ALBUM REVIEW: A Cold Paradise – A Cold Paradise


A Cold Paradise’s self-titled debut album is an enigma. A bit like the parable of the blind men and the elephant, where each one touched a different part of the animal and drew different conclusions about what it might look like. But before we proceed, let me warn you that a bit of “gatekeeping” is required to properly assess the album most honestly. But when it comes to Metal, its core message was gatekeeping: Metal rules; all other music sucks. This concept was the inspiration behind many of Judas Priest’s anthems; what faith did you think they were defenders of? It was also advertised in the early days of Twisted Sister as the band sold “Death to Disco” shirts. 

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SINthetik Messiah – Black Sheep


My mother always told me to not judge a book by its cover. I have always tried to heed the words of my wise Madre’, but sometimes in doing music reviews I consign to oblivion that idiom. Case in point, when my editor sent me the new single by SINthetik Messiah, Black Sheep, I was tad incredulous. My feelings stemmed from seeing the heading on the Soundcloud link, #cajun industrial bass. I had never, in all my Skullgurl years, have encountered a musical group described as this. I started reading the bands press release, and SINthetic Messiah is described as Cajun electronic/industrial bass there also. Well, slap my fanny and call me fancy, I had just been given the gift of a brand new musical experience. Continue reading


New Years Day – Unbreakable


If Wes Craven was a genre of music, it would be New Years Day. For the most part, Ash Costello and gang have depended on a recipe of heartbreak mixed in with edgy guitars and a punk rock attitude. On their fourth release Unbreakable (Another Century) they break free from their comfort zone with a more confident, electro-fused, uplifting follow-up. Continue reading