Maryland Deathfest 2017, sure to be North America’s metal event of 2017 has already announced its daily lineups. Headlined by Morbid Angel, Candlemass, Autopsy, Tiamat, Cryptopsy and others, according to a post to the MDF Facebook, there are now less than 100 4-day passes available and less than 200 Rams Head 3-day passes available for MDF XV. Once these are gone, they won’t be releasing more. Full details are below.Continue reading
The producers of Maryland Deathfest XV have announced the full daily lineups for 2017. Details below: Continue reading
With California Deathfest in the rearview, the team behind Maryland Deathfest turns its attention to already completed Netherlands Deathfest event next March, less than six months away. Details below: Continue reading
With a final salvo of bands, 2017’s Maryland Deathfest XV is set at last. Added to the final line-up are legends like Candlemass (Nightfall set), Tiamat (Exclusive U.S. Appearance), Grave (Exclusive U.S. Appearance), Root (Exclusive U.S. Appearance), Oranssi Pazuzu, Acheron, GosT, Samothrace, and more.Continue reading
Part II
Saturday at Psycho Las Vegas was no less impressive and perhaps the best single day of the fest band for band, especially if you were still able to stand after the first few days. Starting off with the public première of the Melvins documentary, The Colossus Of Destiny, followed by a Q & A by the director, Bob Hannam; this set the tone for the day.Continue reading
Saturday we were up for a great hangover from the amazing day we had at day one of Eindhoven Metal Meeting. This was maybe a bit too much beer for the rest of the year. But still we held our heads high and bravely went to The Effenaar (by bus, there was no way we went by bike). This might be the reason why we were a bit too late, and I missed Distillator and Bodyfarm. But I walked in on this great old school death band named Necros Christos. I wonder how this band would have done on the smaller stage, the large stage really didn’t seem to fit them. The atmosphere they were trying to convince me about didn’t really came through. You can hear that this is a really good band, but it just didn’t come to me. I really want to see this band again sometime soon, but I want to experience them on a smaller stage.
German doomers AHAB definitely gave a great show! You could see that there wasn’t a great doom scene at Eindhoven Metal Meeting, the crowd at the Large Stage was empty if you ask me. Some real doom enthusiasts stayed, and they heard one of the greatest shows I have seen. Damn this is a band of quality. A band with a great atmosphere and we noticed that this band can really drag you out of a severe hangover. And for that we thank them.
I was really siked for Lvcifyre, but this didn’t last. I didn’t enjoy this band at all, the drummer delivered quite a show. However, the frontman said nothing at all and have no contact with the audience at all just doesn’t fit the job. I like black metal and I know the contact mostly isn’t that present, but most vocalists still sing to the audience, this guy didn’t even seem to bother. I do not have to see this band again.
Now we were really up for a party with one of the very last shows of the dutch goregrind band Rompeprop. I have always had this strange relationship with the style. There is nothing more party-mode-setting as a goregrind band. A bunch of friends were standing with me and we were doing the most crazy dance moves, because it is goregrind! We can do sprinklers, the lawn mower, and the hot towel! No one just cares and everyone is as crazy as you are. Just go with the flow and have a great time. A great, no-nonsense band with beach toys as props. Yes, this is my kind of party.
Now we were up for Marduk. This is definitely not the first time I have seen this band performing. But they always give a great performance and never disappoint. The quality this time was better than I have heard before, the riffs were more defined and the drums seemed to be more powerful.
Next up was the exclusive headliner Samael. The sound wasn’t that great, so it was not what I have expected at all. They used drum machine and they tried to play the old songs in the new style. It definitely wasn’t my piece of cake, but still I was intrigued and wanted to stay and watch the show.
After this band we headed for the last after party at Stratumseind. Eindhoven Metal Meeting 2015 was a good edition if you asked me. I met a lot of friends and a lot of new faces. I have noticed there were more foreigners than the years past. This was a plus for the atmosphere of different cultures and styles and that combined to a good festival experience. I am definitely going back next year.
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Eindhoven Metal Meeting: Day 1 Review
WORDS BY KAAT VON DORMALEN
On a remarkably warm December day, we rode to Eindhoven again for the sold out Eindhoven Metal Meeting. With a killer lineup this year, it would have been a shame to miss this event. The line up of EMM has never disappointed me so far.
Last year I was kind of nagging about the fact it felt way to crowded, there is still no place to sit except for the stairs and some places in the smoking area but it really felt less crowded this year! This helped the atmosphere of the festival a lot. Eindhoven Metal Meeting is not an open air festival so you can indulge yourself in the luxury of a hotel and the luxury of descent facilities, which is common in winter, but very welcome after a whole summer festival season behind us. No getting nasty from standing in piss soaked mud this time!
I already was psyched for this festival, one of my favorite bands as headliner (Behemoth), the great atmosphere from the crowd in the south of The Netherlands, a good brand of beer, great afterparties ahead of us and me and a friend even helped an old hag to her car for some karma points. So this year nothing could go wrong at all!
The festival began and we walked in to hear the band Winterfylleth. I heard of this band, but never saw them live before. I can say there is nothing wrong with some good old raging black metal to drink your first festival beers on. The quartets latest opus The Divination of Antiquity definitely left a mark on me when I heard it, and it really came alive on stage. It felt like black metal was meant to sound like this and nothing else.
Next up on the Large stage (which is not only called that way because it is the largest stage, but is also called after one of the sponsors of the festivals) was Aeternus, a band with grandeur and a real attitude if you ask me. Their show was way to short if you ask me. I want more Aeternus, but next time it wouldn’t hurt if the guitars were a bit less sloppy. I loved the low tuned voice which really took me away.
An unexpected highlight was Onslaught, even though I am not really a thrash enthusiast. They were convincing me with a really convincing and energetic front man, which really got me in the mood. A really tight and top-notch show was is definitely the result of band members that really want to go for it and really want to bring us a great show.
A real highlight of the Friday and if you tell me the best band up until now was Conan. I enjoyed it from the start of the show up untill the end. The wall of sound this band creates blew me away. They drag you away into this trance. What a great vibe this band creates. WE WANT MORE CONAN!
In the mean while it was time to grab some food, we weren’t the only ones with this great idea. After waiting a while for my pulled pork sandwich (which wasn’t that special at all) we went back to the District 19 stage (the small stage). There are a lot of bands from Eindhoven playing this year, but Heretic really impressed. Not everyone seemed to like the black punk and roll, but damn this was ment to party on. The enthusiasm from the stage really impressed and even made a few metalheads dancing, yes, dancing, not headlbanging. This was quite an experience I can tell.
Now we were up for the headliner Behemoth, the time schedule for the Large stage wasnt that accurate anymore so they started a bit late, but no worries. They gave away a show like only Behemoth can deliver. Grim, dark, but full with energy. Nergal really wins the Oscar for best stage performer ever! There seemed to be some technical difficulties, but I didn’t hear any and I think everybody was just enjoying the great light show and the performance of this great band. If you have never seen Behemoth, do not miss them. This is a must see band!
Next up was Candlemass, a lot of visitors have already left the building and it really wasn’t as crowded as it was before. Still, the heavy bass and good combination of riffing and incredible vocals was a great experience.
After Candlemass we were up for a good party! Lucky for us the Dynamo had a after party organised with some great cover bands: a GG Allin cover band, an Iron Maiden cover band (that didn’t convince me) and this great glam rock cover band Lipstick`N Bullets with members from the Metal Factory. (yes in the Netherlands we have a school where you can study metal). We were here to party, and this is what we got.
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WORDS BY KAAT VAN DOREMALEN
This weekend marks another close to the music festival calendar for the year with the Eindhoven Metal Meeting in The Netherlands. Ghost Cult Magazine has covered the festival every year in its existence, based on stellar line ups and their commitment to the best fan experience possible for fans of death metal, black metal and doom among other genres. Over two days 36 bands will assault 2 stages with their performances. This year EMM is headlined by none other than Behemoth! The band continues to tour behind their acclaimed 2013 album The Satanist (Metal Blade) and with the future plans of the band up in the air, you might not want to miss them at EMM.
Behemoth plays on Day 1 on the Large Rockhand Stage, along with heavyweights Candlemass, God Dethroned, Onslaught and Winterfylleth among others. The side stage, the District 19 stage has such not to be missed bands as Conan, Loudblast, Gehennah, and Acid Reign.
Day 2 has an equally strong line-up with Craft, Samael, Marduk, Nuclear Assault (in one of their final performances) Ahab and Vektor on the main stage. The side stage has acts such as Hooded Menace, Mourning Beloveth, Gama Bomb, Lvcifyre and Solstice. Tickets are still available at this link:
Leif Edling is an unsung, underrated, talented bastard, and a legend. Part-responsible for some of the finest, melodramatic slow and mystical metal known to man across the first four Candlemass releases, his seat and decanter of wine at the table of legacy and honour is assured. Founding member of one of the founding fathers, as his main gig has become more of a part-time, festival turn, two years ago he celebrated the year of his 50th anniversary on earth by putting together Avatarium.
Leaving behind the doom bent of the ‘mass to feed the muse of progressive, heavy retro-tinged rock, and allowing the 60’s and 70’s bands of his youth to influence his writing, at their very best Avatarium are transfixing. The Girl With The Raven Mask (Nuclear Blast), the second band’s full length, is retro without being Sabbathian, fuzzy without being stoner, more Hammer than Occult (any bandying around of the term “occult rock” in this direction is being incorrectly applied for no limp or quaint quasi-folkisms abound here) and progressive without losing focus or atmosphere.
‘The Master Thief’ is Opeth-style progressive luxury and ‘Pearls and Coffins’ is a simply magnificent track, seguing from bare, Western-tinged Tarantino soundtrack led eloquently by stunning vocals into a swirling Deep Purple vortex of an org(an)asmic post-chorus coda; its’ seven minutes an epic sway. And speaking of the Purple ones, in ‘Hypnotized’, Marcus Jidell channels the spirit of pure Blackmore with a majestic mellifluent magic carpet ride of a solo.
The Girl With The Raven Mask does not crush you with weighty riffs, but instead mesmerizes, with singer Jennie-Ann Smith a rare, enigmatic and captivating talent who sparks when the songs are sparse; reminiscent of Nancy Sinatra’s version of ‘Bang Bang (My Baby Shot Me Down)’ (sorry Cher). Given more room than on either their self-titled début, or last years’ All I Want EP, Smith is magnificent. If she had been a solo artist in the late 60’s she would be revered amongst the Joplin’s of history.
A diverse and intriguing marriage of stripped back and the grandiose, of top-level psychedelia and rock, all carried out to sea on the beguiling voice of Smith, for a while I feared The Girl WithThe Raven Mask was doomed (sic) to be one of those releases where the idea was better than the reality, but, while not every track hits the heights of the true moments of genius, the swirling, epic qualities draw you in.
8.0/10
STEVE TOVEY
Breaking from the embracing arms of The Process Church of The Final Judgement sees Sabbath Assembly reborn, emerging from their cocoon blinking into the light with fresh purpose and a redefining self-titled release. Although officially the bands fifth release Sabbath Assembly (Svart) really does sound like a new beginning for an act reinvigorated by pursuing a modified philosophy. Whether the freedom comes from stepping away from the scriptures of others, or through the musical progressions and developments they’ve chosen to make, nonetheless the evolution is welcome.
No longer tethering themselves to releasing the hymns of The Process Church, Sabbath Assembly sees nine wholly original compositions that, while occult in reference and dark in musical style, transposes their previous work into a new entity. Musically, while influences and styles are clearly rooted in yesteryear, the move to increase the presence of distorted guitars and the proliferation of NWOBHM breaks and passages amongst the Trouble-ed moments is a celebrated addition to their genealogy, meaning the band no longer sit under the “Occult Rock” umbrella, but embrace now their own, more distinctive, sound.
Jamie Myers adds a stronger, more dominant tone of Hammer Horror idiosyncrasy to her previous geniality, as quasi-ritualistic poetic intonations add to an overwhelming atmosphere of 1700’s witchcraft made flesh. Her new approach dovetails with the inherent upbeat catchiness of tracks ‘Confessing A Murder’, ‘Ave Sathanas’ and ‘Burn Me, I Thirst For Fire’, while Kevin Hufnagel’s 80’s influenced guitar work segues from Candlemass dripped doom-shaking to Satan (the band) esque gallops. ‘Only You’ teases a Mercyful Fate bolt, settles into a darkened brood, before racing to the end in a bounce of classic heavy metal riffery. Traditional metal solos enhance and embellish the album throughout, as do the melodic Witchfinder General touches and leads.
Taking an atmospheric turn for the latter third of the album means, dynamically, Sabbath Assembly feels a little strange; not quite tailing off, but as if emerging out the end of a night-time ritual into the stillness of the darkness before dawn as ‘Sharp Edge Of The Earth’ and the beautiful, folky ‘Shadows of Emptiness’ are reflective and breathy.
Of course this isn’t a “new band”, but neither is this a representation of previous ideology, either musically or philosophically. Whatever the impetus for the change in Sabbath Assembly, the culmination of the transformation is overwhelmingly positive in terms of their artistic growth.
7.5/10
STEVE TOVEY