both brought out powerful sets of powerful guitar driven hard rock leading into Korn’s semi-setlist of their début self titled album (ie they played only half of the album but they still brought their usual powerful live show) while working in other favorites like ‘Freak on a Leash’ and ‘Falling Away From Me.’
Headliners Judas Priest came out strong with a cross-section of newer songs such as ‘Dragonaut’ and ‘Valhalla’ while working in longtime favorites such as ‘Breaking The Law’ and ‘Hell Bent For Leather,’ as well as ‘Turbo Lover’. Following a strong showing on their previous tour, they did not disappoint and showed that after all of these years they can still deliver classic metal the right way.
Unlike the 2014 edition, Slipknot only played one day instead of both days, and they brought back the mini roller coasters and the Slipknot museum for attendees to enjoy. Another addition to this year’s edition was the Extreme Stage with such bands as Kataklysm, Abysmal Dawn, Belphagor and Inquisition living up to their musical brand and the headbangers representing as well.
The only band who did not quite fit the stage was Chilean-Canadian alternative-metallers The ReAktion, where their synth-driven riff metal was something fans grew accustomed to but was greatly out of place on that stage. The early set time worked in their favor on Sunday, with fans enjoying sightings of Slipknot DJ Sid Wilson around their set. Despite that, their eclectic sound was refreshing and somewhat interesting to see how they evolve from here.
Slipknot vocalist Corey Taylor made a brief appearance with fellow Iowans Green Death during their brief set later on Sunday. Fans got acquainted quickly with the band despite their lack of recognition prior to the show.
Stages 2 and 3 were placed on the revolving stage where bands could get going much easier. Saturday’s set began with Battlecross, Red Fang and Goatwhore getting early set calls, but the packed crowd showed up to rock out with each band. Even the well publicized Josh Barnett joined in the pit action early on.
Veteran metallic hardcore outfit Earth Crisis brought back memories of their appearance of Ozzfest 1996 at this venue. Other highlights included At The Gates’ aggression driven set, while Body Count plowed through their set of classics (despite minor technical difficulties with Ice T killing time with his attempt at telling jokes on stage). GWAR capped out the stage with their usual antics and over the top stage show, moving forward post Oderus Urungus (a.k.a. Dave Brockie).
Sunday’s main stage opened with Ghostface Killa and Mobb Deep’s brief old school hip hop set that attracted curious onlookers, while Clutch came in with their usual power riff rock set that their stripped down stage show appeared a bit bare for such a large sized stage.
Bring Me The Horizon’s updated stage show and sound definitely caught the attention of the crowd with their LED powered backdrops with the letters to SPIRIT aligning with each word of their opening song ‘Happy Song.’ Frontman Oli Sykes had the crowd moving along with his commands, and kept the show entertaining. Plus their newer synth oriented melodic rock sound on songs like ‘Throne,’ and ‘Can You Feel My Heart’ made their live show much more anthemic driven tunes for the crowd to sing along to. Even with the older heavier songs like ‘Chelsea Smile,’ Bring Me The Horizon showed that they have a full arsenal within their bag of tricks and is no surprise why they have the attention of the hard music world.
When Slipknot took the stage, they unveiled their new stage setup that resembled the carnival from hell, and they took charge from the opening minute. Opening with ‘Sarcastrophe’ and leading into ‘The Heretic Anthem’, Slipknot was on a mission to show why they are one of the biggest hard acts on the planet and can command their own festival. They even worked in ‘Me Inside’ (which they have never played live before apparently) and ‘Eeyore,’ giving the crowd more to get manic over.
The second and third stages on Sunday featured hard rockers Devour the Day and Kyng giving the crowd energetic melodic rock to nibble on, while semi-hometown favorites Snot got the crowd rocking with selections from their Get Some album while paying tribute to their late singer Lynn Strait.
Helmet, All That Remains and Beartooth all plowed through power sets of rock and metal that got the crowds working up a sweat, while led into the massive stampede of fans eagerly awaiting Cannibal Corpse and Suicidal Tendencies to perform. Cannibal Corpse simply owned Knotfest’s second stage and possibly had the largest crowd of headbangers and mosh pit participants of any act, which bled into Suicidal’s already veteran LA punk rock fan base. Overall, the insanity that came with those acts simply made the observing that much more enjoyable.
Overall, Knotfest 2015 brought together a strong collection of acts within the heavy music world once again and gave fans something to be excited about. After two consecutive years, hopefully Knotfest will continue to be an annual event (or something close to it).
PHOTO SET DAY 1:
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PHOTO SET DAY 2:
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PHOTOS BY MELINA D PHOTOGRAPHY
Body Count, led by legendary hip-hop figure and television personality Ice-T has released the video for their cover of the Suicidal Tendencies classic cut ‘Institutionalized’. See the video below:
Ice-T’s unique re-imagining of the famous spastic lyrics to the song were an instant hit with critics and fans alike. In an interview with Ghost Cult last summer, Long time BC band member Ernie C commented on the remake:
“It’s a rant-. It’s bringing it contemporary. It’s the same rant that Mike [Muir] had 25 years ago about his parents, but we’re bringing it up to now. It’s a lot of fun.
We had to get clearance to do that song. So we started calling around. We thought Mike had it. Mike didn’t own it. This guy named Glen Friedman owns the rights to the song. That’s Ice’s photographer from back in the day. We didn’t know who owned the song. So he gave us the rights to do it but he said…he’s a vegan so “you’re coming down hard on the vegans!”
Ice-T. Photo by Kaley Nelson
The song comes off of Manslaughter, released last year on Sumerian Records. To support the album Body Count toured extensively on The Rockstar Energy Drink Mayhem Festival. In 2015 the band is booking many European Festivals, such as Hellfest and Coppenhell.