As a part of the early djent movement of bedroom projects that also birthed the likes of TesseracT, the multinational Skyharbor, despite gaining a decent critical reception, almost feel like the forgotten sons in comparison to many of their peers. Two excellent albums in Blinding White Noise and Guiding Lights (both Basick) saw a particularly innovative approach within that sphere, with increasing progressive influences throughout, yet didn’t see them quite reach the heights of the likes of the aforementioned TesseracT or Monuments. Continue reading →