Audio: Lower Than Atlantis -The Reason


lower than atlantis black editon

UK rockers Lower Than Atlantis are streaming their new single, ‘The Reason’, from their recent Lower Than Atlantis: Black Edition album. You can hear the track at this link or below:

 

Lower than Atlantis also recently made their cover of Vanessa Carlton’s hit song ‘A Thousand Miles’ available to stream. Listen to it here:

 

Lower Than Atlantis: Lower Than Atlantis Black Edition track listing

CD 1

1. Here We Go

2. Ain’t No Friend of Mine

3. English Kids In America

4. Criminal

5. Words Don’t Come So Easily

6. Emily

7. Stays The Same

8. Live Slow, Die Old

9. Damn Nation

10. Time

11. Just What You Need

12. Number One

CD 2

1. Get Over It

2. The Reason

3. I’m Partying

4. Superhero

5. Sewer Side

6. Real Love (Live Lounge Performance)

7. Am I Wrong (Live Lounge Performance)

8. Strong

9. Wish You Were Here

10. Everybody Wants To Rule The World

11. A Thousand Miles

12. Here We Go (Alt Version)

13. English Kids In America (Alt Version)

14. Words Don’t Come So Easily (Alt Version)

15. Ain’t No Friend (Alt Version)

 

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Black Tide – Chasing Shadows


Black Tide chasing Shadows

There are a plethora of super young bands being scooped up by big labels left and right lately. Remember that when weighing the merits of wunderkind types, you need to judge slowly. From Mozart to Louis Armstrong, Sinatra to Little Stevie Wonder, Tori Amos to Jason Becker, Fiona Apple, Devin Townsend an now Adele; the bristling energy of a talented prodigy can make hearts pound. Recall that except for Adele, they didn’t have to deal with trolls on current social media who have neither talent nor any nurturing it seems. Since forming ten years ago Floridians Black Tide broke out with their explosive début Light From Above (Interscope), and they blew up as fast as their riffing little fingers were moving. In the years passed they have dealt with changing times, changing members, and a back biting scene.

However, the story does not end here and the arc of Black Tide’s career does fade out yet. Founder Gabe Garcia and longtime guitar partner Austin Diaz have matured past the Trivium-esque neo-thrash of their début and the active rock of Post Mortem to make an interesting mix of all those influences and much more. Chasing Shadows (Pavement Music) sees the band come into its own and becoming comfortable with uncomfortable: adulting in this cray decade.

When Chasing Shadows rocks, it blazes hot. After a dramatic classical intro ‘No Guidelines’ just rips. There is a confidence to match the talent now that has seasoned into form. Thrash, heavy metal, harmony guitar solos, great singing: all in the kitchen sink of well written songs. ‘Angel In The Dark’ has a faint hint of a pop-rock chorus, but doesn’t lose the script of a ballsy rocker. ‘Predator (Animal)’ is the best song on the album. Gabe and Austin are super talented shredders and when the band lets their inner Iron Maiden loose, you are sure to smile.

There are other worthy gems on here such as the title track, the stellar ‘Before We Form’ and the epic thrash closer ‘Promised Land’. There are some missteps too, and despite some competently performed balladry the band will always fall nearer to mid-era Avenged Sevenfold and Bullet For My Valentine than Shinedown or Seether. Nothing wrong with that at all by the way.

7.0/10

KEITH CHACHKES


Audiotopsy – Natural Causes


Audiotopsy-Natural Causes 16_Page_Booklet.indd

I’ll admit it. I’m one of those dudes who would like to have another Mudvayne album. I really would. I’d actually settle for a final tour just to get a proper sense of closure for that band. But I’ll just keep waiting.

In the meantime though, the artists formerly known as Mudvayne, particularly guitarist Greg Tribbett, have stayed busy in a variety of bands. Tribbett was doing time with vocalist Chad Gray in the musically inferior Vinnie Paul project Hellyeah until he walked in 2013. Wasting little time he recruited Mudvayne drummer Matt McDonough, Skrape singer Billy Keeton and bassist Perry Stern for a “progressive hard rock” act dubbed Audiotopsy. I’m not sure about the progressive tag, but the music on Natural Causes (Napalm) tends to fluctuate from alternative metal to post-grunge. 

On paper the idea of Tribbett and McDonough working together again seems awesome, but the angular and off-kilter Mudvayne rhythms are nowhere to be found here. The closest we get to those days is on ‘Distorted’ and ‘Darken the Rainbow,’ but even then it’s more Lost and Found rather than L.D. 50. And that’s fine because this is a new band and they’re capable of producing their own interesting moments. The best bits on Natural Causes are the songs more in line with grunge (God, I hate that word) like ‘LYLAB’ and ‘The Calling.’ Then you have the strongest track ‘Swim’ which also happens to be the closest to mellow.

Natural Causes starts to show its cracks with songs like ‘Headshot’ and ‘Burn the Sky’ as they feel more like placeholders as opposed to fleshed out compositions. It could have been a noteworthy EP as opposed to a full length that’s been padded out with ideas that haven’t been fully realized. Do we really need interlude ‘H20’ smack in the middle of the album or the three-minute title track outro? Who does outros?

Maybe we can chalk it up to the short gestation period between band formation and album release. These are the growing pains that lead to musical polish. It’s fine, I can wait.

5.5/10

HANSEL LOPEZ


Watertank – Destination Unknown


Water Tank album cover 2015

Save for the album title, Destination Unknown (Solar Flare Records), from the French Alternative Rock outfit Watertank, is a focused and honed full-length, featuring memorable riffs and emotive harmonies that resonate long after album’s end.

Destination Unknown is the nine-song follow-up to the Nantes-based band’s 2013 debut, Sleepwalk. Clocking in under forty minutes, Destination Unknown takes to typical Alt-Rock tenants with ease: melodic riffs, anchored by pummeling percussion, deliver the band’s brand of all-purpose “heavy” through down-turned guitars, pristine production quality, and thoughtful songwriting.

Opening track ‘Automatic Reset,’ introduces Watertank’s sonic signature in big refrains and assertive vocals, as second track, ‘Fever,’ plays as a Foo Fighters-style, chord-driven anthem. Favorite track, ‘Contrails,’ calls up post-90s riff Rock ala Verve Pipe or Jawbox, and Watertank is expert in mingling precision and fuzz for the era-reminiscent sound.

‘DCVR’ follows with heart-bending notes, and the ‘Last Lost Hope’ is the album’s most sentimental and melancholically sweet. Watertank conjures up considerate melodies on ‘Surrender,’ which truly reign and ring on ‘Doomed Drifters’ and ‘Scheme,’ which deepen in the songs’ overall soft skin.

Closing track, ‘Destination Unknown,’ quiets the album to a close, and reflects and rests upon the album’s steady, consistent hearth.

Destination Unknown soars in equal insouciance and solidity, and each track composes a harmonious sum that is overall enjoyable and moving.

6.0/10

LINDSAY O’CONNOR


Klogr – Make Your Stand EP


Kloger Make Your Stand EP cover 2015

Italian-American group Klogr have release their new EP Make Your Stand, and they really set expectations high on how to release an EP. It’s mostly due to the fact that along with the three brand new tracks, Make Your Stand also offers ten tracks from their past releases that was recorded live. It’s refreshing to see an EP that clocks in nearly at an hour. A live album and EP packed into one. Now how is the music?

 

Klogr play a form of alternative metal, walking along the thin line between rock and heavy metal. They remind me of the sound you can expect from a project involving Mark Tremonti, best example being Alter Bridge. You’ll definitely understand where I’m coming from once you hear the opening track ‘Breaking Down’. At first it sounds a bit thrashy, then switches to a much more melodic groove to compliment Rusty’s clear vocals. Like clockwork the song continues to switch between the two. The second track ‘Make Your Stand’ is much like the first with more of an alternative metal riff than thrash. The third and final new track ‘Breathing Heart’ has much more emotion and atmosphere. Could call it the token power ballad of the album.

I will say with the live portion of the album I have a nitpicky critique. It could translate well when you see them live in person, but listening to the EP there where moments where it didn’t feel live. The performance sounds so well polished, that at times it doesn’t even feel or sound like it was recorded live. I’m not much of a fan of alternative metal. I do however agree that Klogr are great at what they do, and if you enjoy alternative metal acts such as Alter Bridge, definitely give this band a shot.

6.5/10

DEREK RIX


Finger Eleven To Release New Album, Video Premiere Today


finger eleven five crooked lines

Veteran Canadian hard rock act Finger Eleven will release a new album this summer, titled Five Crooked Lines via The Bicycle Music Company/Concord Music. The first single from the album, ‘Wolves and Doors’ including a music video which premiered today. Watch the video below:

http://vevo.ly/nRrSpV

The JUNO award-winning band (2007) crafted their new record in Nashville with Dave Cobb (Rival Sons, Sturgill Simpson, Jason Isbell). Singer Scott Anderson explains the meaning behind the title of the album:

For me it’s symbolic of fortune and luck and how fragile those things are… In one instance you’ve got five crooked lines, which in one position is just a heap of bent sticks. But in the right way, they make a star, which is the most glorious shape there is.”

Finger Eleven has an extensive tour booked, including a string of dates with fellow countrymen Three Days Grace.

Finger Eleven tour dates:

Jun 13: Sound of Music Festival – Burlington, ONT.

Jun 18: Krautfest – Franksville, WI

Jun 19: Iowa Speedway (NASCAR Camping World Truck Series) – Newton, IA

Jun 20: Mojoes – Joliet, IL

Jun 21: Ground Zero – Traverse City, MI

Jul 03: Festival Hommes – Fort Warwick -Warwick, PQ.

Jul 09: Stage AE – Pittsburgh, PA

Jul 10: Com Ground Music Festival – Lansing, MI*

Jul 11: LC Pavilion – Columbus, OH*

Jul 13: Cannery Ballroom – Nashville, TN*

Jul 14: Diad Pub Concert Hall – Louisville, KY*

Jul 15: Limelight – Peoria, IL*

Jul 16: Rock Fest – Cadott, WI

Jul 18: Moondance Jam – Walker, MN

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Periphery – Juggernaut: Alpha / Omega


'Juggernaut: Alpha'

‘Juggernaut: Alpha’

If I’ve learned anything from the internet (aside from cat’s secretly ruling the world) it’s that Periphery is the worst thing to ever happen to metal.

Or it’s that Misha Mansoor arrived on earth with the sole purpose to teach us plebs what guitar playing should really sounds like.

Yeah, the internet is split like Democrats and Republicans when it comes to this Maryland collective.

Their ambitious latest undertaking, double album Juggernaut: Alpha and Juggernaut: Omega (Sumerian) will only strengthen that electronic divide. With Alpha and Omega running 42:55 and 40:36, respectively, ambitious is the best way to describe the much discussed follow up to 2012s Periphery II.

Everyone knows double albums are a tricky proposition. Particularly for metal or rock bands. Us metal fans are a fickle bunch. We love to denounce when a band drastically alters their approach (cough, In Flames) and piss and moan when they decide to stay the course (i.e. Cannibal Corpse’s discography). So the challenge here is twofold: how do you please the audience while keeping their attention for the span of discs worth of material? I grew up in the 90s. I remember Use Your Illusion I and II. Those are not good memories.

Fortunately for the peripherals, Periphery have, for the most part succeeded at retaining listener’s attention all while making bold, refreshing sounds.

'Juggernaut - Omega'

‘Juggernaut – Omega’

Both Alpha and Omega feature their heaviest music as well as some of the most melodic. If there was any common sense (and taste) left in commercial rock radio, tracks like ‘Priestess’ and ‘Heavy Heart’ would have found a home on their airwaves. With that said, be prepared to get your ass handed to you by the seven string attack Mansoor, Mark Holcomb and Jake Bowen bring on ‘22 Faces’ and ‘Graveless.’ There’s also the opportunity in track ‘Omega’ for Periphery really to get their prog going. It passes the 11 minute mark without sounding like a second rate Meshuggah or Dream Theater. Most of their peers couldn’t pull that stunt, let alone a double album.

From what I gather, the reason Juggernaut getting the dicey double album format is its narrative. Alpha chronicles the birth and rise of our protagonist, while Omega details the trials and tribulations of said character. And quite frankly, I didn’t follow the narrative. While I can certainly appreciate them taking the creative chance, it feels a bit unnecessary. By eliminating the narrative and trimming some of the instrumental interludes on the first half, it is very possible to have all the great music on one disc as opposed to two. But that’s really more of a nitpick.

A few years back I felt Periphery seemed on track to become the new Killswitch Engage. That analogy still fits. Much like Killswitch shed itself of the metalcore stigma, Periphery, through strong songwriting and not playing it safe, have successfully shaken any association with djent. Now that they can’t be pigeonholed to djent or the “Sumerian sound” it leaves Periphery open to be viewed for what they truly are, a brilliant metal band.

Who cares what the internet says.

periphery

9/10

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HANSEL LOPEZ


Fortunate Sons – Sam Loeffler of Chevelle


 

Reaching seven albums in 15 years is quite the success story for Chicago hard rockers Chevelle, as they continue to put out strong records and winning over new fans everywhere they perform.

During their recent stop at the Wiltern Theater in Los Angeles, CA, the band was on a West Coast tour behind their latest release, La Gargola (Spanish for ‘The Gargoyle’), in front of a packed house.

It’s been selling out a lot,” said drummer Sam Loeffler, talking about their US tours. “The US is so big. We’re still opening up markets, especially if you haven’t been somewhere for four, five or six years. So in that case, we played a couple markets that we haven’t played before. We’re trying to go to Canada as we can. There are a lot of markets we’ve never been to or been to in a long time. North America is very big.”

They have been playing various songs off of La Gargola (Sony), which has been met with anticipation from their fans. While the public has grown familiar with their melodic hard rock sound, the band was up for the challenges of creating newer songs that kept their sound growing without being repetitive.

This is album number seven. I don’t know if there’s necessarily a different mindset,” he said, talking about the making of La Gargola. “It’s just at this point we’ve published over 90 songs, so you’re only interested in writing songs that don’t sound like your other songs. So I think the songwriting process might be a little bit longer because you want to do something different. We’re a hard rock melodic band and still write songs like that because that’s what’s appealing to us.”

They worked with veteran producer Joe Baressi (Bad Religion, Tool, Coheed and Cambria) once again on La Gargola. Being familiar with his working style, the members of Chevelle got to experiment a bit more on this one and throw around different ideas this time around.

We did Hats Off To The Bull with Joe as well. This was our second record with him. Joe is really an experimental producer. It makes things go fast because he knows what all of his gear sounds like. He’s got like 30 to 40 amplifiers, a bunch of weird instruments in his studio. The place is packed with instruments. So being with him, I don’t know how we would do it with somebody else at this point. The more we used Joe, the more experiments we have. It’s a perfect set up because that’s how we are. As a band, we don’t want everything to sound the same.”

With Hats Off To The Bull, when we got sounds, for the most part we would mix up the sounds. It’s real consistent in tone – the guitars, bass and drums. Whereas this one, we really changed the tone on every single song. That was a lot more work. But we wanted to make each song sound completely different from the last one. I think they do.”

 

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With Chevelle entering album number seven, they encountered the challenge of keeping ideas fresh and not repeating ideas from past material. Many bands who reach this point in their careers often face similar dilemmas, but Loeffler and the band were up to the challenge of dodging this obstacle.

I think it definitely is a challenge. Pete [Loeffler, singer/guitarist] is our principle songwriter. He writes all the lyrics. I think a big part of it is he gets influences from all different kinds of places, just from what’s going on in the world. That helps makes a different thing for each song. He’s not just writing about high school relationships or relationships at all, for that matter. He writes about zombies and something he saw on television that is an accounting error. It’s all different topics that encompass anyone’s life rather than one simple thing. That adds to where the song’s going. “

La Gargola also marks the fourth album with bassist Dean Bernardini, who replaced their biological brother and former bassist Joe Loeffler, in 2005. With each record, Bernardini has grown with the band and continues to evolve within their sound.

He’s always been important to us and am important person in our lives. When he joined the band, we were able to grow the way we needed to grow. Sometimes things don’t work between people, but in our case, we really work well together.”

In that case, it improved the chemistry. I think most bands have leaving members – people coming and going. That’s just the reality of a business, not to mention a family. It went the way it was supposed to go.”


“Dean’s our brother in law. He does have a different last name but we are definitely like family. We are family in marriage. We’ve known each other for 22 years. We were friends and played in bands way before he played in this band,” said Loeffler.

 

chevelle wwn


Loeffler briefly looked back at the band’s career until today. “We played our first show as Chevelle, probably in 1993 or 1994. But our first record came out in 1999. So 15 years of recording and touring ‘professionally.’ “

Seven records in 15 years is an amazing career for anybody in this day and age in rock music. I tell people all the time – your chances of having a successful rock band…you’re more likely to win $10 million in the lottery. People win that every week across the US, but two or three rock bands a year have some success. That’s a very defeating fact, but we need rock music. We need to good rock bands. Not to say there aren’t some now…there are, but we always need new ones. We’re interested to see who the next crop is.”

As for future touring, Chevelle will continue to move forward with writing new material and more touring in the near future. But in between this time, family life has been squeezed into their schedules, keeping their lives exciting in another way.

Pete is about to have his first. My wife and I had our first ten weeks ago. Dean has a two year old and a six year old. Like anyone else, we’re at that age where you want to have a family.

You have to balance it all but this is our passion. We’re here because we’ve always been in love with music.”

 

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REI NISHIMOTO


Wovenwar- Wovenwar


wvwar

 

Wovenwar is a band that should not exist, but they do. I was excited to hear what the guys from As I Lay Dying were going to do next. They have a clean slate now and can go anywhere and with this album, and they did. Their new band are a blend of the heaviness that you know from them, plus an extremely melodic commercial side not really seen before. IF you were expecting Part 2 of their old band, look elsewhere.

 

Once again they guys teamed up with producer Bill Stevenson and mixed by Colin Richardson, who did the last AILD album. It’s another sonic juggernaut. This album is full of catchiness, it feels like any given song could be one of those radio hits from back in the day. From the opening track ‘All Rise’, singer Shane Blay of Oh, Sleeper fame, shows you that he’s a different voice than you’d expect to hear with these guys. He has a great vocal attack that fits perfect with this ‘Profane’ and ‘Sight of Shore’. There’s a few banging vocal sections spread over this album that just crush. Jordan Mancino’s drums are really solid here on ‘Tempest’. He has this great Meshuggah flavored ending that I just love. Bassist Josh Gilbert is heard playing effortlessly on everything. He just stands out, and when he gets to toss in his vocals on tracks like ‘Matter of Time’ and ‘Prophets’ it just adds so much more dimension to Shane’s sound. There’s some mighty fine solo work all through out thanks to the guitar team of Nick Hipa and Phil Sgrosso. ‘Death to Rights’ & ‘Ruined Ends’ show off some pretty bad ass riffs.

 

I think this record is a grower. A few spins, and it all sinks in. Except ‘Moving On’ that one gets stuck in the head from first listen. I don’t know if they were purposely trying to distance themselves from their past or just organically branching out. Either way it’s a solid record that I think could have been just a little more edgey.

 

8.0/10

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OMAR CORDY


Flyleaf Release Their New Video For Set Me On Fire


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Flyleaf recently completed their first video for ‘Set Me On Fire’ in Los Angeles, CA for their forthcoming record titled Between The Stars, due out September 16, 2014 via Loud & Proud. This is the first song featuring new vocalist Kristen May.

 

The video premiered today on Billboard’s website.

 

 

This is the lead single from their forthcoming album, and like the title, Flyleaf went for a song with impact and a theme that longtime fans could easily digest.

 

It’s an empowering song,” explained guitarist Sameer Bhattacharya, about the song. “It’s about discovering who you are, discovering your strengths, and your potential.” Following a common theme about positivity in their lyrics, ‘Set Me On Fire’ stuck to that and once again pieced together a song that would win over longtime fans.

 

It’s not that we want it for ourselves. I think a lot of people lost hope in themselves and their potential, for their lives. I think it’s important for people to realize that they could be bigger than they could ever dream. The potential is unlimited and that’s real. It’s not some dream you had as a kid or some fantasy. There’s a power out there that’s bigger than themselves and it’s open to you.”

 

Bhattacharya talked about the making of the video. “One thing we’re not going to do – there’s no CGI,” he said, explaining the making of the video. “It’s something new and very theatrical with backdrops and projections. It’s in real time.”

 

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