What was the first bit of heavy music you ever heard in your life? Did you level up, gaining mana from the ear-peeling riffs and shouts? Lovers of extreme metal surely have had experiences like this in their lives, where their entire world is tossed upside-down a new band, or a clutch of new demos from an emerging scene. This is how my ears felt hearing Grief Symposium, with a new take on the Death / Doom sub-genre with their debut, …In The Absence of Light (Church Road Records). Although mysterious and secretive, they did not set out to reinvent extreme music, but rather invent themselves, and a sound that should echo for a long time.
Tag Archives: Demons
EXCLUSIVE PREMIERE: Two Cent Revival – “Demons”
Ghost Cult is proud to bring you the final pre-release single from Two Cent Revival’s upcoming new album, Demons, due out on September 3rd, 2021. Two Cent Revival, the creative umbrella for singer/songwriter Matt Jones. Throughout Demons, Jones explores both the nuances of his multicultural identity and his mental health issues. Musically, the track like the rest of the album is an amalgam of Matt’s vintage aesthetic influences sonically, and emotional lyrics, presenting a style with one foot in a past world, and an artistry planted in the present. Fans of brooding geniuses such as Nick Cave, Tom Waits, Scott Walker and others would find a common bond in the work of Two Cent Revival. Check out the title track “Demons” right now!
CLASSIC ALBUMS REVISITED: Black Sabbath’s Genre Defining Debut Turns 50
On the sleeve: a grainy picture of a woman dressed in black. A stagnant pond. A creepy looking mill house.
And two words. Black Sabbath.
On the record: Rain. Thunder. A tolling bell. Those three notes. That voice.
And just like that, in February of 1970 – appropriately enough on the 13th – the face of music was changed forever.
Monster Magnet Books European Tour, New Album Next Spring
Monster Magnet have announced spring 2018 tour dates, coinciding with their new Napalm Records release, Mindfucker, due out next March 23rd. All tour dates are below.Continue reading
Demons – Great Dismal
Demons is the new pet project of Zach Gehring, guitarist for the Virginia based Rock band Mae. With Great Dismal (Spartan), Gehring has experimented with styles that he could not fit into Mae, and the results are phenomenal. Gehring really benefits from the experience of writing and producing records, and the sound quality and composition on this EP are therefore really good. The styles vary a bit, but the grungy guitar sounds and melancholic vocals are omnipresent.
Gehring’s voice is sometimes a little Steven Wilson, and sometimes, especially in ‘Lenora Slaughter’, a lot like Marilyn Manson but with vocal lines more like Corey Taylor. Backing vocals are often just a little off, but not enough to make it annoying. In fact, it ends up being a really cool stylistic effect. The vocal lines are often smooth and mellow over more energetic music, as in opening number ‘There Is No Reward’. This is a very hard rocking song, with nice grungy guitar lines, which could have goon on for a little longer in my opinion.
Gehring shows off his musical versatility on his album, as the laid-back and almost Dark Country feel of ‘Godless Girls’ contrasts with the earlier hard rock. It felt like it could have almost been a song by The Hold Steady. On the surface it seems like a simple song, but the timing of the different elements makes it much more, and when you get to the final chorus it seems to somehow go straight through you.
‘Radical Cure’ is in yet another style, and it is an excellent loud and aggressive song. The riffs and mix are once again really good, and the contrast between the vocals and music just adds so much tension in some places, while they complement each other perfectly in others.
The final song is ‘Quietly Waiting’, and it is worth waiting for. I fell in love with it from the very first notes. The acoustic guitar with clean vocals and piano is so melancholic, so beautiful and touching. This is the longest song on this release, and the popularity of artists like Wino and Conny Ochs indicate that Gehring could easily release an entire album in this style. I would happily listen to an hour of this. My only criticism for this song is that it doesn’t end on a closing tone, but I am willing to forgive that.
All in all, this is an amazing début, and I really enjoyed the experience. It touches on a number of different genres and artists, and excels in each style. Give it a listen, it’s worth it.
8.5/10
LORRAINE LYSEN