For my money, there is no better Death Metal vocalist than Karl Willetts. There is just something about it that just feels like “Classic Death Metal”. His delivery is always on point with the perfect blend of raw power and intensity. His time and contribution to the one and only Bolt Thrower were nothing short of incredible. When the band broke up in 2015, Willets along with Benediction bassist Frank Healy quickly formed Memoriam the following year.
What was the first bit of heavy music you ever heard in your life? Did you level up, gaining mana from the ear-peeling riffs and shouts? Lovers of extreme metal surely have had experiences like this in their lives, where their entire world is tossed upside-down a new band, or a clutch of new demos from an emerging scene. This is how my ears felt hearing Grief Symposium, with a new take on the Death / Doom sub-genre with their debut, …In The Absence of Light (Church Road Records). Although mysterious and secretive, they did not set out to reinvent extreme music, but rather invent themselves, and a sound that should echo for a long time.
I have a long held belief that predictability is underrated, and it ties in here with the rise in credibility once more of the concept of mono-tasking… rather than the futility of being merely competent in several disciplines there is something to be said in the mastery of a point of focus, and delivering again and again in that field. These words need to be framed with a context that this is not damning with faint praise or providing criticism, but acknowledgement that Unveil In The Abyss (Xtreem Music), the seventh full-length from doom / death stalwarts Desecresy, follows the patterns and symbols laid down by its predecessors, and does so to the expected standards sole contributor Tommi Grönqvist has long established.