UK Death Metal quintet Cognizance are now sharing the video for their upcoming single, “The Towering Monument”, due out tomorrow, November 03rd. The band will also release their new concept album, Phantazein, on January 26 via Willowtip Records, on CD, vinyl, and digital formats. Find out more, and catch the video early below.
Get ready, folks: brute ‘n roll is upon us!
Progressive yet brutal Death Metal deviants Afterbirth, formed in 1993 but put on hold for two decades, are primed and ready for the world to hear their brand of bellicosity.
Homer’s The Odyssey is an ancient, epic Greek poem that follows hero Odysseus on his perilous ten-year journey home from the Trojan War (that’s enough Wiki cut and pasting – Ed). Now The Anchoret, new Canadian titans of progressive metal, deliver a musical odyssey of their own.
There are certain facets of life and the world that are absolute. Until the inevitable apocalypse it is simply a given that the sun will rise and set, that the tides ebb and flow, and that, most importantly, Willowtip Records rarely miss. Continue reading
The juxtaposing contradiction that is Mithridatum’s debut album Harrowing makes it surprisingly difficult to reach a conclusion.
The Willowtip release sees the newly formed trio (featuring former members of Abhorrent, The Faceless) jockeying with a myriad of other bands in an ultra-saturated landscape that is just begging for a group to come along and shatter the mold. As such, it’s nearly career suicide not to stand out from the rest (unless you’re AC/DC). Continue reading
Over the years I have slowly come around to liking more black metal projects, but none do more justice than those that focus on the atmosphere that brings you on a journey. British Columbia’s own Liminal Shroud does just this on their second full-length, All Virtues Ablaze (Willowtip Records). In just under forty minutes (across only four tracks), this album will be sure to be part of many conversations towards the end of the year.Continue reading
Ghost Cult caught up with Frank Albanese of Hath to discuss their new album “All That Was Promised” – out now on Willowtip Records. Frank and Keefy delved into the history of the band, how it became a full-fledged unit, the maturation process of the writing in the band, Frank’s assessment of his vocals, the producing talents of drummer, AJ Viana, working with Willowtip Records, touring, music videos, the album artwork, and much more!
When’s the last time you listened to an album, and it completely knocked you on your ass? For me it was a few hours ago while sensibly driving around in my Volvo. Not to worry, no Swedish automobiles were harmed while repeatedly listening to Hath’s All That Was Promised (Willowtip). Well, maybe I punched the passenger seat once ‘The Million Violations’ swung into full gear with volleys of blast beats and guitar trickery. What’s a little cosmetic damage?
The peculiarity of Technical Death Metal is the capability of exploring itself, yet creativity begins to fade when there’s a vast repertoire of bands of this kind, which have made history on the underground’s music scene. Certain musical groups stick to follow a simple and uncomplicated path, keeping a comparable sound with many other bands that continue to perform in this genre. Let us consider the huge waves of Technical Death Metal in the eighties and in the nineties and how it reinvented itself to the present day. Bands such as Suffocation and Gorguts trace Technical Death Metal’s status as a whole, releasing records and records without losing its own legendary position, carrying bloody and filthy anthems for dozens of years. Continue reading
