Thirteen years later this band from Texas continues to evolve their sound. Now six albums into their career, they have not lost their taste for weirdness as their singer is quick to declare that it is “time to say goodbye to normal people “.
Tag Archives: Experimental Rock
ALBUM REVIEW: A Wilhelm Scream – Lose Your Delusion
It’s been nine years since A Wilhelm Scream released Partycrasher – an eleven-song banger of an album that expanded upon the hardcore sensibilities of its predecessor Career Suicide. Now, after nearly a decade of touring, the New Bedford, MA progressive punk quintet has finally offered some fresh material with their newest release Lose Your Delusion (Creator-Destructor). Continue reading
ALBUM REVIEW: King Gizzard and the Lizard Wizard – Chunky Shrapnel
If you clicked the link to read this review is because somehow you have heard about King Gizzard and the Lizard Wizard, or because the name was too odd for you to pass on discovering what the hell Is a band called liked that being covered in a Metal magazine, well let me first tell you that this band with the weird name released the critically acclaimed Thrash Metal album Infest the Rats’ Nest (Flightless Records) in 2019 which added a new genre in their vast catalog of albums that include a wide range of genres that go from psychedelic to garage, to progressive rock, among others. On the other hand, if you have heard King Gizz, you know exactly what I’m talking about and you probably agree with me that this band is one of the most creative musical acts in the world at this moment.Continue reading
ALBUM REVIEW: Pinkish Black – Concept Unification
I basically came out of the womb listening to music. I was lucky enough to be one of those children that grew up being exposed to a multifaceted plethora of music genres. Today, when I started listening to the new album by Pinkish Black, Concept Unification (Relapse Records), I was caught up in a wave a delightful nostalgia. The music flooding my ear holes, created by the Fort Worth Texas duo of Jon Teaque and Daron Beck eerily reminded me of the solo work of one of my favorite bassist of all time, John Entwisle. Entwisle did an album in 1972, titled Whistle Rymes (MCA Records), that I feel the new Pinkish Black album echo’s. What am I trying to say here? I am saying that Concept Unification is fervently grandiose. Continue reading
Yawning Man – Macedonian Lines
Is there anything a band can really do without? Drummers and bassists are indispensable. Guitarists summon the magic and give the punters something to throw things at. Keyboardists? Well, sometimes they’re OK. The dude with the bagpipes? Folk Metal is the new Sex.Continue reading
Ex Eye – Ex Eye
Ex Eye’s self-titled album (Relapse) is something extraordinarily different, so hold on to your hats and brace yourself! The soon-to-be-legendary group consists of renowned, experimental saxophonist Colin Stetson, Greg Fox on drums, Shahzad Ismaily on synths and Toby Summerfield on guitar and these dudes will literally blow your mind!Continue reading
Puscifer – Money Shot
While most of the rock world is patiently awaiting the next Tool album, Maynard James Keenan has released yet another gem from his (sort of) solo project known as Puscifer. Money Shot (Puscifer Entertainment) is the third full length release from MJK and has quickly shot up the list of my favorite albums of the year. This record provided proportionate doses of both your typical instrumentals with a more percussive feel as well as the electronic, manufactured sound. Probably one of the most important elements outside of Maynard is the returning second vocalist, Carina Round. As Ghost Cult’s own Keith Chachkes said of Carina, “She is the yin to Maynard’s yang.” Money Shot only adds evidence to that claim as Round and Keenan once again make magic.
I always found it hard to pick out any favorite tracks when listening to new albums from any of Maynard’s projects and this album followed in the same fashion. Each song on Money Shot is truly one of a kind with their own personalities almost. Opening track, ‘Galileo’ , kicks off the record with a very spacey feeling song which is suiting of its title. This song is slightly more electronic then rock but still showcases both sides of Puscifer in an enjoyable five minute opener. ‘Simultaneous’ is half spoken word/story over crescendo instrumentals and then spills into lyrics. I found the story itself to be the best part of the song. The story is being told by a man who tried holding a conversation with someone else who was mostly too wrapped up in the music on their walkman. It is not until the batteries stop dying that this person finally starts giving his undivided attention to our narrator. At which point, the man grabs hold of the narrator and tells him that world peace cannot be obtained until three people simultaneously look each other in the eye. ‘The Remedy’ is another solid cut from this album and which really resonated with me both musically and lyrically. Instrumentally, the riffs in this song, especially in the second half, get my hair to stand straight up each time I listen. The lyrics take a big shot at people nowadays that have that entitlement feeling about themselves. Specifically, one passage of the song has Maynard mentioning that a person is speaking “like someone who has never been… smacked in the fucking mouth. That’s OK, we have the remedy.” I am sure many listeners can think of a time they had to deal with some snotty brat that thought they were better than you. Now if only we could deliver such a remedy to said asshole such as the one mentioned in this song.
From start to finish, Puscifer delivers money shot after money shot in the form of aural enjoyment. There is enough variation across the album that there really is something for everyone here. Keenan and Co can continue to be proud of their work after yet another successful release. So, instead of pounding away at your keyboard on social media bitching about the next Tool album, maybe you should hit up YouTube and try out Puscifer.
9.0/10
TIM LEDIN
Desert Storm – Omniscient Masters
If the adage “times flies when you’re having fun” has any sort of current validation then Oxford’s Desert Storm must be having quite a lot of fun as this is, almost unbelievably, their third album. Following a debut record, Forked Tongue (independent/self-released), that showed a huge amount of promise, a second album (Horizontal Life) (Blindsight) that pretty much said “yes, they know exactly what they are doing: more please”, the band’s bluesy, riff hungry, gnarlier-than-you take on southern influenced blues/sludge rock suggested a band with its heart and its head in deepest Missouri as opposed to the English home counties.
For this third album, the enigmatically titled Omniscient Masters (Blindsight), the word “experimentation” occasionally springs to mind, although, worry not, the departures are more nuanced than truly startling- they haven’t gone all One Direction on us, for example. Omniscient Masters is the sound of a band feeling like they need to stretch their creative legs a bit, whilst continuing to deliver slab after slab of riff-tastic blues rock.
To these ears, Omniscient Masters is an album that owes something of a creative debt to Orange Goblin. As any fool know, there’s not much wrong with that and so it proves on the splendid and splendidly titled ‘Collapse of the Bison Lung’ which is stirring and heavier than a lead and iron sandwich. You won’t need a post-graduate qualification to know what ‘Queen Reefer’ is all about and ‘Outlander’ is dirtier than a post festival wardrobe. So far, so familiar and so very welcome. There is a very Anglo-Saxon sense of humour running through ‘Nightbus Blues’ and its very recognisable tales of that 4am walk home from a session too far will doubtless be familiar to many readers although I’m less sure how well this translates to an international audience.
Those highlights apart, the rest of the album is not quite up to scratch and, as a long time watcher of the band, I worry that this is going to end up as a missed opportunity. Omnisicient Masters is good but it’s not great and I so wanted it to be great. I rate this band; they’ve got a certain something that is genuinely worth championing. I can’t help but think that with a bit more work and a producer like, say, Andy Sneap working with them, we would have had a little bit more judicious editing and a bit more forensic focus on the execution; as it stands, Omniscient Masters is ok when it should have been K.O. Plenty of credit for the experimentation, but points deducted for the execution; a veritable curate’s egg, then. If your curate is a metal head, of course.
7.0/10
MAT DAVIES
INTERVIEW: Interpretations Of Brilliance – Mat Mitchell of Puscifer
In genetics, mutation is said to have neutral, positive and negative effects. Mutation is necessary for the evolutionary process of beings. A mutation is also said to be a permanent change, often radically altering what was, to create what will be. In music, artists often give life to songs, and once they are recorded, they vary little from that “final version” the artist and their audience grows accustomed to. For the project known as Puscifer, Maynard James Keenan (also of Tool and a perfect circle) prefers to release new music and then re-imagine the songs into other states, also sometimes yielding radical results. Ghost Cult caught up with one of the main conspirators of the band, Mat Mitchell, about the bands’ new album All Re-mixed Up (Puscifer Entertainment). All Remixed Up takes up the challenge of revisiting the entire Conditions Of My Parole album and creating something new and different.Continue reading
Death Hawks – Death Hawks
By sheer coincidence, and I swear this is true, as I sat down in the late afternoon sun in my back yard to write up this review, a hawk swooped down on a flying pigeon right before me. The pair plunged to the ground and over the next ten minutes there was a terrible flapping, shrieking, and a slow, torturous death. At one stage the hawk looked at me for a while, as if warning me not to interfere, and once its prey was dead, launched itself skyward once more to find a place to feast on the warm body.Continue reading