Hail of Bullets – III: The Rommel Chronicles


hail of bullets album coverWith Bolt Thrower on-hold since 2005 (Those Once Loyal), at least in the full-length department, the super-group Hail of Bullets (with members that have experience in acts like the already mentioned Bolt Thrower, Pestilence, Asphyx, Thanatos, etc.)  have been dominating the spectrum of old-school death metal bands that are portraying war-themes. III: The Rommel Chronicles (Metal Blade) is not a left turn in the themes that have been used by the Dutch band, but we can say that’s a left turn in the way things are approach. This time around the quintet of Amersfoort decided to focus his lyrical attention in one person and tell the story of that person’s life: the good moments, the bad moments, the glory and the death. That person? The German Field Marshall, Erwin Rommel. Decorated on World War I with the Pour le Mérite (a described moment in the song with the same name), he was also regarded as being a very humane person and a extreme professional officer, even though he was serving Adolf Hitler on World War II, where he has linked to the attempt of assassination of Hitler himself. That’s the big “game-changing” for Hail of Bullets. Having an approach that can be considerate more “human”, they manage to create a piece that’s a true rollercoaster of feelings and that puts the listener thinking about how life it’s not black and white and sometimes there’s an enormous lack of coherence.

Musically speaking it is Hail of Bullets, like always. They are not reinventing the wheel, changing the game but I think that’s not their intention anyway. They are just focused on creating great songs, great death metal songs with an obvious and rather delicious old-school death metal vibe and took the listener to various changeling and compelling moments. III: The Rommel Chroniceles is another irrefutable proof of the quality of Hail of Bullets and a record that must be present in every death metal fan’s playlist.

8.0/10

 

Hail of Bullets on Facebook

 

Tiago Moreira


The Rommel Chronicles – An Interview With Hail Of Bullets


hail of bullets album coverHail of Bullets is one of the most interesting death metal bands of nowadays. With members of very reputable bands (Asphyx, Bolt Thrower, Pestilence, Thanatos etc.) they now release their third full-length. III: The Rommel Chronicles is a journey through Erwin Rommel’s life and we talked with the guitarist Stephan Gebédi to know a little bit more about this new album.

 

 

  

Since On Divine Winds (Metal Blade Records) confirmed that Hail of Bullets it’s indeed a relevant and exciting death metal band by critical acclaim and the participation of the band in many notorious festival (Hellfest, Wacken etc.), would you say that pressure was there when creating this new album?

 

Yeah, I think so. On Divine Winds was the ‘Album Of The Month’ in many magazines and it even reached the charts. So yeah it was a good experience for us, without a doubt, but you don’t want to repeat yourself too much. I mean, we will stay true to the death metal style (it will always be like that) but you want to do things differently and avoid to the same album over and over again. So there was some pressure and that’s why it took us a little bit longer to finish this new record. But I think it worked in the end, the time that we spend on it was worthy and the most important thing is that we are really happy with the final result.

 

Why did you decide to have a new approach, lyric-wise? It was a needed challenge?

 

It’s not a totally new approach. The two previous albums talked about the war, The Eastern Front etc. This time around we decided to approach things a little bit different by talking about this person, Erwin Rommel, so the big difference it’s that now it’s kind of biographical, about the career of that person during the World War I and World War II. I think it’s a little bit more personal because you’re talking about just one person and you walk about his life, the ups and downs, his death etc.

 

It seems that not only the lyrical concept has changed, but also the music itself. Everything seems more raw and, to some extent, more human. Do you agree?

Tell us a little bit about the concept of this album – Erwin Rommel and his chronicles.

 

I agree with the rawness aspect that you mention, definitely. The second album, also because of the concept, it was more epic and heroic, but with this album we went a little bit to our first album, …Of Frost And War, which it was also pretty raw and aggressive. I think that’s what you can hear now, with this new record. It’s more intense and dirty, and you can definitely hear it in the songs.

 

But there’s also the human side. The previous records were talking about certain times of the war, it was more about the battles and the strategies but now you have that focus in the person, like I mentioned.

 

About the concept: the album starts in World War I, where he’s decorated with Pour le Mérite, the biggest that a general can get for his bravery. And then it talks about his battles in Africa, of course that’s a big part of the album. The thing with Rommel is that he was fighting on the wrong side, in the German army but he was not a big Nazi, not a big racist or anything; he was simply a good strategist and a good general. A man that was feared by the enemies and loved by his soldiers.

 

Do you see III: The Rommel Chronicles as being an important changing moment for the band?

 

I don’t know if it’s a big changing moment, I believe that’s more a continuation of what we were doing since the beginning. Sure, we putt some “extras” to have a, somehow, different result when comparing with the other two albums. Our goal is to get a little better with every album. To grow.

 

It seems that Hail of Bullets it’s one of those extreme metal bands that are always looking to do a good song, instead of being extreme just for the sake of it. Do you agree?

 

Yeah, definitely. It’s really important for us. We play old-school type of death metal. We grew up with bands like Autopsy, Bolt Thrower etc… Those bands back in the day were trying to have the heavier sound possible, so for us there’s no point of playing old-school death metal and having an 80s or 90s sound because the present is 2013 and we want to get the best and heavier sound possible… We have an old-school vibe, no doubts about it, but we are looking for a modern sound. What’s important is that I think it still sounds organic.

 

And like I said, making a good song is really important. Nowadays you have a lot of young bands that are playing 300 bpm, blast beats all the time and the most crazy guitar riffs that you can imagine. Ok, that´s cool, seeing the young fellows playing really nice, because you find a lot of great musicians in this young generation, but the problem is: they sometimes forget about the song, they lose the focus. The songs is the most important thing and sometimes you need to go back to the rock ‘n’ roll and hard rock to understand exactly how important is to have a really good song. I mean, we grew up with bands like Kiss, Motörhead, AC/DC… They made great fucking songs. And even if you go back to the first death metal bands you can find that because they were influence by acts like Black Sabbath, Slayer and Celtic Frost, bands that were concerned on making killer songs.

 

You guys worked again with Dan Swanö. Can we say that he’s like the sixth member of the band, by now?

 

Yeah, he is very important for us. He’s involved and interest in this project since the beginning. It’s really easy working with him. Why change a winning team?

 

The same five dudes since the beginning. It’s, in my opinion, one of the biggest factors for the band’s success. Do you agree?

 

Definitely. It has very important for us to keep this band together. When we started there were a lot of people, especially in Holland, laughing because they thought that it was a band of people with big egos (because of our other bands) and they also thought that Hail of Bullets wouldn’t pass the six-months mark because we would have fights etc. Seven years later and we’re all together.

 

It’s really important for this band to have these five people together because this is really a strong group.

 

The World Wars has been the theme for this band since the very first moment. We are now in a very complicated political, social 1006161_10151716553199658_1643533588_nand economic situation. Can you find similar aspects between these two eras? Do you see the human race committing the same fucked up mistakes?

Sometimes you almost think that another World War would be the solution, but of course it isn’t… It’s stupid, actually. I think there are differences between the two eras. Back then you had people fighting each other and now you have the war inside of each country with the terrorism and we’re talking about wars that no one can actually win. And yeah, I believe that the human race will never learn with the mistakes from the past. It’s a fucking cycle.

 

 

 

 

 Hail of Bullets on Facebook

 

Tiago Moreira


The Moonhorse from Sweden – An Interview With Avatarium


avatarium album coverLeif Edling always had a very creative mind, proving it not only in his main band, Candlemass, but also in the various project that he has been involved through the three decades that he was been active as a musician. Avatarium, his latest project, it’s another slab of doom music but now with a great female voice of Jennie-Ann Smith, the vocalist that talked with us about this self-titled debut album of the Swedish band, and about everything involved in that process, even her own experience has a musician.

 

There isn’t much information about you. What can you tell us about your journey as a musician?

When it comes to music, I been working with music since a very young age in various projects, but I come from a more ordinary rock background. Growing up I been listening and singing soul, rock, blues and jazz. If you look at my preferences and the way I sing, I would say that I come from an American way of singing, but that’s just my background in music. But music is so much more and you can get inspiration of so many things in life, you know? Yes, I work with music and I’ve been doing for such a long time, but I also work as a psychosocial counselor in one of the major hospitals in Stockholm, so I would say that I get inspiration through meeting people in different situations and in different stages of life.

How did you enter in Avatarium and what were your first thoughts about the all project?

It started with Leif [Edling, bass]. Leif was creating new songs and he contacted Marcus [Jidell, guitar] – Marcus has a studio here in Stockholm – and they met and started to arrange the music. After a while they started discussing what kind of vocals would fit the music. I know that Marcus was interested on having someone that sounded more like Robert Plant-ish, and the person that he could think it was me… Of course that’s very flattering for me. [laughs] I know they were looking for a male singer at first, but they couldn’t find one that was a good fit for the project so I got the question. I remember of going to that studio… It was not an audition situation. They had these demo songs, unfinished, and we started and the all experience was wonderful. There was a natural kind of feeling in the process, you know? They loved my input and we continued.

You had total freedom, doing the vocals?

Yes, which was quite amazing? Leif had written the material but I would say that he’s really open-minded and really generous. Every member of this band, involved in this project that is Avatarium, received free-hands… Of course we discuss music and I even asked for the guys opinion, but yeah, I had total freedom to do my vocals and my own interpretation.

There was a clear vision of how the band should sound since the inception of the band?

In general it was, like I said, a very creative process. A great creative atmosphere in the studio. I’ve been more engaged on the vocal arrangements, of course. But I was also involved in the production and we discuss the types of guitars, what kind of keyboards we wanted from Carl [Westholm, keyboards], etc. It has a process with a lot of freedom and discussion and that is, in my opinion, very important to have in any kind of project.

Personally, how would you describe Avatarium?

Well, I would describe as… First, musically has being really interesting. From me, coming from a different background, I would say that even if was not involved in this project I would quite amazed by the music because it contains a wide range of music genres, moods and temperaments.

I know it’s a tough question but can you choose your favorite song of the album?

Of course I like all the songs in the album, in different ways, but ‘Moonhorse’, which is the first song on the record, because of the beautiful melodies and the very poetic lyrics… That one is really exciting for me. Maybe it’s my favorite, but there’s also another song that I really love, it’s ‘Pandoras Egg’ because I love how the vocals turn out to be.

 

avatarium band shot

 

What can you tell us about the lyrics? It was easy to make them your own, in a way?

That’s a really interesting question. When it comes to lyrics I would say that maybe it would be wrong, from me, to do interpretations and what it means for me. I would say that these lyrics are really poetic and quite romantic, in a way. Everyone that listens to them will have their own interpretation because of the poetic side that I mentioned. That’s why I love Leif’s lyrics.

They are all quite different and of course every song deserves a personalized treatment, I would say. For me it really depends on the melody and how the lyrics fit in the melody. Of course some songs were easier to relate.

What can you tell us about the artwork?

We discuss the artwork together and we had a bunch of different opinions about how we wanted this to look and how we wanted to “feel”, you know what I mean? In general I was just focus about the artwork reflecting the music. We gave the artists total freedom to do what he felt to be right for Avatarium’s music. Basically it was the same process with the artwork and with the music: total freedom.

Any plans on going with the band on tour?

Yes! If you ask me, of course. I would love to be on stage and play live. But yeah, there have been discussions about where and how to start. I don’t have any bookings that I can reveal this, but yeah we’re trying to put this band on the road as soon as possible.

What about new music?

Well, we discuss the possibilities of, mostly me and Marcus, being more involved in the all creative process and bring new song ideas to the table. Trying to have a more collaborative process. We are very proud how the album turned out and I can also feel… [pause] I know this will sound a little bit strange, but somehow I’m really surprised to see how amazing these songs are, and even the way we found our roles in the all process. I mean, the all process was so easy-going and all of a sudden everything was finished. Sometimes the creative process can be very painful and slow, but in this case it was so easy and so much fun.

 

Avatarium on Facebook

 

Tiago Moreira

 

 


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