The Official Ghost Cult Writers Albums of the Year Top 50: 50-41


It’s hard to believe we’ve already reached the end of another year packed tighter than Joey de Maio’s loincloth with incredible genre-pushing, eardrum-violating, neckache-inducing metal. 

So we can begin to tell the story of a year which saw us give more top marks than any other year so far (and more 2’s and 3’s out of 10, too!), a year that left us inundated with so many great releases, we sought the opinions of our esteemed and respected writing team and we offer forth their albums of the year.  

The countdown to the Official Ghost Cult Magazine Album of the Year for 2014 has commenced. Please consume and enjoy the results of our 2014 Writers’ Poll. We hope it will introduce you to some of the incredible works of art you may have missed that we have had the immense pleasure of listening to and writing about this year.

In our first installment we bring you albums 50 through to 41.

 

 

Hark_Crystalline-cover

50. HARK – Crystalline (Season of Mist) 

Genre-bending aggression with doses of Doom, Prog, Psychedelia and Hardcore. Heavy as a very heavy thing.

 

 

 

thehauntedexitwoundscd-400x400

49. THE HAUNTED – Exit Wounds (Century Media)

“The album is filled with urgency and manages to be relentlessly heavy without compromising on those insanely catchy riffs. The Haunted have come back stronger than ever…  easily the band’s best effort a decade” DAN SWINHOE 9/10  Full review here

 

 

the-wounded-kings-album-cover-400x397

48. THE WOUNDED KINGS – Consolamentum (Candlelight)

“Favouring lengthy yet subtly evolving guitar workouts that never lapse into repetitive dirge territory,The Wounded Kings go about working their dark, smoky magic with grim elegance… Simply put, The Wounded Kings are the quintessential English doom band “ JAMES CONWAY 8.5/10 Full review here

 

 

Schammasch-Contradiction-album-cover-400x400

47. SCHAMMASCH – Contradiction (Prosthetic)

“The quality of this album is obvious right from the beginning. Schammasch have created a record both challenging and endlessly refreshing, a truly remarkable sonic journey from beginning to end.” CAITLIN SMITH 9/10 Full review here

 

 

Autopsy-album-cover-396x400

46. AUTOPSY – Tourniquets, Hacksaws and Graves (Peaceville)

Tourniquets… continues in gnarly, raw and near sludgy death metal vein, but maintains their run of high quality and in fact tops anything that has come from their return.” CHRIS TIPPELL 8/10 Full review here

 

 

 

406060-400x400

45. KROKODIL – Nachash (Spinefarm)

“With a heavy dose of Mastodon in its veins, Krokodil are a groove juggernaut that pummels all in its path with its three guitarists of fury” DAN O’BRIEN 9/10 Full review here

 

 

inter-arma-the-cavern-ep-400x400

44. INTER ARMA – The Cavern (Relapse)

“The sheer gravity and fulminating power of much of the music here is oppressive yet it carries the weight easily, this blend of raw animal force, aching melody and immeasurable creativity marks out this fantastic band” PAUL QUINN 10/10 Full review here

 

 

devilyouknowbeautycd-400x400

 

43. DEVIL YOU KNOW – The Beauty of Destruction (Nuclear Blast)

“(with) all the promise of a powerhouse, and it delivers on all fronts. The songs are well-crafted, nicely developed and excellently executed.” LYNN JORDAN 9.5/10 APRIL ALBUM OF THE MONTH Full review here

 

 

Blues-Pills-Blues-Pills-400x400

42.BLUES PILLS – Blues Pills (Nuclear Blast)

“…a record that understands and curates its heritage and lineage but is fresh, contemporary and massively memorable. This is the record that you’ll be recommending to your friends for months to come” MAT DAVIES 9/10 Full review here

 

 

artificialbrain-800x800-400x400

 

41. ARTIFICIAL BRAIN – Labyrinth Constellation (Profound Lore)

“Technical death metal with sci-fi themes, brilliant, utterly amazing, breath-taking and challenging from the first to the last second.” TIAGO MOREIRA 9.5/10 Full review here

 

 

 

 

 

Compiled by Steve Tovey


The Wounded Kings – Consolamentum


the wounded kings album cover

Given that every single doom metal band around owes their very existence to Black Sabbath, the band that started this whole heavy metal malarkey, it’s unsurprising that the scene is full to saturation point, with bands struggling to either out-heavy each other or playing up an ‘occult’ image long past its sell-by-date. Thankfully Dartmoor five-piece The Wounded Kings have no such worries when it comes to standing out, so powerful and masterly is the vein of doom captured on fourth full-length Consolamentum (Candlelight Records), a record of simple yet spellbinding pleasures.

Favouring lengthy yet subtly evolving guitar work outs that never lapse into repetitive dirge territory, The Wounded Kings go about working their dark, smoky magic with grim elegance, building pressure and crucially, good old-fashioned song-writing that makes the prospect of skipping ahead null and void. Opening track Gnosis tips the scales at thirteen minutes but feels like three, as the guitars of Steve Mills and Alex Kearney claim your mind and reap your soul. Equally good are the sinister refrains of Lost Bride, shorter in length but equally devastating.

As she did on previous outing Chapel of the Black Hand, vocalist Sharie Neyland proves herself to be utterly untouchable when it comes to quavering, haunting tones that could charm the skin off a toad’s back. Combined with the aforementioned guitars, pounding percussion, flourishes of Hammond and a living breathing atmosphere that places the listener right there in Baskerville Hall in witch-haunted Dartmoor as candles burn, the wind shrieks and the demonic Hound howls somewhere out there in the cursed night. Simply put, The Wounded Kings are the quintessential English doom band and it’s going to take a very fine effort to better Consolamentum when assessing any future heavy records that happen to be played very slowly. Magical stuff.

thewoundedkingsband2013_638 (1)

 

 

 

 

 

 

 

8.5/10

The Wounded Kings on Facebook

James Conway