Battlecross, Allegaeon and Necromancing The Stone are paying homage to military veterans later this year on The Winter Warriors Tour. Continue reading
Tag Archives: Battlecross
GWAR – Battlecross: Live At Webster Hall
The last time I saw GWAR and Battlecross together in New York was in 2013 with Oderus Urungus (RIP). It took me awhile to get adjusted to the change and I was nervous about the future. With this tour being a part of their year-long 30th anniversary celebration. It was time to see a return to the slavepits.
Skya opened the show with their brand of hard rock. Solid band with catchy riffs. Battlecross knocked it out with probably their best NY show to date. With new drummer Brian Zink in tow, they hammered a selection of through three albums worth of thrashers. With extra time in their set due to Born of Osiris dropping off the tour because of an injury. GWAR guitarist Pustulus Maximus joined them for a suped-up rendition of Pantera’s ‘Fucking Hostile’. You can never go wrong with Pantera.
For the headliner tonight, it’s GWAR vs the internet and all types of social media. Going after Twitter to Tinder; no one is safe. GWAR has always been a multi-headed beast and it has never been more prevalent than now with both Pustulus and Balsac, The Jaws of Death stepping up with more vocal duties. New singer Blothar sounds great on the newer songs like ‘Madness At The Core of Time’ and ‘Bloodbath’, as well as classics like ‘Saddam A Go-Go’ and ‘Sick Of You’. The return of ‘Sexecutioner’ was met with joyous roars from the crowd. They played a varied set from songs from their whole career and sounded just as tight as ever.
It’s been said that GWAR by design is a band meant to last a thousand years and can continue on into the next century and beyond. They have some rough edges they’re working out, but that’s expected. The future of GWAR looks bright and I’m excited for what’s next.
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WORDS AND PHOTOS BY OMAR CORDY
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Knotfest 2015: Live At San Manuel Amphitheatre in Devore, CA.
Slipknot brought back heavy music into their brand of a festival called Knotfest once again to Southern California as they packed two days (plus a VIP only Friday evening event for campers) full of headbanging and mayhem at San Manuel Amphitheatre in Devore, CA.
The VIP pre-party show consisted of brief sets by Khaotika, Motorbreath, Rings of Saturn and The Faceless, while Sepultura became the main focus of that evening, performing many longtime favorites from their 30th anniversary tour, such as ‘Refuse/Resist’, ‘Arise’ and ‘Propaganda,’ while working on a few of the newer songs such as ‘Choke.’
Saturday’s main stage led the charge with the return of Pepper Keenan with Corrosion of Conformity, working in favorites such as ‘Clean My Wounds’ and ‘Albatross’; then Trivium and Mastodon both brought out powerful sets of powerful guitar driven hard rock leading into Korn’s semi-setlist of their début self titled album (ie they played only half of the album but they still brought their usual powerful live show) while working in other favorites like ‘Freak on a Leash’ and ‘Falling Away From Me.’
Headliners Judas Priest came out strong with a cross-section of newer songs such as ‘Dragonaut’ and ‘Valhalla’ while working in longtime favorites such as ‘Breaking The Law’ and ‘Hell Bent For Leather,’ as well as ‘Turbo Lover’. Following a strong showing on their previous tour, they did not disappoint and showed that after all of these years they can still deliver classic metal the right way.
Unlike the 2014 edition, Slipknot only played one day instead of both days, and they brought back the mini roller coasters and the Slipknot museum for attendees to enjoy. Another addition to this year’s edition was the Extreme Stage with such bands as Kataklysm, Abysmal Dawn, Belphagor and Inquisition living up to their musical brand and the headbangers representing as well.
The only band who did not quite fit the stage was Chilean-Canadian alternative-metallers The ReAktion, where their synth-driven riff metal was something fans grew accustomed to but was greatly out of place on that stage. The early set time worked in their favor on Sunday, with fans enjoying sightings of Slipknot DJ Sid Wilson around their set. Despite that, their eclectic sound was refreshing and somewhat interesting to see how they evolve from here.
Slipknot vocalist Corey Taylor made a brief appearance with fellow Iowans Green Death during their brief set later on Sunday. Fans got acquainted quickly with the band despite their lack of recognition prior to the show.
Stages 2 and 3 were placed on the revolving stage where bands could get going much easier. Saturday’s set began with Battlecross, Red Fang and Goatwhore getting early set calls, but the packed crowd showed up to rock out with each band. Even the well publicized Josh Barnett joined in the pit action early on.
Veteran metallic hardcore outfit Earth Crisis brought back memories of their appearance of Ozzfest 1996 at this venue. Other highlights included At The Gates’ aggression driven set, while Body Count plowed through their set of classics (despite minor technical difficulties with Ice T killing time with his attempt at telling jokes on stage). GWAR capped out the stage with their usual antics and over the top stage show, moving forward post Oderus Urungus (a.k.a. Dave Brockie).
Sunday’s main stage opened with Ghostface Killa and Mobb Deep’s brief old school hip hop set that attracted curious onlookers, while Clutch came in with their usual power riff rock set that their stripped down stage show appeared a bit bare for such a large sized stage.
Bring Me The Horizon’s updated stage show and sound definitely caught the attention of the crowd with their LED powered backdrops with the letters to SPIRIT aligning with each word of their opening song ‘Happy Song.’ Frontman Oli Sykes had the crowd moving along with his commands, and kept the show entertaining. Plus their newer synth oriented melodic rock sound on songs like ‘Throne,’ and ‘Can You Feel My Heart’ made their live show much more anthemic driven tunes for the crowd to sing along to. Even with the older heavier songs like ‘Chelsea Smile,’ Bring Me The Horizon showed that they have a full arsenal within their bag of tricks and is no surprise why they have the attention of the hard music world.
When Slipknot took the stage, they unveiled their new stage setup that resembled the carnival from hell, and they took charge from the opening minute. Opening with ‘Sarcastrophe’ and leading into ‘The Heretic Anthem’, Slipknot was on a mission to show why they are one of the biggest hard acts on the planet and can command their own festival. They even worked in ‘Me Inside’ (which they have never played live before apparently) and ‘Eeyore,’ giving the crowd more to get manic over.
The second and third stages on Sunday featured hard rockers Devour the Day and Kyng giving the crowd energetic melodic rock to nibble on, while semi-hometown favorites Snot got the crowd rocking with selections from their Get Some album while paying tribute to their late singer Lynn Strait.
Helmet, All That Remains and Beartooth all plowed through power sets of rock and metal that got the crowds working up a sweat, while led into the massive stampede of fans eagerly awaiting Cannibal Corpse and Suicidal Tendencies to perform. Cannibal Corpse simply owned Knotfest’s second stage and possibly had the largest crowd of headbangers and mosh pit participants of any act, which bled into Suicidal’s already veteran LA punk rock fan base. Overall, the insanity that came with those acts simply made the observing that much more enjoyable.
Overall, Knotfest 2015 brought together a strong collection of acts within the heavy music world once again and gave fans something to be excited about. After two consecutive years, hopefully Knotfest will continue to be an annual event (or something close to it).
PHOTO SET DAY 1:
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PHOTO SET DAY 2:
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PHOTOS BY MELINA D PHOTOGRAPHY
Festival Preview: Knotfest
Slipknot’s Knotfest is taking over, and if you have doubts about this I feel sorry for you. Growing to new locations and opportunities, Slipknot continues to grow their brand and the legend of these concert events. Taking place this weekend at the San Manuel Amphitheater and Festival Grounds in an Bernadino California, kicks off tonight with a private pre-party for campers ad VIP’s with performances from Sepultura and The Faceless among others. In addition to camping and vendors, this year’s Knotfest has crazy attractions like the Knotfest Museum, Street Drum Corps Blood Drums Experience, Thunderdome – Fire Area, Ring of Fire Carnival Ride, Flaming Carnival games and more.
Music is the thing that makes Knotfest come alive and Saturday is headlined by the mighty Judas Priest prepared to put on their legendary stage show. Followed up by Korn, who is in the midst of their debut album, 20th anniversary. Next on the main stage is Mastodon, followed by Trivium, COC with Pepper Keenan and a surprise special guest TBD.
The #2 and #3 stages for Saturday boast the likes of GWAR, Earth Crisis, Body Count, Goatwhore, At The Gates, Red Fang, Born of Osiris and Battlecross. Meanwhile the extreme stage has Kataklysm, Inquisition, Her Name In Blood, Belphegor, Abysmal Dawn, and Khaotika. Plus there is a Headbang for the Highway Stage sponsored by Zippo.
Sunday is no less impressive with Slipknot putting on their typical astounding show. They have out done them selves in every edition, and this should be no different. Bring Me The Horizon has possibly the biggest album of the year on their hands and are in the penultimate support slot appropriately. Rock giants Clutch follow closely along with Mobb Deep and Ghostface Killah.
The eclectic and star heavy second and third stages have bands such as Suicidal Tendencies, Beartooth, Cannibal Corpse, Snot, Helmet and Devour The Day. On the extreme stage legends Dying Fetus with have a chance to show fans how real technical death metal is done. They are joined by Internal Bleeding, The Reaktion, Disgorge, Green Death and Kings of Carnage.
You can still get tickets for Knotfest here:
Battlecross – Rise to Power
American thrash metallers Battlecross are back with their fourth album, Rise to Power (Metal Blade). The band, fronted by Kyle “Gumby” Gunther [vocals], have always shown little regard for dwelling on the same for more than a moment or two, but push it even further for their latest effort.
Anyone who has heard 2011’s Rise to Honor or 2013’s War of Will [both Metal Blade] knows that these guys are a seriously talented bunch of musicians, but Rise to Power feels like a step back, one that’s lacking what little focus that was there to make earlier albums enjoyable. Instead we’re given 10 tracks of largely repetitive, identical thrashcore by numbers. It’s competent stuff, but a largely tuneless mess of riffs and screams that smacks of throwing a lot of noise at a wall and seeing what sticks. It’s not a huge step away from their previous albums, but it’s just not that enjoyable.
It’s hard to pin down exactly what Battlecross sound like. Opening track ‘Scars’ boasts some enjoyable 80s speed metal leads somewhere in the final third, before ‘Not Your Slave’ strays into Lamb of God-lite groove with a bit of melodeth segwayed into the middle. ‘Spoiled’ could almost pass for early Megadeth before jumping off into classic In Flames territory. While they cover a lot of ground and amalgamate plenty of styles into their music, they never really settle on a definitive “Battlecross© sound”.
When they are good, however, Battlecross create some really enjoyable music. Unfortunately they throw in so much derivative chaff that it’s hard to pick out standout tracks; each one usually features a good riff or two and the solos are of the highest quality – ‘Spoiled’ is the best example of the quality leads this band are capable of – but it’s all quickly lost in the maelstrom.
With each track hovering around the three-minute mark, Rise to Power is mercifully short at only 35 minutes. If you like bands that make a lot of the right noises and take a machine gun scatter approach to riffs, Battlecross are probably for you.
6.0/10
DAN SWINHOE
Audio: Battlecross – Rise To Power Full Album Stream
The new album from Battlecross, Rise To Power drops this Friday, August 21st from Metal Blade Records. The band has now shared a full album stream, which you can hear at this link:
Rise To Power track listing:
1. Scars
2. Not Your Slave
3. Absence
4. Spoiled
5. The Climb
6. Blood & Lies
7. Bound by Fear
8. Despised
9. Shackles
10. The Path
Battlecross will be undertaking a brief headline tour of record release shows, before joining up with GWAR and Butcher Babies for another slew of dates.
Battlecross record release shows:
Aug 21: Token Lounge – Westland, MI
Aug 22: Reggies – Chicago, IL
Aug 23: Center Stage – Kokomo, IN
Aug 24: Agora Ballroom – Cleveland, OH
Kyle Gunther of Battlecross Talks New Album Goals
Battlecross has made inroads in recent years with their hard work ethics and promoting their brand of Blue Collar Thrash Metal onto the music world. With the release of their latest album Rise To Power, they have shown how overcoming the rigors of the road alongside writing material that shows a gradual evolution of the band’s sound over the years.
During their last album cycle for War of Will, they learned quickly about the realities of touring and getting financial support behind it. They became one of the many artists tackling crowdfunding to get out on the 2013 Rockstar Mayhem Festival Tour and the realities surrounding it.
On the new album, the band has set new goals so they can take the next step up. “The goal for this one is to buy groceries. That is the goal for this one,” said frontman Kyle “Gumby” Gunther.
“We’re not doing that [crowdfunding] any more. We did that when we had to do that. It sucks that bands had to do that. It sucks that bands do that just to do it. We did it because we had to do it. We wouldn’t have been able to do Mayhem [without it].”
“Crowdfunding is great if you do it for a reason but if you do it to do it, I think you’re an asshole. On this album, we’re just trying to cement Battlecross. It’s album three. This is the one that should be taken well and everyone should be like ‘alright they didn’t go pussy and they’re bringing thrash,’ “ he added.
Gunther gave business tips for all aspiring musicians who are either in similar situations or simply looking to get their bands going.
“We are a one out of a million – I’ll say that. We had to pay out pocket for a lot of shit. If Hiran [Deraniyagala] didn’t have perfect credit and a college degree, the goal to put up all of his assets up for Battlecross to make it, you’re not going to make it. Go to college, get a real job and then hopefully one day you won’t kill yourself.”
“It’s not easy. You’ve got to do because you love it. Period. You’re not going to make any money off of it. It’s going to be trying on you and your family and all of your relationships. If it’s who you are, you’re going to be fine.”
“So all of these people who’re like ‘oh I’m gonna make it! I’m gonna have girls suck my dick and make so much money and travel all over the world. It’s going to be awesome!’ Oh well…half of that’s true.”
“I don’t want to sound like I’m being a killjoy to new bands. I am jaded by the way from the road.”
Despite the hiccups along the way, Gunther has received some praise from other musicians, especially when it came to finding tours.
“It’s also really cool when Matt [Byrne] from Hatebreed was like ‘hey we’re gonna hook you guys up for a tour…but you already have a tour! You’re always touring.’ So that’s actually a really big compliment for me from the Hatebreed dudes.”
Road Tested: Kyle Gunther of Battlecross
Battlecross is part of a new breed of modern thrash metallers who have earned their stripes through constant touring and attracting new fans along the way. Since their beginnings in 2003, the band has built their brand from the ground up, and never looked back.
They have completed recording their forthcoming album Rise To Power (out August 21, 2015 via Metal Blade Records) and are about to complete their Los Angeles stop on their now completed North American tour supporting Crowbar. Frontman Kyle “Gumby” Gunther, nursing a sore back, talked about the tour after their longest time off of the road in a while.
“The Crowbar dudes are extremely awesome. They’re always out and always doing something there. They invited everyone on the bus a couple of times. We rarely see a headliner that acts like that. They’re really awesome dudes. The show’s been good. No bum nights yet,” he said.
“In the last four years, these past four months is the longest I’ve been at my house. We try to keep a seven or eight month tour schedule every year. We’ve hit that three out of four years.”
Coining the tag “blue collar thrash metal,” Battlecross are notorious for being road dogs, but also are constantly writing new material for future releases.
“They write on the road. It’s pretty much Tony [Asta, guitars] and Hiran [Deraniyagala, guitars] write riffs and Don [Slater, bass] would write a song. Alex [Bent] would put his drums on it and I’ll try not to suck at lyrics,” he said, sarcastically.
He shared his writing process entering Rise To Power, and his approaches towards song topics. “[I write about] just everyday life. I don’t write mystical, stupid ass songs. That’ll never happen. I write songs about everyday life, and a lot of Game of Thrones references are going to be on the next album. I wonder who’s going to call me out on it? I went HARD into Game of Thrones.”
What part of Game of Thrones inspired the writing on Rise To Power? “I love the Starks. Any story with the Starks in it is awesome. I named my dog Aria. Me and the old lady were trying to trick the kid into naming it Aria. He’s like ‘I don’t want that name!’ Yes Caleb [Gunther’s son] – that’s what we’re naming it.”
While that is a small piece of what went into the new album, Gunther shared more about what was running through his mind towards lyrical topics.
“I’ve got uplifting songs, and songs about the government and how it sucks. I’ve also got songs about how people suck – how they’re sheeple. My kid doesn’t take it sometimes very well when I go on tour and takes it out on me. I get that but it still hurts. I took that into consideration for one of the songs. We all leave home and we all leave our loved ones. So that’s what the song ‘Absence’ is about. It’s going to be our first music video. ‘Not Your Slave’ – pretty much self explanatory. I’m not your slave. You’ve got people that are like ‘my view is this’ and ‘my view is that.’ They don’t understand that you have a view as well and you’re entitled to that view. I appreciate everyone’s view but fuck off. I’ve got my own.”
Their homebase of Detroit also becomes an inspiration for them as they watch their surrounding suffer through tough times. “Detroit was once known for working its ass off,” said Gunther. “We defeated the Nazis. Now the state’s left in shambles. Dow Chemical runs the thing and it sucks but whatever. We have a good time at it and we take that work ethic and go forth with it. I grew up in the Michigan that was the best state in the union. I’m not a rich ass kid but we didn’t go without. I would have been the sixth generation to work for General Motors, but then they left all of the jobs to go to different countries.”
The band returned to Audiohammer Studios to work with the production team of Jason Suecof to work on the new album. Being this is their third album, they have found ways to work together without changing too much of the chemistry between them.
“We did it the same way we’ve done all of them. Jason Suecof and Mark Lewis did a bang up job on steering us in the right direction. They didn’t change anything. They were like ‘why don’t you try this?’ That worked out killer,” he said.
“It’s fun watching two people with ADHD try to work together. Sessions are long. Fortunately enough, he had a band cancel after not being able to obtain visas when they had their time booked. He’s like ‘well I have this time open…’ [He] readjusted the pay and went on from there. We got an extra three weeks out of him. That was fucking awesome.”
Being known for their craziness in the studio and some well documented antics involving musicians being thrown in the pool at the studio, Gunther shared his own experiences. “I actually had to go swimming for my phone in the pool. It took two of the biggest bounces I’ve ever seen a phone take into the pool. So it was a cold, rainy night and I was like ‘ah fuck it.’ I went in the pool.”
Battlecross has now reached a pinnacle moment in their careers, and now they have placed various personal challenges on this one after setting the building blocks on their careers from the first two albums.
“I only got to write one song on the first album,” said Gunther, looking back on the Pursuit of Honor. “They wrote that album over six years. That first album was no first album. It’s like ‘are you going to take this one? Sweet…’ We don’t have to write a new one. I was the new guy at the time. Take that and it’s like you wrote songs as a local band because you love to do it and that’s what you’re doing.”
“When we had to do War Of Will, it was like we’ve got to do something because we’ve been around. We knew we were going to [Rockstar] Mayhem [Festival]. We were doing big shit so this has got to be good. There was pressure. Metal Blade – on the first album, they were like ‘alright we’ll take that.’ On the second one, ‘alright we’ll need this…’ And on this one, the pressure was on. Third album – this is pretty much make it or break it, and I hope we make it. I hope we made it. Tour experience, playing with bands and it all came together.”
Battlecross has ventured around the globe but there are still some spots they would like to hit on this upcoming tour run. “I want to go to Australia. I got to go to Germany. I got to go home. That was awesome. That was always a life goal to go to Germany and I’ve been twice. Even my sister was like ‘you motherfucker…’ That was cool.”
Their hard work has been noticed by many people, but Gunther shared one of the compliments coming from an unexpected place. “It’s really cool when Matt [Byrnes, drums] from Hatebreed was like ‘hey we’re gonna hook you guys up for a tour…but you already have a tour! You’re always touring.’ So that’s actually a really big compliment for me from the Hatebreed dudes.”
On The Road… with The Summer of Doom Tour
“The Summer of Doom” tour is underway and stomping across the land. Doom is less of a misnomer than you think, although none of these bands on the bill can claim to be true doom purveyors, solely. Obviously Crowbar brings the heaviest of the heaviness to any bill. Kirk Windstein’s legendary gift for sludged out riffs and grooves has never shined more true than on their recent album, 2014’s Symmetry In Black (eOne). The band has also never been better live than they are right now. Meanwhile Battlecross is ramping up to their crucial new album, Rise To Power (Metal Blade) due out on August 21st. Always one of the most intense and fun bands in concert, the band delivered a powerful performance indicative of an act on the rise. Lord Dying (not pictured) is riding high on the strength of their recent album Poisoned Altars (Relapse). It’s always a jam fest when Lord Dying takes the stage. Captured here by Meg Loyal Photography at their stop at the Worcester Palladium, if loud guitars, diverse bills and lots of headbanging and moshing is your thing, be sure to catch The Summer of Doom at a venue near you.
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Exclusive Stream: Into The Divine- Harbinger of Entropy
Today Ghost Cult brings you the début EP release from Indiana’s Into The Divine, Harbinger of Entropy. Though mainly a technical death metal act at heard, the band is not afraid to experiment with instrumental and vocal melodies, impressive guitar work, as well as old-school death and thrash influences. Formed in 2010, when its members were still in high school, the band has already opened for such diverse acts as Battlecross, Suicide Silence, Septic Flesh, Dark Tranquility and The Black Dahlia Murder. Look for the band to hit the road all summer long to support Harbinger of Entropy. Stream the full EP below:
Into the Divine is:
Cole Chavez -Guitar
Michael McGinley-Guitar
Wes Holland-Bass
Jay Burch-Drums
Wilson Sherels-Vocals