A couple of weeks ago I added Kataklysm’s latest single ‘Die as a King’ to the rotation on my radio show – The Stress Factor, Thursdays on 91.5 WUML Lowell, by the way, and a fellow DJ asked what I thought of their latest tunes. “Well, it’s definitely Kataklysm” I fired back almost automatically. He nodded and was on his way as if we both immediately recognized that was not a slight towards the band.
Ghost Cult recently caught up with Zachary Ilya Ezrin of Imperial Triumphant over Zoom ti discusses their new album Alphaville, which is due out July 31st, 2020 via Century Media. Zachary discussed the surprising global acclaim of Vile Luxury, the creation of the new album, how Zach – drummer Kenny Grohowski and bassist Steven Blanco approach composing, the theme of the new album, working with guests such as Tomas Haake (Meshuggah), Phlegeton (Wormed) on guest vocals, Yoshiko Ohara (ex-Bloody Panda) as part of the choirs, RK Halvorson as part of the Barbershop quartet, Sarai Chrzanowski as part of the choirs, Andromeda Anarchia (Folterkammer, Dark Matters) as part of the choirs, J Walter Hawke on the trombone, and Colin Marston on guitars, choosing the distinctive cover songs that close the album, opinions on other costumed groups such as KISS and Ghost, and what comes next for the band. Pre-order Alphaville here and check out our chat. Continue reading
Bless the Earth With Fire (Static Tension) is a relatively short first album from Rochester UK quintet Allfather but, my God, is it an utter brute. Played at a largely sedentary pace, the Sludgy sensibilities are offset by Hardcore-flavoured guitars which boot the monstrous bedrock squarely up the arse at frequent intervals.
Opener ‘Raskolnikov’ is the first of four fairly brief tracks which nevertheless crush boulders whilst fired with a rampant anger: its howling solos giving the bone-grinding, occasionally shredding riffs some emotional substance and lightening the slurring emphysema of vocalist Tom. The repeated roar “I’m a murderer!” is truly nerve-twanging, the rhythm and squall rising in turn to give the full threatening effect.
It’s a sound that brings to mind the bludgeoning hostility of Hang the Bastard, whilst possessing more invention and vitality. Follow-up ‘The Bloody Noose’ displays more vicious weight before dancing buzzsaw riffs awaken a marauding monster, sure to whip up pits everywhere. The Hardcore Thrash of ‘Mouth of the Beast’ subsequently rips along yet retains a remarkable heaviness, its colossal coda terrified by manically squealing leadwork; whilst the diseased Stoner of ‘Dark Actors’ attracts comparison to High on Fire, almost matching the Californians’ mammoth intensity with a mid-section of pulverising riffs and drums.
The rather splendidly-titled, eleven-minute closer ‘Death, and Hell Followed With Him’ is an epic which again displays the full flourish of the band’s creative hand. Wonderfully emotive and often atmospheric without ever losing potency, and with a perfectly timed quickening, it does however highlight the slight flaw in the make-up. Tom’s unflinching scour is often suited to the task yet sometimes appears tired and limited, always seeming more effective when the scream is employed – which is all too briefly. Thankfully here it’s overshadowed by marvellous instrumentation which gives fans of all Metal persuasions something to revel in.
The Bandcamp version has a bonus track, ‘Blood Red Sunset’, which barrels along at a medium pace, its devilishly groovy riffs and wailing solo ensuring rambunctious fun. Altogether Bless the Earth With Fire displays Allfather’s near-ideal balance of Goliath’s size and David’s lightning-quick devastation to the full.
7.5/10.0
PAUL QUINN
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