ALBUM REVIEW: Neal Morse – The Dreamer – Joseph: Part One


 

This latest release from Neal Morse certainly doesn’t lack ambition – a prog rock opera, the sixteen tracks run for an hour plus, and this is only the first part of his musical version of the Biblical tale of Joseph, the coat of many colours, dude.

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ALBUM REVIEW: Jason Bieler and The Baron Von Bielski Orchestra – Postcards from The Asylum


 

It’s only been two years since the release of the first album from Saigon Kick’s guitarist, Jason Bieler. Containing an eccentric mix of music accompanied by a star-studded cast of other musicians, Bieler created an experimental medley of rock and progressive sounds. Now Bieler is back with the rest of The Baron Von Bielski Orchestra to do it again and delve even further into the peculiar sounds previously explored. While the debut dipped its toes into the eccentricity, it seems the band are looking to fully submerge. The main question lingers, whether it is odd for art’s sake or just odd for odd’s sake.

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ALBUM REVIEW: Trevor’s Head – A View From Below


 

Trevor’s Head are self-described as the most exciting thing to come out of Redhill, Surrey in three centuries. Without being a local, a quick investigation suggests little of note from the town bar the Foundling Museum setting up a school in the 1920’s and the construction of the M23 Motorway nearby during the seventies (thanks Google) and very little else of note, so this is most certainly a tongue in cheek boast. It is one that certainly sells the band short however as evidenced on the intriguing genre-melding on display on their latest album A View From Below (APF Records).Continue reading


ALBUM REVIEW: Megafauna – Olympico


Thirteen years later this band from Texas continues to evolve their sound. Now six albums into their career, they have not  lost their taste for weirdness as their singer is quick to declare that it is “time to say goodbye to normal people “. 

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ALBUM REVIEW: Crown Lands – Fearless


 

Crown Lands claim the crown with this truly fearless album. Which crown? The crown of the New Kings of Progressive Rock. This virtuoso, exciting and engaging Canadian duo – guitarist/bassist/keys player Kevin Comeau and singer/drummer Cody Bowles – have delivered a record that, if you hold any prog in your soul, will leave you smiling from sated ear to sated ear. It’s also a record full of ideas, that will make you think, that fulfills its promise, and is well worth the wait – how many albums can we say that about? As Bowles sings on ‘Context’: “If life is a wheel/ Please let it spin/ And doors that may open/ Please let me in …” You’re in guys, you’re in.

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