Ministry’s long career began back in 1981 and has seen many different incarnations over the proceeding 43 years with the one constant of producer/singer/multi-instrumentalist Al Jourgensen steering the ship throughout. It’s fair to say the band have had to navigate some severely choppy waters over the decades, with a revolving door style policy of other personnel joining the larger-than-life frontman in his lifelong musical pursuit, and with various controversies never too far away. Continue reading
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ALBUM REVIEW: Ihsahn – Ihsahn
Eighth solo studio album from Ihsahn, the legend of Norwegian Metal, releases his modern self-titled (Candlelight Records) opus hot on the heels of his 2023 EP – Fascination Street Sessions. As the principal creative force behind Emperor, his iconic status as a Black Metal musician was secured with their impactful nineties debut album In the Nightside Eclipse which released at the height of the genre’s second wave. While the experimental and progressive influence of his solo output has somewhat gone under the radar in comparison to his work with Emperor, those that have followed his releases since The Adversary in 2006, have been treated to an extraordinary body of work. Continue reading
ALBUM REVIEW: Helmet – Left
Helmet are a legacy band, who at over 30 years into their career– albeit with an early 2000’s hiatus– are still very much thought of as a specific, early mid-nineties era band when alternative rock was king. And for good reason, as they are a band who certainly had a huge influence with early Interscope Records such as Meantime (1992) and Betty (1994), providing a sludgy down-tuned version of the more commercial alternative styles of the time.